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Directed by: Andrew Davis
Starring: Chuck Norris, Dennis Farina, Ralph Foody, Joe Guzaldo, and Henry Silva
Eddie Cusack (Chuck) is a Chicago cop under attack on all fronts. The Italian mob hates him because he and his partner Det. Dorato (Farina) got involved in a drug deal they were doing with the Colombian cartel, led by the evil Comacho (Silva). Now the Colombians are after his blood as well. And even members of his own department are after him because his honesty and integrity forces him to break the “code of silence” when a fellow cop Cragie (Foody) shoots an unarmed teenager and plants a gun on him. And his young, new partner that he didn’t initially want, Kopalas (Guzaldo) is cracking under the strain. But Cusack does have a dependable ally in all this mess: a prototype police robot named Prowler. Will Cusack and Prowler win the day? Find out today!
Code Of Silence is a classic 80’s adult cop drama. It’s also one of Chuck’s best. The makers of this movie were smart: they crafted a vehicle for Chuck that plays to all of his strengths. (Though this seems to be somewhat accidental, as Chuck wasn’t the first choice for the role of Cusack). Here, Chuck is the strong, silent type: a rock of relative calm in the sea of chaos around him. He’s not “wooden”, he’s quiet, reserved, even contemplative. Someone finally decided that Chuck could be in a serious-minded, non-goofy movie, and not only does it completely work, but it’s a highlight in his career.
Stallone perhaps could have played the Eddie Cusack role, and truly this is Chuck’s Nighthawks (1981). They both grew beards and wore sweaters to prove they could make gritty, realistic fare for grown-ups. Smartly, the makers of Code Of Silence saved all the action for the final third, which makes total sense. Now, in today’s ADD-afflicted culture, someone somewhere decided movies have to have Vin Diesel or The Rock doing some sort of cartoonish, silly CGI car stunt in front of a green screen in the first seconds of a movie (or trailer) in order to satisfy an audience of dummies. By contrast, Code Of Silence’s pace is slow and deliberate, and thank goodness for that. It hearkens back to a time when action movies were MOVIES, not glorified video games. With the passing of time, Code Of Silence looks better than ever.
Some of our most-loved cliches are on board as well, such as the WYC (White Yelling Chief), the copious sax on the soundtrack, and, in a 2-for-1, the abandoned warehouse in an abandoned shipyard. And, proving definitively it was the glorious 80’s, Chuck has a Rubik’s cube. The great Henry Silva makes a worthy enemy for The Chuckster, and Dennis Farina is a great buddy for him to have. And Ralph Foody is the original foodie. Director Davis went on to work with Seagal on his vehicles Above the Law (1988) and Under Siege (1992), but don’t hold that against him. Code Of Silence is a winner all around.
Sadly, they don’t make ‘em like this anymore, but at least we have gems like Code Of Silence to remember that quality used to come to the movie theater.
Comeuppance Review by: Ty and Brett