Directed by: Keoni Waxman
Starring: Steven Seagal, Iuila Verdas, Victor Webster, Sofia Nicolaescu, and Tzi Ma
A man known only as Alexander (Seagal) is a former Special
Ops soldier. After a mission doesn’t go as planned, Alexander goes “off the
grid” - WAY off the grid as a handyman in a Romanian apartment building. After
living life under the radar for a while, he becomes mixed up in a mob war
between Russian and Chinese gangsters.
After becoming friendly with his next-door neighbor Lena (Verdes), he becomes especially mad when her daughter Mya (Nicolaescu) is kidnapped by the super-evil baddie Mr. Chen (Ma). Alexander then teams up with a fighter named Sasha (Webster) and, after years of living a violence-free life underground, goes into full battle mode to save Mya and perhaps redeem his soul. But will it be at the cost of losing his status as A GOOD MAN? Let us see...
After becoming friendly with his next-door neighbor Lena (Verdes), he becomes especially mad when her daughter Mya (Nicolaescu) is kidnapped by the super-evil baddie Mr. Chen (Ma). Alexander then teams up with a fighter named Sasha (Webster) and, after years of living a violence-free life underground, goes into full battle mode to save Mya and perhaps redeem his soul. But will it be at the cost of losing his status as A GOOD MAN? Let us see...
We finally have some good news to report on the Seagal
front. We actually liked A Good Man, and we believe it’s his best effort since
Urban Justice (2007). The vibe is quite different from the latter movie of
seven years previous, as we’re now deep into Seagal’s Eastern European DTV
phase, and he’s a long way from beating up homies in the hood.
One of the main reasons we can be so positive towards the movie is that Seagal is not a sadistic torturer this time out; while calling him “likable” is just a teensy bit of a bridge too far, this is the closest he’s come in years, and we give him props for that. His character is well-suited for the project, a sort of wise and weary veteran who has seen it all, but who can still fight when need be. It doesn’t call for him to be vicious, belligerent and brutal, which made for a refreshing change.
One of the main reasons we can be so positive towards the movie is that Seagal is not a sadistic torturer this time out; while calling him “likable” is just a teensy bit of a bridge too far, this is the closest he’s come in years, and we give him props for that. His character is well-suited for the project, a sort of wise and weary veteran who has seen it all, but who can still fight when need be. It doesn’t call for him to be vicious, belligerent and brutal, which made for a refreshing change.
While the voice doubles and stand-ins are still here, they seem less egregious because we were reasonably entertained by the movie as a whole. Plus, they’re now an indelible part of the Seagal experience, so you might as well sit back and enjoy them. Additionally in the win column, he’s surrounded by some quality on-screen talent: Victor Webster has some nice fighting moves and a good screen presence. He was last seen (by us at least) in the silly Gangland (2001), and makes a nice foil for Seagal, just as Byron Mann did in Absolution (2015).
Perhaps not coincidentally, that was also co-written and directed by Keoni Waxman, who seems to have hit upon a good formula for the Seagal vehicle. Tzi Ma is also noteworthy as the philosophical baddie.
As we’ve noted time and again, oftentimes the little kid in the action movie steals the show, and the girl who plays Mya was one of the better attributes here. You can see why Alexander wants to save her - she’s not annoying like a lot of onscreen kids.
The movie also tries to be topical, with Islamic terrorists and drone strikes at the outset of the proceedings detailing the former life of Alexander. Whether it’s normal or not to have a 62-year-old man in the field with all the young bucks, we don’t know. We’ll have to consult our team of military experts. The fight scenes have some cool moments and the whole outing is not quite as stupid and brain-numbing as you might think it would be.
We’re truly hoping Seagal and his behind the scenes bros (he calls a lot of people “bro” in the movie, by the by) go more in this direction in the future. We hope now, after a lot of unnecessary dumbness in years past, he’s finally found his niche.
Comeuppance Review by: Ty and Brett