4/24/2025

Extreme Force (2001)

 


Extreme Force
(2001)- * * *

Directed by: Michel Qissi

Starring: Hector Echavaria, Michel Quissi, Youssef Qissi, and Nikki Lemke





Marcos DeSantos (Echevarria), Cole (Youssef Qissi) and Bianca (Lemke) are a trio of thieves. But they're not your garden variety smash-and-grab types. They use slick and intelligent methods against high-class targets. After their latest score, Marcos wants out. He's not such a bad guy after all and he decides he's had enough. This doesn't sit well with the malevolent Cole, who is always on to a new score. Cole, being the baddie and all, shoots Marcos. This isn't a spoiler. It's just the beginning.



For some reason, some of the political higher-ups of Mongolia are visiting Orlando, Florida, where our trio of thieves are based. After Marcos gets shot, he is spirited away to the secret beachside base of said Mongolians. Part of his recuperation involves re-training everything he knows with the taciturn Martial Arts master Kong Li (Michel Qissi). He has to convalesce in much the same way Radical Jack once did. R-Jack didn't have Kong Li, but you get the idea. Once at odds, now partners, even Kong Li has to succumb to Marcos's winning charm.



What follows is a sort of Original Odd Couple revenge mission as Kong and Marcos try to find Cole to get justice (but not Cole Justice). Will our two heroes employ some classic EXTREME FORCE against the baddies?



It's called EXTREME FORCE. Of COURSE we're going to watch and review it! The only question is why it took so long to get here. Well, good things take time. Yes, the budget is quite low and the cinematography isn't exactly Kubrick-level. Just about everyone in the cast sounds post-dubbed, which gives an otherworldly feel to the proceedings. Especially with all the accents. But you're not watching Extreme Force for the technical whys and wherefores. If you're going to nitpick that sort of stuff, best avoid it altogether. But if you want to have some fun as Hector Echevarria and Tong Po...sorry, Kong Li, get involved in one silly beat-em-up fight after another, you may have a winner on your hands here.



There are not one, but two barfights. Clearly, with Qissi as director and co-writer, not to mention a plot that isn't the most intricate on God's green earth, special time and attention is paid to the fight scenes, which paid off. They're very fun to watch. A special highlight comes when Marcos and Kong are riding horseback in the countryside and they come across some bumpkins who want to steal their pants. That's right, I said pants thieves. You gotta watch out for 'em. Marcos, Cole and Bianca want diamonds and jewels, these dudes want pants. Circle of life. Hakuna Matata. Anyway, it doesn't go well for the bumpkins.


There are some pacing issues: after a fast-paced and fairly intricate fight scene, it takes seemingly double that amount of time just for Marcos to leave the building. There are other examples, but no matter. Hector Echevarria seems like his usual happy self throughout - he was in Los Bravos the same year; no wonder he was so happy. At one point he gets in the back of a limo and the driver is blasting this Latin music and he does a sort of sitting-down Merengue. You can't help but love it.


Then Marcos/Hector is in an elevator with two elderly women. The elevator stops and he gets out and walks away. The two oldsters then mention how he should be in Chippendales and say, "Look at THAT!", like Hector is the biggest hunk on earth. It's scenes like the above-mentioned that make Extreme Force Extreme Force. Even the end credits are Extreme - they blast in and out in a way that we've never seen before, but seems entirely appropriate to what we just watched.


If you liked Los Bravos, you should definitely check out Extreme Force. If you haven't seen that, and have no idea what we're talking about, see both anyway. Ignore the typical low-budget pitfalls and just have some fun.


Comeuppance Review by: Brett and Ty

3/24/2025

Soldier's Fortune (1991)


Soldier's Fortune (1991)- * *

Directed by: Arthur N. Mele

Starring: Gil Gerard, PJ Soles, George Buck Flower, Barbara Bingham, Janus Blythe, Cindy Guyer, Randy Harris, Wild Bill Mock, Juan Garcia, Grainger Hines, Ken Olant, Orestes Matacena, and Charles Napier






Jennifer Alexander (Guyer) and her friend Millie Prichard are just two high schoolers at cheerleading practice. Before they know it, they're being kidnapped by armed baddies who swoop down in a helicopter. Millie may or may not survive the attack. Jennifer's mother Susan (Bingham) does what any parent in that sort of situation would do: she immediately calls Robert E. Lee Jones (Gerard). A soldier of fortune (as opposed to Soldier's...Fortune), Lee, as everyone calls him, assembles a team of his former compatriots to execute the rescue mission.

Included in this team are T-Max (Flower), a grizzled old salt and current blues bar owner, Hollis Bodine (Haggerty), the town rabble-rouser and knife expert, his brother "Fresno" Bob Bodine (Mock), Low Eddie (Garcia), Big Sam (Harris), who is blind but has super-hearing, and maybe a few others. When Millie's sister Alex (Blythe) wants to join the fray, she has to overcome some classic "but you're a WOMAN!" sexism but eventually shows her mettle. But it's not going to be easy, because Col. Blair (Napier) is a longtime rival of Robert E. Lee Jones. Plus, he doesn't like him all that much. And Blair has a sidekick named Rojas (Matacena) who appears to be like Billy Drago doing a Marlon Brando impersonation. And what does Debra (Soles) have to do with any of this? Find out...today?

Gil Gerard probably hates George Peppard. One can only assume that he burned with jealousy, thinking that the "Hannibal" Smith role on the A-Team should have rightfully gone to him. Heck, their names even rhyme. Gerard probably feels the same way about Lee Majors. Once Majors became the beloved Fall Guy, Gerard must have thought he got screwed...again. Unless you count Soldier's Fortune, Gerard has been consigned to the dustbin of action history. He's just a guy with a lumbering walk who kind of looks like a cross between Treat Williams and George W. Bush. He has "Dumb Face" a la Howie Long and seems like he's going to say "HUH?" at any moment.

Thankfully, there are some quality character actors here to back him up. It was nice to see George "Buck" Flower in a solid role that isn't the town drunk. This time, he owns a bar. He's moving up in the world. His croaking voice is endearing and you gotta love him. He is also the Machine Gun Joe character this time around, but I guess he's "Machine Gun T-Max". T-Max sounds like a sort of VHS tape, but his bar sells "T-Max Tea", which is a must-try when you go to T-Max's.

We were happy Dan Haggerty was here as well. Napier gets slightly more screen time here than in Center of the Web (1992). For the supposed main baddie, we don't see him all that much. Seeing him more would have improved the proceedings overall. Ken Olandt of Digital Man (1995) fame also has a small role. Harris as Big Sam was a nice addition to the team. He was blinded by some sort of flash grenade on one of his earlier missions with Lee. As a man who is Black and blind, he took the only career path available to him: a blues guitarist.

While Soldier's Fortune features some things we like seeing: camaraderie among the assembled team, some 40-50-year-old punks, and some shooting-based action scenes (not to mention other classic cliches like the prerequisite torture of the hero (es)), it must be said that there isn't a ton of forward drive here, and no suspense whatsoever. It's all kind of staid. There are a smattering of standout details, like the bizarre scene involving a Chucky doll, the fact that Jennifer has a Bon Jovi poster on her wall, the strange names such as T-Max and Link Strutt (Hines), and the occasionally MASH-esque soundtrack. Not to mention Hollis Bodine's knife expertise. But it's all kind of middle-of-the-road.

The plot does prefigure Taken (2008) by many years, but instead of calling in Liam Neeson, she calls in Chad Everett....er, sorry, Gil Gerard, to handle business. If you were in a video store in 1991, with all the other choices on the shelves, it's hard to imagine anyone aggressively opting for Soldier's Fortune. With hindsight, and the advantages of history, we can appreciate certain aspects of it, mainly the solid B-Movie cast of familiar faces. But it all lacks a certain oomph, a certain punch that we've all come to expect.

Soldier's Fortune is by no means bad, but is missing some crucial ingredients to make it a film worth recommending.

Comeuppance Review: Brett and Ty