Endgame (1983)

 

Endgame (1983)- * * *

Directed by: Joe D'Amato

Starring: Al Cliver, George Eastman, Bobby Rhodes, Laura Gemser, Hal Yamanouchi, Gordon Mitchell, Gabriele Tinti, and Alberto Dell'Acqua

In the year 2025, a reality competition show called Endgame is the hottest thing on TV. It's basically The Running Man (1987), where costumed characters chase and try to kill the reigning champion. In this case, that would be Ron Shannon (Cliver). The baddies out to get him are Kurt Karnak (Eastman), Woody Aldridge (Rhodes), and of course who could forget Gabe Mantrax (Dell'Acqua)? But the game of Endgame is just the beginning of the tale.

It turns out that in 2025, obviously now a post-apocalyptic world, there is a race of telepathic mutants that just want to live in peace. Seeing that he's the toughest guy around, a woman named Lilith (Gemser), hires Ron Shannon to lead a band of the telepathic people to an area of safety. Stormtroopers wearing gas masks with an "SS" logo are on an extermination campaign against them. 

This roving caravan now includes such new characters as Martial Arts expert Ninja (Yamanouchi) and Bull (Tinti). Of course, the military higher-ups, led by Col. Morgan (Mitchell), are not happy about Shannon's defection from Endgame so he can help the downtrodden of our society find a better life. Morgan would rather he and the other warriors perform for his amusement. Will there be a better future for Shannon, Lilith, and the gang? Or have we finally reached ENDGAME?

Endgame is one of many Italian Post-Apocalyptic action films (or Post-Ap's, as we call them) that proliferated during the 80's. Coming hot on the heels of Enzo G. Castellari's 1990: The Bronx Warriors (1982) and Escape From the Bronx (1983), Endgame even has a subtitle, Bronx Lotta Finale, which presumably is Italian for 'there is a lot of finale'. They must be talking about the end of the movie. While there are many more examples we can name, such as Sergio Martino's 2019: After the Fall of New York (1983), Endgame is one of two entries in the Post-Ap canon for Aristide Massaccesi (AKA Joe D'Amato), the other one being 2020 Texas Gladiators (1983). D'Amato assembles a stellar B-Movie cast with many names familiar to European exploitation fans.

The fact that Laura Gemser, her husband Gabriele Tinti (both of whom were D'Amato regulars), Al Cliver, George Eastman, Hal Yamanouchi, and Gordon Mitchell, among others, are all here, is cause for celebration. The movie around them, however, can get a bit staid and even boring at times. While the first third is certainly reminiscent of the aforementioned The Running Man - crossed with further Italian versions such as Castellari's Warriors of the Wasteland (1983) and Lucio Fulci's The New Gladiators (1984) (the latter of which also featured Cliver and Yamanouchi) - because of the 'game controlled by sinister overlords' plotline, Endgame dispenses with that after the first third and switches gears entirely to a more traditional Post-Ap scenario.

What's not so traditional is the idea of 'telepathic mutants', especially if the main two are Laura Gemser and a little boy. Some others call them "'mutes", for short (i.e., "let's go get those 'mutes!"). But because this is an Italian Post-Ap from 1983, which seemed to be the golden year for such things, we get the ragtag costumes, absurd makeup, and roughshod-slipshod vehicles driven by the crazy cast of characters. All the ingredients are there if you're a fan of this particular subgenre. Other ideas shine through as well, such as "Life Plus", a sponsor of the Endgame TV show and what would today be called an energy drink. Reality shows? Energy drinks? Mutants? Clearly D'Amato was well ahead of his time in 1983.

While we believe Endgame will satisfy Post-Ap fans, it can get a little slow and the pacing issues are exacerbated by the 97-minute running time. The budget does seem extra-low this time around, which isn't a problem for us but it may be for some people. But the cast and some of the crazier elements more or less paper over most of the flaws.

While it was originally released on the Media label on VHS, today it's streaming on Amazon Prime (as of this writing), so it can't hurt to check out Endgame. But you'd most likely have to already be a fan of the subgenre first before diving in.

Comeuppance Review by: Brett and Ty

The New Gladiators (1984)

The New Gladiators (1984)-* * *

Directed by: Lucio Fulci

Starring: Fred Williamson, Jared Martin, Hal Yamanouchi, Claudio Cassinelli, Al Cliver, Eleonora Brigliadori, and Howard Ross












In the future, two TV networks, Seven Seas and WBS (World Broadcasting System) are vying for ever higher ratings. Seven Seas’ hottest show is “Killbike”, where, you guessed it, dudes on strange looking, tricked-out motorcycles beat, slay and decapitate each other, assuming one of them doesn’t blow up in the process. WBS’ competition to that is “The Danger Game”, in which contestants think they are facing scary and gruesome situations, but it’s all a carefully manufactured hallucination. However, Station Manager Of the Future Cortez (Cassinelli) wants to trump his rivals once and for all, and, because he’s based in Rome, decides on a fight-to-the-death biker romp in the coliseum featuring death row criminals sentenced to die, calling it “The Battle of the Damned”. (Noteworthy cons include Williamson as Abdul and Cliver as Kirk). But, despite their cynicism, in order for this to be a ratings bonanza, they still need a hero. And in order to get a hero, he has to be on death row. So popular good guy Drake (Martin) is framed for his wife’s death. With all the pieces seemingly in place, only Drake - perhaps with the help of Sarah (Brigliadori) - can stop the madness and end the ratings wars for good. But can he survive?

Not since the late night wars of the early 90’s has TV competition been this fierce...say what you want about The New Gladiators, the movie was definitely ahead of its time. It predated the proliferation of reality shows, especially the ones that feed off your fear, such as Fear Factor. (That’s all “The Danger Game” really is). It predicted the ever-more-vicious competition between networks that leads to the lowest common denominator being aired. It predicted companies conglomerated only in the hands of a few huge concerns. It even predicted reality shows such as “Full Metal Jousting”. In the movie world, ideas and concepts included in this movie predate Robocop (1987), The Running Man (1987), Strange Days (1995), and Fatal Combat (1995). It even predicted GPS, especially having it on a bracelet you cannot take off, just as criminals have today.  All that being said, Rollerball (1975) and Blade Runner (1982) seem to be the major influences. Jared Martin even resembles James Caan. But Fulci and his team deserve a lot of credit for being so forward thinking.

Of course, this is Fulci’s entry in the Italian post-apocalyptic sweepstakes (technically we don’t know if an apocalypse happened this time around, so let’s just say “futuristic”). It has the touches of gore Fulci is synonymous with, but there are plenty of impressive stunts as well, especially the motorbike extravaganzas. Working on a low budget, it’s pretty evident all the capital in this movie is conceptual and idea-based, not so much budgetary. But, as ever, the Italians are wizards at getting the most out of a little, and the sets look amazing, the outfits and cycles impressively decked out, and we’d rather see meticulously-built miniatures than gag-inducing CGI any day of the week. And what would a movie of this era be like without the sax on the soundtrack and the prerequisite torture scene? So everything is present and accounted for, and Fulci makes it all work.

There’s so much we didn’t even mention, like the mysterious network boss “Sam”, an evil dude named Raven (Ross) who is part of a “Pretorian guard”, and on and on. Even the ultra-modern furniture is at least a little interesting. Needless to say, the presence of Fred Williamson livens things up, and he has an impressive cast to back him that fans of Italian genre cinema will certainly recognize. Not to be outdone, the movie even predates seizure-inducing strobe effects that wouldn’t hit big until Pokemon. We applaud Fulci and the gang for approaching this subject matter differently than his peers. It’s not just a bunch of cars crashing in the Italian countryside, there are actually some interesting ideas going on here. But any viewer could miss them if they’re not paying attention.

Because of the typically lame Troma DVD, Fulci will yet again not get the credit he deserves for making ingeniously put together, even thought-provoking movies. But we’re pretty sure you’ll have a wheelie-poppin’ good time when you watch The New Gladiators.

Comeuppance Review by: Ty and Brett