Silk 2 (1989)-* * *
Directed by: Cirio H. Santiago
Starring: Monique Gabrielle, Peter Nelson, Jan Merlin, and Maria Claire
Jenny “Silk” Sleighton (this time, Gabrielle) is back for this second and final installment. For this outing, the beautiful and tough Hawaii cop is out to bring down criminal mastermind Hancock Gish (Merlin), the interestingly-named art enthusiast whose goal is to steal precious, ancient Japanese scrolls. Silk ends up meeting a spunky tourist, Holly (Claire) and a guy who really hates art forgery, Tony (Nelson) and the three unlikely allies end up working together to stop Gish. In the meantime, Silk does what she does best, take down baddies in her own inimitable way. Will they succeed?
It was a surprise to us too, but, yes, there is, in fact, a Silk 2. Apparently the first one was enough of a success to spawn a sequel, but not successful enough for Cec Verrell, the original Silk. Why they didn’t make it a trilogy remains unknown.
The by-now-well-known Monique Gabrielle steps in, and does a fine job. Her completely wooden, flat affect is a lot of fun to watch, and her outfits, such as an acid-washed jean jacket and matching skirt (or is it stone wash? Not really sure...) complement her beauty nicely and firmly place this movie in the 80’s. It came out in the video store golden year of 1989 - as if to prove the fact that the video store was booming then, Silk 2 is the first of FIVE movies that star Peter Nelson appeared in just that year.
Once again, none of the other characters comment on the seeming misplacement of Jenny Sleighton on the police force, which is good, and the combination shower scene/fight scene is without a doubt a movie highlight.
There are plenty of classic cliches that we now know and love, such as the time-honored Wacky Taxi Driver, among many others. It all adds to the sense of fun. Like we’re always talking about, the word “cliche” need not have a negative connotation.
And since this is a Corman production, there are plenty of connections to be made, such as: Sally Mattison is credited as Associate Producer, and she was the director of Slumber Party Massacre III (1990), which featured Silk 2’s Maria Claire. Claire only had a small handful of roles, which is sad, because she has a very winning look and personality. She also chose interesting roles, because besides the two already mentioned, she was in Society (1989), once again a 1989 classic. As far as other cast members go, Avellana plays a guy named Kashi, and based on this we assumed his last name was “Go Lean Crunch”. I think we were wrong.
The movie has a great opening...in fact, it’s the same opening sequence as Silk 1. (This time it’s Arab terrorists, and Monique Gabrielle is fighting them, but still, it’s the same). We still need to see that Silk is a woman of action who takes no prisoners, so...here we go again! Silk 2 is filled with dumb, seemingly random scenes, but it has a lot of blow-ups, stunts, and shooting, with the classic Cirio touch. Whether that’s a good thing or not is only for you to decide. But there are some cool keyboards on the soundtrack, and with an impressively accessible running time of 75 minutes (and that includes credits!), there’s really no reason to avoid Silk 2.
Comeuppance Review by: Ty and Brett
6/27/2013
6/25/2013
Skinheads (1989)
Skinheads (1989)-*
Directed by: Greydon Clark
Starring: Chuck Connors, Barbara Bain, Brian Brophy, Liz Sagal, Jason Culp, and Dennis Ott
A small group of skinheads led by Damon (Brophy) are apparently tired of harassing elderly store owners, so they take a skinhead vacation to the rural mountains. When further harassment of the locals such as restaurant owner Martha (Bain) leads to murder, a young couple who witness the incident, Amy (Sagal) and Jeff (Culp) go on the run in the woods trying to stay one step ahead of the skinheads and their underlings such as Brains (Ott). Luckily Amy and Jeff run across the cabin of Mr. Huston (Connors), a grizzled World War II veteran. Together they alternately fight and run away from the skinheads until the final confrontation. What will happen?
Unfortunately - very unfortunately - Skinheads is a huge disappointment. Rather than seizing this opportunity to say something incisive, unique, interesting or different about skinheads, instead here they are just generic baddies. They just as easily could have been bikers, crazed backwoods folk, a militia group of some kind, or a group of enemies with no affiliations whatsoever. Most of the movie consists of Amy and Jeff running away from the skinheads, and it gets very repetitive. Skinheads - the movie - has the wrong plot for its idea. By that we mean, you think it’s going to be an urban tale about the evil of neo-Nazis and those who stand against them. Instead, improbably, it’s a wilderness slog where characters come face to face with bears and sleep in sleeping bags on the forest floor.
As the evil racist leader of the skinheads, Brian Brophy looks alarmingly like “Vinny” from Jersey Shore. (Don’t worry, we're ashamed we know what Vinny even looks like). His skinhead buddies have swastikas tattooed in the corner of their foreheads, and drive around in a white van with a huge swastika painted in black on the side of it, next to a circle-A “Anarchy” symbol. These anarchist-fascist youngsters have named this completely inconspicuous vehicle the “Death Van”, just as the Scooby Doo gang have named their van the Mystery Machine. They have also spray painted a swastika on their blinds at home, so you know they’re serious. They also have a poster of Hitler on their wall (where do you shop for one of those?) next to an S.O.D. poster, which truly shows the cluelessness of this production, as anyone who knows that band would know that placing them in this context is a complete absurdity, they are about as far from a skinhead band as it’s possible to get.
Interestingly enough, fellow on-screen skinheads Brian Brophy and Dennis Ott were both in the classic Road House (1989) - the same year as Skinheads. The great year of 1989 of course. The movie industry sure is funny, isn’t it? The main reason we rented this is because of the presence of fan favorite Chuck Connors, and while he’s decent in it, it’s not really one of Chuck’s best. The movie on the whole doesn’t SAY anything about the skinhead subculture, it doesn’t illuminate anything, or offer any solutions. But it does have a Motorhead-like song that plays often with some crazy guitar solos. Not that a low-budget exploitation movie directed by Greydon Clark has to be some sort of socially redeeming thing, but there’s seriously nothing here except mindless chases that wear on the viewer very quickly.
Far from the “Second Coming of Hate”, as the movie’s subtitle promises (unless it’s referring to how you’ll feel about the movie after watching it), Skinheads is dumb when it doesn’t have to be. A shame, really.
Comeuppance Review by: Brett and Ty
Also check out a write-up by our buddy Keith from The Unknown Movies!
Directed by: Greydon Clark
Starring: Chuck Connors, Barbara Bain, Brian Brophy, Liz Sagal, Jason Culp, and Dennis Ott
A small group of skinheads led by Damon (Brophy) are apparently tired of harassing elderly store owners, so they take a skinhead vacation to the rural mountains. When further harassment of the locals such as restaurant owner Martha (Bain) leads to murder, a young couple who witness the incident, Amy (Sagal) and Jeff (Culp) go on the run in the woods trying to stay one step ahead of the skinheads and their underlings such as Brains (Ott). Luckily Amy and Jeff run across the cabin of Mr. Huston (Connors), a grizzled World War II veteran. Together they alternately fight and run away from the skinheads until the final confrontation. What will happen?
Unfortunately - very unfortunately - Skinheads is a huge disappointment. Rather than seizing this opportunity to say something incisive, unique, interesting or different about skinheads, instead here they are just generic baddies. They just as easily could have been bikers, crazed backwoods folk, a militia group of some kind, or a group of enemies with no affiliations whatsoever. Most of the movie consists of Amy and Jeff running away from the skinheads, and it gets very repetitive. Skinheads - the movie - has the wrong plot for its idea. By that we mean, you think it’s going to be an urban tale about the evil of neo-Nazis and those who stand against them. Instead, improbably, it’s a wilderness slog where characters come face to face with bears and sleep in sleeping bags on the forest floor.
As the evil racist leader of the skinheads, Brian Brophy looks alarmingly like “Vinny” from Jersey Shore. (Don’t worry, we're ashamed we know what Vinny even looks like). His skinhead buddies have swastikas tattooed in the corner of their foreheads, and drive around in a white van with a huge swastika painted in black on the side of it, next to a circle-A “Anarchy” symbol. These anarchist-fascist youngsters have named this completely inconspicuous vehicle the “Death Van”, just as the Scooby Doo gang have named their van the Mystery Machine. They have also spray painted a swastika on their blinds at home, so you know they’re serious. They also have a poster of Hitler on their wall (where do you shop for one of those?) next to an S.O.D. poster, which truly shows the cluelessness of this production, as anyone who knows that band would know that placing them in this context is a complete absurdity, they are about as far from a skinhead band as it’s possible to get.
Interestingly enough, fellow on-screen skinheads Brian Brophy and Dennis Ott were both in the classic Road House (1989) - the same year as Skinheads. The great year of 1989 of course. The movie industry sure is funny, isn’t it? The main reason we rented this is because of the presence of fan favorite Chuck Connors, and while he’s decent in it, it’s not really one of Chuck’s best. The movie on the whole doesn’t SAY anything about the skinhead subculture, it doesn’t illuminate anything, or offer any solutions. But it does have a Motorhead-like song that plays often with some crazy guitar solos. Not that a low-budget exploitation movie directed by Greydon Clark has to be some sort of socially redeeming thing, but there’s seriously nothing here except mindless chases that wear on the viewer very quickly.
Far from the “Second Coming of Hate”, as the movie’s subtitle promises (unless it’s referring to how you’ll feel about the movie after watching it), Skinheads is dumb when it doesn’t have to be. A shame, really.
Comeuppance Review by: Brett and Ty
Also check out a write-up by our buddy Keith from The Unknown Movies!
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