4/20/2019

Mission Manila (1988)

Mission Manila (1988)- * * 

Directed by: Peter Mackenzie

Starring: Larry Wilcox, Robin Eisenman, Sam Hennings, Al Mancini, Tetchie Agbayani, Jack S. Daniels, Henry Strzalkowski, and Willie Williams









“Web” Webster (Wilcox) is a mustachioed American gentleman who travels to – you guessed it – Manila to try to find his missing brother. Evidently, a mob boss named Harry Costelo (Mancini) doesn’t appreciate all of Web’s poking around his turf, so he makes Web’s life harder while he’s there. Harry is a heroin runner and Web’s brother Tony (Hennings) is somehow involved. Web has help in his quest in the form of Susie (Eisenman), but what’s his true relationship to the other woman in his life, Maria (Agbayani)? Will Web be able to weave his way out of the sticky situation he’s found himself in? What will be the final result of MISSION MANILA?




Unfortunately, Mission Manila, despite all of the promise inherent in the presence of Larry Wilcox, is weak. Its dearth of action reminded us of other nigh-on actionless movies such as Best Revenge (1984) and Sweet Revenge (1987). Just try to imagine Cocaine Wars (1985) without the majesty of John Schneider, and that’s pretty much what we’ve got here. Director Mackenzie even worked with Schneider much later in his career with a film called Doonby (2013), so he must have a type. Mackenzie also directed the Asher Brauner vehicle Merchants of War (1989), and astute viewers will note some similarities between that and Mission Manila, if they care to put in the effort to do so. Interestingly, the aforementioned two movies - plus ‘Manila - are the only ones Mackenzie has directed in his career. 




‘Manila had all the ingredients for a winner: it was shot in the Philippines, it featured regulars of the action movies shot there such as Willie Williams, Henry Strzalkowski, and a rare appearance from the great Jack S. Daniels, a simple plot that could have allowed for a lot of action, and Larry Wilcox unmoored from the ball and chain that was Erik Estrada.


What we do get is a silly alley fight that lasts a few seconds, a brief shootout, the world’s stupidest (and most laugh-inducing) neck snap, and maybe a blow-up at the end. What about the other 90 minutes? Larry Wilcox’s big weapon (as featured in the trailer, leading us to believe he will be using it a lot, which he doesn’t) is a slingshot. Like some overgrown Dennis the Menace, Larry Wilcox has blonde hair and a slingshot. All of this could have been so easy to fix, it’s criminal. Wilcox and Eisenman should have rampaged all through Manila, shooting, beating up, and rocket launcher-ing many baddies. Would that have been so hard? Instead, Mancini insists on calling everyone a “ratbag” and Eisenman gets tied to train tracks like in the days of yore. Yawn. 



While it does have some interesting cinematography at times, that wouldn’t have caused anyone to pick Mission Manila off the shelf of their local video store back in the good old days. With all the choices we as patrons had at our fingertips, it’s hard to imagine anyone purposefully choosing Mission Manila. What ‘Manila really seems to be is a bellwether – a sign that the golden age of the 80’s was gone and the 90’s were here. In the very near future, action movies – in the Philippines and elsewhere – would become watered down.

Also Larry Wilcox goes to a bar called The Hobbit House with an all-midget staff. This must have been a real place, because a diminutive bartender named Goliath is credited as himself. So maybe this movie has some bright points after all.


Comeuppance Review by: Brett and Ty

4/11/2019

Stickfighter (1994)

Stickfighter (1994)- * * * *

Directed by: BJ Davis

Starring: Kely McClung, Alex Meneses, Karl Johnson, and James Mitchum




“I have the authority of justice.” - John Lambert





John Lambert (McClung) is a Himbo cop with an attitude. After his beloved partner is killed during a drug raid, Lambert turns in his badge and gun and walks away from the force. He turns to his now-deceased partner’s sister, Luella (Meneses) and old buddy Mule (Mitchum), to help him fight the baddies in his own way. It turns out that a drug lord named Dirk Riley (Johnson) has put a contract out on Lambert and Luella, so they’re constantly on the run together even as Lambert uses his awesome Martial Arts moves on many, many goons. During all this, the LAPD is trailing Lambert’s comings and goings. Naturally, it all ends in the time-honored Final Warehouse Fight. Also everybody calls Lambert “Stickman” because he’s good at fighting with sticks, apparently.

Kely McClung – not to be confused with Edie McClurg – is our new personal hero. This is because Stickfighter is a certified classic of that silly/stupid/dumb/awesome/funny/classic-90’s type of movie that is hilarious, totally entertaining, and cliché-ridden in the best possible way. It has that great semi-pro feel complete with awkward staging, dialogue, and editing. Most of the actors appear to be non-actors, including our hero. He tries hard to be the classic wisecracking 90’s cop we all love and enjoy but he doesn’t have the timing to pull it off. Hilarity ensues. 



In the grand tradition of L.A. Wars (1994), Geteven (1993), Parole Violators (1994), The Crime Killer (1985), and even Night of the Kickfighters (1988), Stickfighter can proudly claim its rightful place in the pantheon of wonderfully weird one-offs that are brain-damaged brothers of their more well-known action contemporaries. In other words, the Alamo Drafthouse needs to find a print of this post-haste. The audiences will eat it up.


There is, more or less, non-stop action, and the pretexts for said action scenes are almost as great as the action scenes themselves. Guitar wails on the soundtrack accompany most of what we see. Many of McClung’s ingenious fighting moves have to be seen to be believed. Somewhere in the midst of all this absurdity appears Jim Mitchum, who boasts a series of fascinating shirts. He plays a Vietnam vet/strip club bartender who is buddies with Lambert. He was probably happy to be there. 


Interestingly, the first company logo we see before the movie begins is not PM or AIP, or something else, but none other than Pan Am Airlines. Of all the potential projects that Pan Am could have put its corporate muscle behind, why did they choose Stickfighter? And couldn’t they have given it a bigger budget? But the ultimate question remains: Did Stickfighter ever play as the in-flight movie on any Pan Am flights? Of course, Pan Am doesn’t exist anymore. Sure, you could blame Stickfighter, but I’d rather have Stickfighter.


Featuring quick cameos from Nils Allen Stewart and Arsenio “Sonny” Trinidad, we believe Stickfighter is nothing less than an underground classic. If you want to laugh and have a great time while suspended in a state of stupendousness, for the love of all that is good we’re begging you to watch STICKFIGHTER!

Comeuppance Review by: Ty and Brett