The Last Marshal (1999)

The Last Marshal (1999)-* * *

Directed by: Mike Kirton

Starring: Scott Glenn, Constance Marie, Raymond Cruz, Randall Batinkoff, Vincent Castellanos, Lisa Boyle, Ralph Wilcox, Wayne Duvall, and William Forsythe








Cole McCleary (Glenn) is a tough, racist, hard-drinkin’, hard-fightin’ and hard-swearin’ Texas Deputy Marshal. Naturally, his superiors and colleagues don’t approve of his rogue ways. They seem to be oblivious to the fact that he always gets results. When super-evil bad guy Torres (Castellanos) and his “weak link” partner T-Boy (Cruz) do some REALLY bad stuff and abscond to Miami, Cole follows them.

Now a complete fish out of water, this throwback of a Texas lawman must contend with a multi-racial environment and a lot of bright colors and upbeat people. He’s NOT happy about this. His new partner is Jamie (Batinkoff), a young, hip dude who Cole doesn’t really take a shine to. It turns out the criminal mastermind behind all the murder, drugs, kidnappings and probably a lot of other things is DeClerc (Forsythe). Cole must take down the evil empire in his own way - as well as get involved with Rosa (Marie) in a romantic relationship, showing he may have a soft spot after all.

Scott Glenn is simply awesome in his role as Cole. He’s completely believable as the old-school Texas badass who hates everyone in equal measure. He’s grizzled and plays by his own rules. You should watch this movie for his performance alone. Sure, towards the middle of the film there’s some unnecessary justifications/psychological explanations for his ways, but you kind of HAVE to do that, and it doesn’t take long. One of the more interesting aspects of The Last Marshal is how true it is to its title - Cole truly is the last of a dying breed, and a man out of time. The movie should have explored this aspect just a little bit more - how no-nonsense enforcers like Cole are slowly being replaced by pretty boys who are just prissy and ineffectual.

Speaking of the title, it is misspelled in the film. Director Kirton (also responsible for the Forsythe vehicle Strike Force 2003, and who has an extensive stunt background) finds some good locales - from the Texas-set opening of the film, to the Miami “Steak n’ Strip”, a combination steakhouse and strip joint, one of the most macho eateries we’ve yet seen on film. Kirton scores big points for releasing such a politically incorrect (for the most part) film in 1999. In fact, except for the music, this movie could have been made in the 80’s.

We can’t forget William Forsythe with his “German” accent and his sidekick Sunny (Boyle). He and his goons certainly raise a high bar for pure evilness. But Cole only wants the goons. He’s not interested in solving every single problem in life. Just the ones that came to his Texas turf and ruined his day.  The Last Marshal has DTV violence and fun cliches in equal measure. Just check out the classic-of-all-classic Black yelling police chief Lukowski (Wilcox).

What the world needs now, more than ever before, is Cole McCleary.

Comeuppance Review by: Ty and Brett

A Better Way To Die (2000)

A Better Way To Die (2000)-*1\2

Directed by: Scott Wiper

Starring: Scott Wiper, Natasha Henstridge, Wayne Duvall, B'Nard Lewis, Carmen Argenziano, Joe Pantoliano, and Lou Diamond Phillips


"Some things are worth living for..."








Boomer (Wiper) is a young Chicago cop that gets mixed up in a war between federal agents, such as Dexter (Phillips), and shady gangsters and criminals, such as Cleveland (Braugher) who want a special computer chip. Apparently this chip contains sensitive information that leads all the way to the top. So Boomer ends up on a road trip of sorts, dodging dangers at every turn, and meeting wacky characters such as Flash (Pantoliano, not Jeff Kutash). All he wants to do is propose to his beautiful girlfriend Kelly (which is probably a decent idea considering it is puzzling why a woman of this caliber is with this dork in the first place)...but, as they say, life has other plans...

It seems, since the 2000’s, the term “Direct to Video” is synonymous with this type of production - a not-quite-movie-theater-quality, run of the mill, post-Tarantino crime thriller that relies more on cursing in the dialogue than on good ideas. This is a shame, DTV used to encompass all sorts of things, not the least of which was punchfighting movies. But, alas, this relatively new form of entertainment has paved the way for such personalities as Scott Wiper, a man whose career would not exist were it not for the miracle of DTV productions.

Despite the good cast, don’t be fooled. This is some sort of vanity project for the aforementioned Mr. Wiper. Just because he wrote The Last Marshal (1999), now he feels he’s entitled to write, direct and star in his own project, leaving the real stars in the background. Well, you’re no Scott Glenn, sir. (Note snarky attitude). Lou Diamond Phillips and Wiper should have switched roles. But we’re left with the unlikable (or unWipable) Wiper, who appears to be some sort of irritating cross between Edward Burns and Ben Affleck.

At the outset, it appears we’re in for a low-budget, gritty crime drama that’s at least striving for some measure of quality. Sadly, the “irony” sets in and we realize we’re in sub-Boondock Saints (1999) territory once again. Of course, why that movie has a gigantic following and was even re-released back into the theaters (an unheard-of move) while A Better Way to Die and its ilk are unnoticed by these same “fanatics” is unknown.

This movie is not impressive, although the (unfortunately) supporting cast tries their best. Henstridge has never looked better, but that’s not nearly enough to save this dud. Regrettably, a Better Way to Die is a waste of the talents of LDP, Braugher, Pantoliano, Henstridge and Sweet Lou (B’Nard Lewis). Avoid.

Comeuppance Review by: Brett and Ty