The Violent Breed (1984)

The Violent Breed (1984)-* *1\2

Directed by: Fernando Di Leo

Starring: Harrison Muller Jr., Carole Andre, Danika La Loggia, Woody Strode, and Henry Silva










Back when they were all in ‘Nam together, Mike Martin (Muller Jr.), Kirk Cooper (Silva) and Polo (Strode) were the best of buddies and they always looked out for each other: saving children, rescuing hostages and even pulling bullets out of each others’ bodies.  This team of soldiers worked together well, with their expertise being in surprise attacks. To the shock of Mike and Kirk, Polo willingly stays behind in ‘Nam.

Years later, both Mike and Kirk are CIA agents. It turns out that Polo is one of southeast Asia’s worst offenders when it comes to drugs and arms smuggling. He’s working with the Russians, the Mafia, everybody. So Kirk sends Mike to Bangkok to find his old compatriot Polo and stop his evil doings. While there, he meets a hooker with a heart of gold, thanks to the “comic relief” French madam (La Loggia), and they take on Polo’s army (yes, he commands his own army) of goons. And what is Mike’s girlfriend Sharon (Andre) up to? Dare you try to find out?

The Violent Breed is your classic jungle/exploding huts shoot ‘em up with constant gunfire and explosions. After a while, it all gets pretty numbing. Muller is the glib, wisecracking hero who always seems to land on his feet. While he fights the baddies, his Harrison-fu is on full display. Silva and Strode, both great actors, could have done much more with their meager roles.

 Director Fernando Di Leo has done considerably better work than this in his career, and everything in this film seems to drag on and on. Perhaps he was just trying to fit in to the then-current Italian action boom, but this one falls pretty flat. You’d have to be a pretty big Harrison Muller Jr. fan to try to track this one down. Seeing as we’ve reviewed FOUR of his movies to date, Comeuppance Reviews seems to be your one-stop Harrison Muller Jr. shop. Who else can claim that?

Seemingly a continuation of The Final Executioner (1984) formula (both have Muller and Strode), and again released by Cannon/MGM in those cool big boxes on VHS (as was its predecessor), The Violent Breed, despite its promising name, is middle-of-the-road action at best.

Comeuppance Review by: Ty and Brett

The Final Executioner (1984)

The Final Executioner (1984)-* *1\2

Directed by: Romolo Guerrieri

Starring: Harrison Muller Jr., Marina Costa, Renato Miracco, Karl Zinny, Cinzia Bonfantini, William Mang, and Woody Strode











Surely anyone reading this site is familiar with Italian post-apocalyptic movies, and The Final Executioner certainly falls into that sub-genre, but it is a decidedly second (or perhaps even third)-tier entry. Just imagine 1990: The Bronx Warriors (1982) or The New Barbarians (1982) crossed with The Most Dangerous Game (1932) with a dash of The Rules of the Game (1939).

After the nuclear apocalypse, a class system developed. A privileged, non-contaminated upper class, and the radiation-contaminated masses. Presumably to do double duty as a really entertaining sport as well as cleanse the population of “undesirables”, the rich invented a game: “The Hunt”, where they let loose the unwashed masses and shoot them for fun. The upper, hunting classes consist of  Edra (Costa), Louis (Miracco), Evan (Zinny), Melvin (?) and the flashy, mercenary-style hunter Erasmus (Muller). One day, a disgruntled member of the underclass decides to fight back. After the baddies kill his wife (Bonfantini), Alan (Mang) becomes intent on revenge against the hunters. Being an intellectual and having no fighting background, Sam (Strode), a former New York City cop, extensively trains Alan in the warrior arts. Will Alan and/or Sam wreak vengeance upon those snobby “hunters”?

The director, Romolo Guerrieri, was a journeyman-type director, having worked in many different genres over his long career, delivering product to keep pace with the varying trends in Italian cinema. You’d think someone with his filmmaking experience would have noticed the weird, sluggish pace and nonsensicality of what he was directing. Perhaps he DID notice this, so he gave the film a lot of exploitative elements, plenty of sex, nudity, constant violence, shooting, chases, blow-ups and even rape. Amazingly, this film is still boring. It just goes to show, if you have zero character development, the audience cannot become interested no matter how much sleaze and violence you throw at them.

Thankfully, this does have most of the hallmarks of the Italian post-nuke world we’ve come to know and love: absurd dubbing, motorcycles and cars with crazy, “futuristic” appliances on them, unbelievably wacky costumes and the like. Interestingly, this also has a comment on the Italian class system, using the apocalyptic wasteland as a backdrop for it. Perhaps the filmmakers had Salo (1975) in mind, but the end product is junky and uninspiring.

But it does have a nice electronic score, and it is worth noting that the movie is called The Final Executioner, and there is a scene with a flamethrower, recalling the two Exterminator movies. Could that be a coincidence?

Released by Cannon, the VHS in the U.S. was put on shelves featuring the memorable silver big box. If you’re looking for a good example of Italian post-apocalypse movies, this is not a good example to start off with, but the presences of Harrison Muller Jr. and Woody Strode are among its redeeming qualities.

Comeuppance Review: Brett and Ty