The Italian Connection (1972)

The Italian Connection (1972)- * * *

Directed by: Fernando Di Leo

Starring: Henry Silva, Woody Strode, Mario Adorf, Luciana Paluzzi, and Adolfo Celi 












Two goons, Dave Catania (Silva) and Frank Webster (Strode) are sent from New York to Italy to kill a small-time pimp named Luca Canali (Adorf). Helping out the two men is Eva (Paluzzi). Luca seems to be outsmarting his killers at every turn so the whole situation escalates and Don Vito Tressoldi (Celi) is not happy. Claiming Luca is starting a war, and he “doesn’t want to be beaten by a loser”, Tressoldi cruelly ups the stakes by attacking Luca’s family. Now Luca is out for revenge, as opposed to just deflecting all the attempts on his life. Will he succeed?

Fernando Di Leo cranks out another winner here. Milano Calibro 9 (1972) is better (though it’s always open for debate) but La Mala Ordina, as it was known originally, is a very strong movie as well, with its masterfully shot and edited climax (like the rest of the movie), a similar sense of toughness, the decor, the style, and of course, the movie highlight, the car chase. The chase, along with a fairly tenuous connection to a heroin shipment (it’s not mentioned very much in the movie), were obviously the catalysts to retitle this movie in the wake of the success of The French Connection (1971).

Adorf, who also put in a great performance in Milano Calibro 9, excels in the lead role of Luca Canali. It was wise to put Adorf out front, even if it seems now like an obvious choice. Henry Silva is kind of a fan favorite even though he doesn’t have any facial expressions. But his hair is better here than we can remember anyplace else. 

His partner, played by Woody Strode, seems a bit out of sorts, but Di Leo thought enough of him to put him in The Violent Breed (1984) later on in their careers. Three well-known beauties of the day, Luciana Paluzzi, Femi Benussi and Sylva Koscina are on hand to make things more interesting, as is Cyril Cusack as a mob boss. The whole thing is topped off with one of Armando Trovajoli’s funkiest and best scores.

There’s also a certain counter-cultural element at work here which would be fleshed out more completely in later Fernando Di Leo films, most notably Avere Vent’anni (1978). The underground culture of the day is a recurrent theme in Di Leo’s movies and found its way into whatever he was working on, regardless of the genre. This sets his movies apart to a certain extent and it’s fascinating to see, simply as a document of the era.

If you have seen and liked other Di Leo movies, you will certainly also like The Italian Connection (if you see the Raro DVD that is, not one of the innumerable cheapo VHS releases). If not, this is as good a place as any to start, mainly because there’s nothing really NOT to like about this fine film.

Comeuppance Review by: Brett and Ty

Also check out a write-up by our buddy, Ruthless Reviews!

Black Gunn (1972)

Black Gunn (1972)-* *1\2

Directed By: Robert Hartford-Davis

Starring: Jim Brown, Martin Landau, Bernie Casey, Jeannie Bell, Herbert Jefferson Jr., and Luciana Paluzzi












Tom (possibly Tim, not really sure) Gunn (Brown) is the coolest, smoothest club owner in town. All the hippest people are seen at his Gunn Club, the cleverness of the name alone surely drawing them in. While Gunn is content to run his business and be the life of the party, his brother Scottie Gunn (Jefferson Jr.) is involved with weightier issues. He joins a Black Panthers-style revolutionary organization known as BAG, or, the Black Action Group. It seems BAG has stolen some “payoff books” and money from the mob, notably Russ Capelli (Landau), who most people know as a used car salesman whose TV commercials show him as a trustworthy guy. When tragedy befalls Scottie, the elder Gunn must wage a one-man war against Capelli’s gang. Will he ever get answers, with cops and politicians dogging his every move?

Black Gunn is a typical example of the Blaxploitation of the time, so much so, it seems to be one of the main templates for parodies such as I’m Gonna Git You Sucka (1988), which also starred Bernie Casey, and Black Dynamite (2009). Jim Brown is beyond low-key as our hero Gunn. He whispers all his lines, but he always looks cool in his fly threads. He even makes bowties look stylish and not nerdy. Martin Landau should have been in the movie more, because Black Gunn as a whole needed a strong, central villain. He’s more than capable of filling that role, but for most of the movie, we actually forgot Landau was on board! He kind of shows up, then goes away and shows back up at the end. Landau should have gotten more screen time.

Highlights include the funky soundtrack by Tony Osborne, the classic evil whiteys, its total lack of political correctness, including racial slurs you could never do today, and some cultural references: there are numerous allusions to Vietnam, and certain characters coming back from that conflict. Additionally, there’s the line “It’ll make Watts look like a Saturday night in Disneyland!” - indicating some of the tensions of the time. But the problem is the movie as a whole is too long and has too many extended, pointless scenes. Yes, it does have some gunplay and explosions, and maybe a few fights, but Black Gunn could have reached a much higher level if the whole thing had been streamlined: shorter running time, more action. Not that the movie is bad, really, but there’s a bit too much fat. And the ending is lame.

Interestingly, and correct us if we’re wrong here, but Black Gunn never received a VHS release during the Golden Age era of the video store, at least here in America. Its cult Blaxploitation status had to grow from other means, such as foreign releases, poster and film prints, and write-ups in such books as That’s Blaxploitation! by Darius James and others. It did get a DVD release in the 00’s, so stateside Blaxploitation fans could finally see it. The results...are mixed. It has a lot of things fans of the sub-genre love, but it’s a bit bloated for its own good.

Fans of Blaxploitation, Jim Brown, Bernie Casey, and even the briefly seen Jeannie Bell (known for TNT Jackson, 1974), and even Luciana Paluzzi will want to check out Black Gunn. Casual viewers might not be as into it. After all, as great as Martin Landau is, as a Blaxploitation baddie, he’s no Monroe Feather.

Comeuppance Review by: Brett and Ty