Terminal Entry (1988)

Terminal Entry (1988)- * * *1\2

Directed by: John Kincade

Starring: Edward Albert, Patrick Labyorteaux, Paul L. Smith, Rob Stone, Sam Temeles, Heidi Helmer, Yvette Nipar, Jill Terashita, Tracy Brooks Swope, and Yaphet Kotto











Captain Danny Jackson (Albert) is a Strike Team Leader who is trying to stop Islamic terrorists from crossing over the borders of the USA from Mexico. He’s working with Colonel Styles (Kotto) and their mysterious and overweight boss Stewart (Smith). Complicating their job is the fact that the terrorists are now communicating via the all-new technology of “going online”. This is confounding them, especially Jackson, who is a man of action who would rather be shooting a machine gun from a speeding jeep than tinkering around on a computer like some kind of nerd. 

Which brings us to the activities of six teens - Bob, Tom and Howie (Labyorteaux, Stone and Temeles) and their prospective girlfriends Chris, Tina and Gwen (Helmer, Nipar and Terashita) who go out to a remote cabin in the woods to play the awesome new online game, Terminal Entry. What they don’t realize is: this game just got real. The kids are messing around with the same system the terrorists are using to communicate, and that Jackson and Styles, along with reporter Dominique (Swope) are trying to crack. It all comes to a head when the teens, the baddies and the heroes converge. What will happen?

We LOVED Terminal Entry. It was only natural that a movie would be made that marries together two standards of the video stores of the day: action movies and Romps (teen sex romps as we call them). But one of the most fascinating things about this movie is how ahead of its time it was. 

Who else in 1988 was talking about computers going “online”, Islamic terrorists (“suicide hit squads” in the movie) crossing our borders, and kids with headsets heavily involved in interactive video games? The movie is so ahead of its time, the filmmakers didn’t even realize it was unrealistic to give all the guys girlfriends. It was before the trope of “girlfriend-less dork” even developed in the popular consciousness. Of course, Terminal Entry will never get any credit for being ahead of the curve by anyone except us.

It’s wall-to-wall “80’s Awesome” as everything from the clothing, to the dialogue and of course the computer graphics scream 80’s. To us, that’s a very good thing. Even the Celebrity Video intro oozes with 80’s charm. It’s probably our favorite VHS label intro. 

Further increasing its 80’s cred is the presence of Rob Stone, who is instantly recognizable to Mr. Belvedere fans as Kevin on that classic show. Sadly, this is his only film role to date. Also, the movie features Edward Albert at his coolest, as he plays the hero with aplomb with machine guns and missile launchers. He’s the only dude awesome enough to bring nunchuks to a rural forest fight outside of a Godfrey Ho joint. Presciently, he says, “They’re bringing the war to us.” Yaphet Kotto is always nice to see, and he puts in a cigar-chompingly good role. We also loved seeing fan favorite Paul Smith. Tracy Brooks Swope, who was in such “classics” as Counter Measures (1999) and the immortal Keaton’s Cop (1990) is also on board.

And lest we forget Patrick Labyorteaux as Bob. He’s the charismatic, funny, wacky kid who looks like an 80’s version of Leave It To Beaver’s Tony Dow, and lives by BPOL - Bob’s Philosophy Of Life. Based on his monologue during the end credits (which are yellow on blue), perhaps they were setting up a series of “Bob” movies or TV shows. They seemed to be investing a lot in his character. 

Fascinatingly, it was all produced by the mysterious Sandy Cobe, the man behind the great Revolt (1986) and a few other items. The music by Tweed Sneakers is appropriately 80’s, and our man John “Action USA” Stewart did stunts.  It all adds up to a solidly fun movie that is ripe for reappraisal.

Before The Net (1995), before Hackers (1995), there was Terminal Entry. As it says on the back of the box, “Terminal Entry picks up where War Games left off.” We think it should be enjoyed by a new generation of fans.

Comeuppance Review by: Brett and Ty

Keaton's Cop (1988)

Keaton's Cop (1988)-* *

Directed by: Robert Burge

Starring: Lee Majors, Abe Vigoda, Art LaFleur, Tracy Brooks Swope, June Wilkinson, and Don Rickles













Seeing as Comeuppance Reviews is a site devoted to all the pulse-pounding, explosion-packed, face-punching, spin-kicking, sword-slashing, machine-gun blasting action you can handle, it clearly was only a matter of time before that true master of action, Abe Vigoda, was featured.

In what I would describe as an "inexplicably Cannon" production, Lee Majors plays Mike Gable, an aging, disgruntled cop who is divorced, has one son, brushes his teeth in the morning with a can of beer, and would really love nothing more than to continue wearing his acid-washed jean jacket and throw criminals out of windows. When there is a shooting at a nursing home, Gable investigates and finds there is a huge conspiracy to knock off one Louis Keaton (Vigoda). Keaton is a former gangster, and, even though he seems pretty close to death anyway (not to be insensitive), Gable and the rest of the Galveston, Texas police force are assigned to protect him.

Naturally, Gable and Keaton don't get along, but Gable is doing his duty because his partner Jake Barber (Rickles) and Keaton were friends from the old days - the really old days.  Meanwhile, Gable's love interest is the nurse from the retirement home, Susan (Swope), and he would like this whole Keaton escapade to be over so he can live in his house on the beach with her, his son Jimmy (Clinton Austin Shirley, whose only other film credit is Robocop 2 - where he also plays a kid named Jimmy), and a really awesome dog, Blue (the credits read "and Blue as himself"). Can that happen - or will trying to protect Keaton - and uncovering the secrets from the past that go along with it - cost Gable his life?

The main question you can't help asking yourself while watching Keaton's Cop is - "why does this exist?" It seems weird that it was ever made and came out on video. But to answer the question to the best of our ability, Keaton's Cop is a cop/action/comedy romance with maybe some thriller elements. The attempts at intentional comedy generally fall painfully flat, but luckily there are some unintentional laughs. But also there are car chases, shooting and explosions.  I guess this goes to show older people can do anything younger people can do (Lee Majors is the "Young Man" of the film).

 Majors is good as the grizzled cop, but looks a bit confused. Luckily for him, the audience is too, so we can relate. Abe Vigoda is lovable, and the kid Jimmy should have been played by JTT. You can probably picture what he looks like - the stereotypical "cute kid". June Wilkinson shows up towards the end of the film as Big Mama. Interestingly, she's in this and Sno-Line (1986), and both are shot in Texas. Maybe she lives there and refuses to do any non-Texas-shot productions. As you may expect, there are the "wacky" characters such as the Gay Gangsters that are trying to bump off Keaton (and continually listen to the anthemic hair metal tune "Wild In the Streets" by a band called Meet Meat), and a gluttonous gangster called "Fat Tony". But by far the star of the show is the dog, Blue. He practically steals the movie.

Yes, the movie is very silly and nonsensical (some might say "bad") from the title right down to the theme song - which features the line "better watch out, Keaton's gonna getcha". Keaton's going to GET ME? He's like 90 years old! I guess that is pretty scary. But anyway, try to imagine Cocoon (1985) but with chases and shooting. For an antidote to the Hollywood trend of young people being in everything, there's always Keaton's Cop.

Comeuppance Review by: Brett and Ty