The Sweeper (1996)

The Sweeper (1996)-* * * *

Directed by: Joseph Merhi

Starring: C. Thomas Howell, Ed Lauter, Kristin Dalton, Janet Gunn, Felton Perry, Max Slade, John P. Ryan, Kathrin Middleton, and Jeff Fahey











Ever since he was a young boy, there was no question that Mark Goddard (Howell) would become a good cop like his father Dale (Fahey). When bad guys gun down his whole family, it traumatizes him, but he grows up to become a police officer anyway - but naturally his unfortunate past has given him a chip on his shoulder and a proclivity towards violence. Sure, the recipients of said violence are criminal scum, and this allows him entry into a super-secret fraternity of criminal-killers called J.I. or “Justice Incorporated”. If you have nine kills to your credit, you are allowed entry. Even though the naturally suspicious Goddard is wary, he reluctantly joins because the leader, Molls (Lauter) is persuasive, his associate Rachel (Dalton) is seductive, and he gets to go on off-the-books missions and kill as many bad guys as he wants and still get paid. But the awesomeness of this setup quickly wears thin as Molls hides a sinister secret. All Goddard wants to do is see his son, and reconnect with his estranged wife Melissa (Gunn)...but will he get the chance before all his incredibly dangerous doings get to him first?

This is an excellent movie. God bless PM, they’ve done it again. This ranks right up there with Zero Tolerance (1994) and Last Man Standing (1996) with the best of the PM’s. C. Thomas Howell is great as the troubled cop on the edge, and while other actors in this situation would have relied on simply having a goatee, sunglasses, necklaces and a leather vest, not to mention an awesome House of Pain baseball cap (all of which he has because he‘s a badass, duh), Howell actually adds a lot of care and subtlety to his role. You can see his rage issues and suspicions without him saying anything. It really is CTH at his best. Very under-appreciated.

Speaking of things that are under-appreciated, this movie is packed with killer and hugely enjoyable stunts and action setpieces in the true PM tradition. It takes tons of work and skill to pull these things off, but they go by in such a flash, people tend not to think about all the talent, artistry and labor that goes into them. You’ve got to admit, PM brings it, and brings it hard, and you CAN’T not love it.

There’s plenty of familiar faces on show as well, besides the aforementioned CTH, Dalton, Gunn and Lauter, there’s also John Ryan of American Cyborg: Steel Warrior (1993) fame as the head of the “Concrete Lion” gang,  PM mainstay Kathrin Middleton, the legendary Felton Perry, and lastly Max Slade, who famously was one of the 3 Ninjas (1992).  Of the supporting cast, we saved the best for last: Jeff Fahey. Perhaps the only flaw in this movie is that we would have liked to see more Fahey. His role is small. But it’s important and fits the plot, we understand.

PM understands that stunts aren’t worth jack if you don’t have characters that you care about that are in danger. Thanks to some above average acting and writing, they can now marry that to their top-notch stuntwork. PM puts in actual effort and it pays off in dividends.

We wholeheartedly recommend The Sweeper!

Also check our buddies, Direct To Video Connoisseur's review and Cool Target's write-up!

Comeuppance Review by: Ty and Brett

Digital Man (1995)

Digital Man (1995)-*1\2

Directed by: Phillip J. Roth

Starring: Matthias Hues, Ken Olandt, Adam Baldwin, Chase Masterson, Kristin Dalton, Paul Gleason, Ed Lauter, Susan Tyrrell,  Don Swayze, and a Special Appearance by: Clint Howard












In the future, if there is a situation too dangerous for human soldiers to go into, there is such a thing as the "D-1 Weapons System", or "Digital Man" (Hues). Such a situation arises when terrorists steal the launch codes for some nukes and demand 2 billion dollars in gold. Digital Man spoils their plans, but he uploads the launch codes on to his system. He then ends up in Badwater, Nevada, a small, dusty hamlet in the desert. When it is found out he has the nuclear launch codes, a special, crack team led by Anders (Olandt) is sent to Badwater to "take him off-line". Also there's some sort of stupid intrigue involving Adam Baldwin and Ed Lauter that is impossible to care about. So it's a scenario with a multi-racial team trying to stop Digital Man, Digital Man eluding them, and rednecks and trailer park dwellers such as Billy (the Swayze of the Don variety) interacting with all the high-tech goings-on.

Maybe it's just us, but we hate these low-budget sci-fi future movies. The dialogue consists of nothing but gobbledygook which is completely unrelatable to any audience. Thus they mentally "check out", lose interest and stop caring about the proceedings. Digital Man in particular is guilty of this, with very few, if any, likable characters. The most likable of the bunch is probably the emotionless supersoldier Digital Man. It's a perfect role for Hues. 

In 1995, CD-ROMs were huge, and this movie feels like one long, painful CD-ROM, with all the graphics and silly "morphing" effects that would entail. I've played flight simulators that are more thrilling than Digital Man. Flight Simulators.

Just imagine a mish-mash of Virtuosity (1995), The Terminator (1984), Neon City (1991), Robocop (1987), American Cyborg: Steel Warrior (1993), Hologram Man (1995), Circuitry Man (1990) and even the Sega Genesis game Vectorman.  The idea of the "sci-fi western" has been tried with everything from Westworld (1973) to Oblivion (1994). While the novelty of Don Swayze in a Chad McQueen-style sleeveless shirt angrily spouting lines like "You can't tell me what to do, robot!" in utter seriousness to such people as Matthias Hues is worth noting, Digital Man is just so dumb and tedious it wears off quickly.

For example, the weaponry the cast uses look like spray-painted leaf blowers, and robots die like the Itchy and Scratchy robots in that episode of The Simpsons.  The "crack team" does hone their craft, whatever that's supposed to be, by fighting "Virtual Ninjas" (you gotta figure the word "virtual" is going to show up sometime). The idea of a virtual ninja is cool and is probably strong enough to support its own movie. Maybe there will be a spin-off (please God not a sequel).

So while the movie does have a professional look thanks to the cinematography, and there are a lot of explosions, the only real reason to watch this is for Matthias Hues. Which is the only reason we watched it. So that works out. The climax does feature some Hues hand to hand combat, which is nice, because Hues walking around a trailer park with a leaf blower for 90 minutes sounds more entertaining than it actually is.

In the end, Digital Man seems like something you'd happen to catch on HBO or Cinemax in the middle of the afternoon sometime in the 90's. Sadly though, the strong B-movie cast cannot save the dire stupidity within.

Comeuppance Review by: Brett and Ty