Directed by: R. Ellis Frazier
Starring: Gary Daniels and Vannessa Vasquez
Cole (Daniels) is a DEA agent searching the mean streets of
Tijuana, Mexico in search of his kidnapped ex-wife. He believes the drug
cartels have something to do with her disappearance so he goes after the
baddies involved. Helping him out is a beautiful woman named Gracie (Vasquez).
That’s pretty much it. Will Cole and Gracie fight the bad guys, rescue the
girl, and win the day?
You know how in movies and TV shows, when cops or doctors
have to go to the family of someone who died, and they say something like “it
never gets any easier” or “this is the part of the job I hate”, while having
grave, unsmiling faces? Well, this is how we feel right now. As much as we love
Gary Daniels, and we desperately WANTED to love Misfire, we - regrettably -
have to deliver the bad news. It’s just not very good. We hate...well, hatred
on the internet and we try not to be a party to it, so, we’ll just say what
we have to say in as kind a way as we can, and we’ll try to back it up with all
that we have, and, presumably what you’re reading this for: our opinion.
We love that fan favorite Gary Daniels is still working, and
he has to get in where he fits in, as it were. But fans of his want to see him
do Martial Arts, and/or be charming during dialogue scenes. Both are minimal in
Misfire. Daniels does do some stuff towards the END of the movie. Bad move. He
should have fought more goons and done it from the get-go. Instead, the pace of
the movie is odd and lopsided, with a bunch of yak-yak and extended scenes of
shirtless men walking around. Then a few limp, lazy action scenes break out
(starting with a fruit cart foot chase), but the whole thing just feels OFF -
and slow.
It lacks edge, focus, drive, and a strong, super-evil villain. The cumulative effect of this is that it feels like nothing much of value is happening, and the viewer gets annoyed.
It lacks edge, focus, drive, and a strong, super-evil villain. The cumulative effect of this is that it feels like nothing much of value is happening, and the viewer gets annoyed.
It appears director Frazier doesn’t know what to do with Mr.
Daniels. He didn’t use him to his maximum potential, or even close to it. I’m
surprised they’re teaming up again after this for future projects. The real
problem is, this movie isn’t exciting or
fun. There’s no sense of high-stakes action/adventure. It feels rote, with no
“Yes!” moments. And there’s one blow-up. ONE. Listen, we couldn’t care less
that it’s low-budget and has that sort of feel. Low-budget movies are the
lifeblood of cinema. But if we compare it, just for fun, to a high-budget
Hollywood movie, Fair Game (1995), Fair Game is a masterpiece, even though
people make fun of it all the time. Because Fair Game knows what the audience
wants and expects, and delivers it to them. Misfire did not do that. That’s the
real problem here.
And just a note on the title. “Misfire” is a very modern-day
- you might even say post-modern - title for an action movie. Almost like it’s
ashamed of itself. Gone are the days of titles like Fists of Blood (1988),
Triple Impact (1992), and Excessive Force II: Force on Force (1995), it seems.
We need more strong, powerful heroes that aren’t afraid to snap some necks and
blow up a few helicopters, not some guy in a nebbish voice saying “sorry ma’am,
I’m afraid I had a misfire”. And we don’t want to hear any excuses on this,
like we’re dealing with the dark night of Cole’s soul or something. No more
‘misfire’s.
Not to be too obvious about it, but we are forced to say it:
Misfire is indeed a misfire.