Directed by: Joseph Merhi
Starring: Erik Estrada, Joey Travolta, Kathrin Middleton, Isaac Allen, Kimberly Spiess, Joe Verroca, Charlie Ganis, Pamela Dixon, Robert Dickey, and Raymond Martino
PM goes for something different
here, taking a break from out-and-out action movies and delivering a
courtroom drama inspired by the then-new show, Law & Order.
Joseph Gainer (Estrada) is a high-powered Beverly Hills defense attorney who has never lost a case. Constantly defending scumbags and releasing them back out into society seems to be getting under his skin, however. Three teenage psychopaths, led by Carl Sloan (Allan) - the other two being the token “weak link” who has somewhat of a conscience about their evil deeds, Alan (Dickey) and Carl’s right-hand man, Martin (Ganis) break into a house and assault and rape Betty Truesky (Austin) and Doris (Kimberly Spiess, better known to adult film fans as Carol Cummings). They also attack another member of the family, a man named Bill Paxton! (Verroca, sadly not Bill Paxton). Gainer ends up as one of the lawyers defending the little jerks, and the prosecutor is his former wife Marion (Kathrin Lautner AKA Middleton). They still have a rapport, and issues of law and justice are continually coming up. What will be the fate of Betty, Doris, Carl, Martin, Alan, Joseph and Marion?
Joseph Gainer (Estrada) is a high-powered Beverly Hills defense attorney who has never lost a case. Constantly defending scumbags and releasing them back out into society seems to be getting under his skin, however. Three teenage psychopaths, led by Carl Sloan (Allan) - the other two being the token “weak link” who has somewhat of a conscience about their evil deeds, Alan (Dickey) and Carl’s right-hand man, Martin (Ganis) break into a house and assault and rape Betty Truesky (Austin) and Doris (Kimberly Spiess, better known to adult film fans as Carol Cummings). They also attack another member of the family, a man named Bill Paxton! (Verroca, sadly not Bill Paxton). Gainer ends up as one of the lawyers defending the little jerks, and the prosecutor is his former wife Marion (Kathrin Lautner AKA Middleton). They still have a rapport, and issues of law and justice are continually coming up. What will be the fate of Betty, Doris, Carl, Martin, Alan, Joseph and Marion?
Estrada, who is perfect for a role like this, does reasonably well. Some of his clothing, especially his out-of-the-courtroom casual wear, is quite something. Sure, he has a mullet, but you know he’s one of the good guys because the evildoers have longer, eviller mullets. It’s weird - at times the film seems to go as close to an authentic legal drama as it can - and other times what happens plot-wise is utterly absurd. Add some odd clarinet music on the soundtrack, and Joey Travolta for some reason, and the result is Night of the Wilding. For more Joey\Wilding action see: Wilding: The Children Of Violence (1991).
The obvious highlight of the film occurs right towards the end and involves a baseball field. That’s all we’ll say. Watch out for it.
While not what you’d call a classic or a typical PM, we give them points for not simply churning out another blow-em-up movie, but we’re not sure this more dramatic approach reached its target audience. After all, PM makes the BEST blow-em-ups, and that’s what fans want. It’s nothing to be ashamed of. Fans of TV-movie style courtroom dramas probably never found this movie in the first place, while PM aficionados (I assume they’re out there) more than likely won’t be adding this to their top 10 list of favorite PM’s.
While there is some clunkiness, especially in the acting department, Night of the Wilding is really not that bad (especially considering some of the unintentional laughs), but don’t go in expecting fireworks.
Comeuppance Review by: Brett and Ty
