10/29/2021

Red Heat (1988)


 Red Heat
(1988)- * * *1\2

Directed by: Walter Hill

Starring: Arnold Schwarzenegger, James Belushi, Ed O'Ross, Brion James, Gina Gershon, and Peter Boyle









A violent, drug-dealing baddie named Viktor Rostavili (O'Ross) made a huge mistake. He shot and killed the partner of Moscow policeman Ivan Danko (Arnold). After Viktor flees to Chicago to continue his evil ways by associating with a gang called The Cleanheads, Danko follows. The no-nonsense Danko has only one thing on his mind: bring Viktor back to Russia to face justice. When he's teamed up with wisecracking Chicago cop Art Ridzik (Belushi), their personalities don't exactly mesh...at first. As cultures cross, mutual respect and cooperation grows. But are Danko and Ridzik in over their heads? Will they work together to bring down the baddies? You probably already know the answer...it's time for some RED HEAT!

Red Heat is a time-tested winner and an obvious 80's buddy cop classic. It was a mainstay on cable and on VHS during the golden age of the video store. Even people who aren't as die-hard into action movies (if you'll pardon the turn of phrase) as we are have likely seen it. Because it's a mainstream Hollywood production, it has all the high-quality production values you would expect it to have. The writing and direction by the great Walter Hill is, of course, excellent. It's total entertainment and a blast to watch from start to finish.

Arnold as Ivan Danko pioneered the "non-Russian playing a Russian" that Dolph specialized in later on in his career with such outings as The Russian Specialist (2005) and The Killing Machine (2010), among others. Now it's almost commonplace to do that, but Arnold was first. Speaking of similarities between Arnold and Dolph, Ivan Danko has the same "Russian Haircut" that the similarly-named Ivan Drago has in Rocky IV. Apparently filmmakers thought that having a square, spiky brush cut said to the audience "I'm a stony, humorless Russian". 






Of course, there is a lot of humor in the film, and it all works quite well. It's classic Arnie all the way. He makes a lot of great faces and has a ton of amusing stone-faced looks that he gives throughout the proceedings, mainly at Belushi. Those reactions are worth the price of admission alone. The timing and the chemistry between Schwarzenegger and Belushi is fantastic. It's a crucial element in any buddy cop adventure and here everybody nails it.

Red Heat can stand tall in the canon of the buddy cop action comedy boom of the 80's. It delivers what you want in spades. Remember when Jay Leno and Pat Morita were "As different as Hot Dogs and Sushi"? Well, as fondly as we remember Collision Course (1989), Red Heat is even better. I know, hard to believe. In part because of the power of Hollywood and Walter Hill, not only does the film have a great look to it, but there are plenty of fine character actors to fill out the cast. 






Standouts include Gina Gershon as Cat, the dance instructor caught in the middle of all the mayhem (and yes, there is one dance instruction scene), Peter Boyle as the harried police captain, Donnelly (aren't they always harried?) - although it must be said he doesn't really yell at Danko and Ridzik all that much, so he just barely misses the label of WYC but in spirit he really is. Laurence Fishburne is a fellow cop, Sven-Ole Thorsen is a shirtless Russian, and Brion James is, what else, a baddie underling. We could go on and on, but it all adds up to a lot of color and interest for the viewer.

I know we're having a lot of fun here today, but I do think it's important to quickly pause and remember the cultural context. In 1988, relations between the then-Soviet Union and America were typically frosty. TV news often reported on what was going on behind the Iron Curtain, and it usually took on an ominous tone. However, in just a year or two, the Berlin Wall was going to fall and presumably a thawing of the relations was in the offing. So the zeitgeist was perfect for a film like Red Heat, which mirrored that geopolitical situation in its own way. Perhaps less successfully, so did a film like Russkies (1987).

Anyway, they don't make movies like this anymore, which is a real shame. At least we have our VHS tapes, DVDs, and Blu-Rays to preserve this golden time of filmmaking. Just recently, Red Heat was released on 4K, which, as of this writing, not all that many films have been. The fact that it was chosen for a 4K release says a lot. I think its legacy is assured for a long time to come.



Also, it was nice to see the original bus chase. As you may know, both Rangers (2000) and Running Red (1999) used recycled Red Heat footage in their "bus-chase" finales. As we said, the legacy lives on. Featuring some classic sax on the soundtrack as the finishing touch to this 80's classic, it's very, very easy to love Red Heat.

Comeuppance Review by: Brett and Ty

10/22/2021

Fight Valley (2016)


 Fight Valley
(2016)- * * *

Directed by: Rob Hawk

Starring: Miesha Tate, Cris Cyborg, Chelsea Durkalec, Kari Kramer, Susie Celek, Cabrina Collesides and Erin O'Brien








On the mean streets of Camden, New Jersey ("the murder capital of America", as we're informed), there is an undisclosed location where girls go to fight. Naturally enough, it's called Fight Valley. It seems only the shady underground fight promoters and the fighters themselves know where it is. When one of the ladies, who is a bit more untrained than the other, more hardened fighters, enters Fight Valley, trouble follows. Tori Coro (Durkalec) finds Fight Valley...but never leaves. Soon thereafter, her sister Windsor (Celek) endeavors to find out what happened to her.

The problem: Windsor comes from an upper-middle class or possibly rich background, and she doesn't fit in at all with the dwellers of the ghettos of Camden. Despite their socioeconomic differences, Windsor ends up befriending the "Knockaround Girls" - Tori's friends Jabs (Tate), Duke (O'Brien), Yanni (Kramer), and Jamie (Collesides). When it becomes apparent that the evil, Tong Po or Ivan The Russian-style baddie is a frightening woman named Church (Cyborg), Windsor and all the others train their hearts out for a big, final showdown in Fight Valley. Who will emerge - if I may borrow a phrase from Tori Spelling (as I often do) - vicTORIous? You'll find out soon enough...




Yes, Fight Valley is a low-budget Punchfighter with non-professional actors. But it's got heart, and, dare we say, charm. We here at Comeuppance Reviews are incredibly impressed that this film was completed and released to the world. It's on Amazon Prime, DVD, cable, and presumably it will hit other formats such as Blu-Ray at some point in the future. It was clearly a labor of love and we respect that. To all the haters out there who are crying into their Tapout shirts and proclaiming this is "the worst movie ever!!!!!" we say: you try doing what the makers of Fight Valley did. How many movies have you made? Oh, zero? Okay. Come back when you've actually risked something, created something, and released something.

In the meantime, all of us non-haters can brush aside the negativity and see that the Fight Valley cast and crew were trying. That goes a long way with us. Sure, it's not perfect and it has its flaws, but we say that about big-budget Hollywood productions. We try to judge everything on a level playing field. Much like Fight Valley itself. Viewers should expect going in that you're not going to get Master Thespian-level acting, but is that why you're watching Fight Valley to begin with? Just about everyone in the cast speaks with what you might call a 'flat affect', which we found endearing, not irritating. 




Compare that to Chokehold (2019), where the female fighters also had flat affects, but were also there to fight, primarily. Not win Oscars, Tonys, and Blockbuster Awards. Anyway, we wouldn't classify Fight Valley as a "Homie Movie", but it's THIS close. There are some strong Homie Movie influences on the production overall. Also, there's a good, old-fashioned training sequence towards the end that we enjoyed. Because it's 2016, the influence of Crossfit and moving tires around seems to have crept into the training montages. Call it a sign of the times.

The plot is your typical Punchfighting plot, and there's plenty of punching to go around. During the credits, in a little box on the side of the screen, we see behind-the-scenes stills that were taken during the production. It was endearing to see that. It's hard to beat the during-the-credits-and-in-a-box sequence of Attrition (2018), but, to be fair, no one could.


Fans of the real UFC fighters involved or anyone who enjoys female fight films will most likely be the target audience for Fight Valley.


Comeuppance Review by: Ty and Brett