Enemy Action (1999)

 

Enemy Action (1999)- * *

Directed by: Brian Katkin 

Starring: C. Thomas Howell, Louis Mandylor, Carl Struycken, Lisa Thornhill, Michael Newman, Beata Pozniak, Ed O'Ross, Randolph Mantooth, and Richard Lynch

Because he is "the best", John Reed (Howell) is dispatched to the former commie country of Dagestan to stop some baddies who want to release advanced-technology missiles on the U.S.A. The small band of evildoers, led by the sinister Solonsky (Mantooth), but also including Price (Mandylor), Eyepatch (Struycken), Dimitri (Lynch), and Fatima (Pozniak) have met their match with John Reed. Backed up by Catherine Kelly (Thornhill) and Major Pedyed (O'Ross), Reed must stop the missiles, stop the commies, and save the day. But will he be able to stop the ENEMY ACTION?

Hey, remember Stealth Fighter (1999), Desert Thunder (1999), Black Thunder (1998), The Pandora Project (1998), or perhaps Interceptor (1992)? Well, here's another low-budget Roger Corman programmer to file along with all the others. Enemy Action has the benefit of a cast that is well above average, but the movie itself is the usual mishmash of plane slog, dogfight slog, sub slog and mix-and-match-footage-from-other-movies slog that we've all become acquainted with over the years, especially in the output from the late 90's/early 2000's when that sort of thing really seemed to proliferate.

It's not a total loss, however, because Howell and Mantooth are both really good in the film and seem to be giving it their all. Or something close to their all. It helps the proceedings a lot to see that. Of course, there's the time-honored Wacky Taxi Driver. In this case, he proclaims how much he loves the West and his fondest goal is to "marry a Spice Girl". The baseball-loving John Reed really seems to appreciate this. Larry Hankin plays a guy whose name is - if you listen to what other characters seem to be calling him - "Yuri Avocado". Makes sense.

The special effects are indeed quite special, as we've got miniatures that look like they were taken out of a box of Battleship, "explosions" that look like if you crash your plane in a CD-ROM flight simulator from 1994, and an exploding helicopter that's quite literally onscreen for one second. We only point out these things because they help make the movie more fun and more watchable, not out of any sort of negativity.

In the realm of constructive criticism, we would say that the plot was very simplistic and should have had more going on, perhaps more twists and turns. The solid B-Movie cast was nice to see, but what they had to work with wasn't that meaty.

The VHS tape, released by Corman's New Concorde label, states on the tape itself that the film runs 77 minutes. The back of the box states that it's 84 minutes. The film itself is 82 minutes before the credits. All split hairs aside, the movie is still pretty short, but it feels longer because we've all been down this road many times in our viewing past.

In the end, Enemy Action isn't anything you haven't seen before. For a suggestion that's similar but better, try The Pandora Project.

Comeuppance Review by: Brett and Ty

Hot Boyz (2000)

Hot Boyz (2000)- * *

AKA: Gang Law 

Directed by: Master P

Starring: Silkk Tha Shocker, Master P, C-Murder, Master P, Snoop Dogg, Shireen Crutchfield, C.Thomas Howell, Gary Busey, Mystikal, Anthony Johnson, Brent Huff, Clifton Powell, and Jeff Speakman









 Hot Boyz is the sad and tragic tale of Kool (Tha Shocker) and his homies (not something gay as you might reasonably expect). Kool is an aspiring rapper who is probably still aspiring because he can’t come up with a better name for himself than Kool. He and girlfriend LaShawna (Crutchfield) are in love, despite the protestations of her mother, who disapproves of Kool’s homie-ing ways. One night while walking down a dark alley (always a bad idea, especially in the ‘hood), LaShawna witnesses a murder and is then accused of it and thrown in jail. It turns out she stumbled into a network of fully corrupt cops like Officer Mack (Huff) to pretty corrupt cops like Det. Tully (Busey) to not-that-corrupt cops like Officer Roberts (Howell). 

While fighting for LaShawna’s release, Tully convinces Kool to infiltrate the criminal organization run by Saint (Powell).  But when things take a turn for the worst, Kool and his homeboys C-Dawg (Snoop Dogg, stretching), Moe (Master P), Remo (C-Murder), Tyrel (Mystikal), and Pee Wee (Johnson) suddenly become crime lords in their own right. Will all this gangsta-ism lead to a bad end for Kool and/or the gang? Also Jeff Speakman is Kool’s Kenpo teacher. Kool takes Kenpo lessons.

Here is your classic example of what we call the “homie movie”, but because it’s also a PM movie, it has C. Thomas Howell, Gary Busey, Brent Huff and Jeff Speakman in non-homie roles. And also a bunch of shooting, car chases, and other PM hallmarks. In between most scenes there is an aerial shot of L.A. while some No Limit rapper lays down his poppin’ fresh rhymes. 

And behind scenes of C. Thomas Howell or Gary Busey talking, there are yet more rap beats. And of course, during any chase scenes, more rapping can be heard. Pretty much every homie movie cliche is out in force: barbecue parties (where Snoop doles out potato salad), bouncing cars, basketball games, evil whiteys (especially cops), and young ghetto-dwellers dreaming of escaping using the time-honored methods of drugs and violence. I guess it’s what you’d call “Master P’s Theatre”(groan).

Sure, you feel every aspect of its low-budget, but certain personalities shine through. Clifton Powell and Shireen Crutchfield stand out as the baddie and Kool’s inexplicably devoted girlfriend, respectively. 

And you’ve got to respect Snoop - he remains one mellow cat at ALL times, whether hangin’ with his homeboys or shooting a bunch of people in a (wildly extended) shootout. For this reason, he comes off as highly naturalistic, especially compared to his screen-mates such as Mr. Tha Shocker, who is clearly trying, but in a way that suggests a child trying to fit their little feet into their parents’ shoes.  As for the fan favorites, Howell doesn’t do all that much, Huff is one-dimensionally evil, Speakman’s role is largely unnecessary to the plot (although it was welcome and we wished there was more of him) and Busey is Busey. Busey is no stranger to the ‘hood, having also been in Down ‘n Dirty (2001) and On the Edge (2002).

It almost goes without saying, but Scarface (1983) seems to be a natural jumping-off point, at least for the second half of the movie, where the “Hot Boyz” are born and form their own criminal empire. When Kool earns his black belt, Master Keaton (Speakman) says to him “now you’re a man”, and later, Saint congratulates him on going from a boy to a man. The movie also could have been called “Bar MitzvahZ”.

But we don’t think you’re supposed to think about it all that much, just get your own group of “Hot Boyz” together, pour out a 40 for your dead homiez, and pop in the DVD. If this is your thing at all, you’ll be in homie heaven.

Comeuppance Review by: Ty and Brett 

Also check out write-ups from our buddies, DTVC, The Video Vacuum, and The Unknown Movies!

The Big Fall (1997)

The Big Fall (1997)-* * *

Directed by: C. Thomas Howell

Starring: C. Thomas Howell, Jeff Kober, Kathy Griffin, Sophie Ward, Sam Seder, and Titus Welliver












Blaise Rybeck (Howell) is an L.A. private eye in true Raymond Chandler/Mickey Spillane/Dashiell Hammett style. Working with his assistants Gary Snider (Seder) and Sally (Griffin), Blaise generally gets into all sorts of scrapes tailing dames while smoking cigars and drinking cocktails in his fedora and trench coat. One day, a classic femme fatale walks into his office, Emma Roussell (Ward) and before long Blaise is trapped in a web of intrigue surrounding a mysterious flight school and a crew of bungee jumpers led by the thuggish Moe (Welliver). Of course, the main antagonist is Johnny “Axe” Roosevelt (Kober), and it’s going to be quite the clash once he and Blaise face off.

It’s great that PM gave C.Thomas Howell a chance to direct, as the resulting film is a pleasantly different one for their canon. Howell is cooler-than-cool in his P.I. mode, and his talent really shines both in front of and behind the camera. Howell and PM did a really interesting thing here - Blaise and his crew wear 1940’s-style clothing and his office has that same kind of decor, and there is plenty of great old-timey lingo and jazz music as well, but it works as an unexplained anachronism, as the movie is set in the present day, with cell phones and other trappings of modern life somehow intermingling with this Film Noir style. We thought that was really cool.

Of course, even though this film is different in many ways, perhaps PM thought their fans would be confused if there weren’t blow-ups, car chases, car flips, beatings, shootings and the like, so they’re all present and accounted for. For some reason the annoying Kathy Griffin is here as Sally, perhaps continuing the role she played on Seinfeld? Sophie Ward is very Gwyneth Paltrow-like as the eye candy, and the underrated Jeff Kober could be the brother of Willem Dafoe. Speaking of underrated, Titus Welliver almost steals the movie as Moe. He really should be more well-known, as he is a talented actor.

The movie is a well-written and executed mystery thriller where yesterday meets today, and the personality of C.Thomas Howell is the glue that holds it all together and makes it work. The Big Fall is recommended.

Comeuppance Review by: Brett and Ty

The Sweeper (1996)

The Sweeper (1996)-* * * *

Directed by: Joseph Merhi

Starring: C. Thomas Howell, Ed Lauter, Kristin Dalton, Janet Gunn, Felton Perry, Max Slade, John P. Ryan, Kathrin Middleton, and Jeff Fahey











Ever since he was a young boy, there was no question that Mark Goddard (Howell) would become a good cop like his father Dale (Fahey). When bad guys gun down his whole family, it traumatizes him, but he grows up to become a police officer anyway - but naturally his unfortunate past has given him a chip on his shoulder and a proclivity towards violence. Sure, the recipients of said violence are criminal scum, and this allows him entry into a super-secret fraternity of criminal-killers called J.I. or “Justice Incorporated”. If you have nine kills to your credit, you are allowed entry. Even though the naturally suspicious Goddard is wary, he reluctantly joins because the leader, Molls (Lauter) is persuasive, his associate Rachel (Dalton) is seductive, and he gets to go on off-the-books missions and kill as many bad guys as he wants and still get paid. But the awesomeness of this setup quickly wears thin as Molls hides a sinister secret. All Goddard wants to do is see his son, and reconnect with his estranged wife Melissa (Gunn)...but will he get the chance before all his incredibly dangerous doings get to him first?

This is an excellent movie. God bless PM, they’ve done it again. This ranks right up there with Zero Tolerance (1994) and Last Man Standing (1996) with the best of the PM’s. C. Thomas Howell is great as the troubled cop on the edge, and while other actors in this situation would have relied on simply having a goatee, sunglasses, necklaces and a leather vest, not to mention an awesome House of Pain baseball cap (all of which he has because he‘s a badass, duh), Howell actually adds a lot of care and subtlety to his role. You can see his rage issues and suspicions without him saying anything. It really is CTH at his best. Very under-appreciated.

Speaking of things that are under-appreciated, this movie is packed with killer and hugely enjoyable stunts and action setpieces in the true PM tradition. It takes tons of work and skill to pull these things off, but they go by in such a flash, people tend not to think about all the talent, artistry and labor that goes into them. You’ve got to admit, PM brings it, and brings it hard, and you CAN’T not love it.

There’s plenty of familiar faces on show as well, besides the aforementioned CTH, Dalton, Gunn and Lauter, there’s also John Ryan of American Cyborg: Steel Warrior (1993) fame as the head of the “Concrete Lion” gang,  PM mainstay Kathrin Middleton, the legendary Felton Perry, and lastly Max Slade, who famously was one of the 3 Ninjas (1992).  Of the supporting cast, we saved the best for last: Jeff Fahey. Perhaps the only flaw in this movie is that we would have liked to see more Fahey. His role is small. But it’s important and fits the plot, we understand.

PM understands that stunts aren’t worth jack if you don’t have characters that you care about that are in danger. Thanks to some above average acting and writing, they can now marry that to their top-notch stuntwork. PM puts in actual effort and it pays off in dividends.

We wholeheartedly recommend The Sweeper!

Also check our buddies, Direct To Video Connoisseur's review and Cool Target's write-up!

Comeuppance Review by: Ty and Brett

Hitman's Run (1999)

Hitman's Run (1999)-*1\2

Directed by: Mark L. Lester

Starring: Eric Roberts, Estaban Powell, Brent Huff, Damian Chapa, Farrah Forke, Robert Miano, and C. Thomas Howell













Former hitman Tony Lazorka (Roberts) (how do they come up with these names?) is now living as a happily married family man in the suburbs of L.A. He thinks he’s far from his past, having worked has a hired killer for mob boss Dominic Catania (Miano), but when yet another “Disk” (as in, “we’ve got to get The Disk! - which we’ve all seen so many times before) surfaces that contains other people in the witness protection program, Lazorka must team up with annoying punk kid Brian (Powell) to save his father, and Lazorka’s kidnapped family. And what do FBI agents Tom (Howell) and Randall (Huff) have to do with all this intrigue? Will Lazorka be successful?

This movie is very, very dumb. That’s not necessarily an insult - there are varying degrees of dumb. There’s dumb dumb, there’s just plain bad dumb, there’s funny dumb, etc. Luckily, Hitman’s Run falls into the “yeah, it is very dumb but there are plenty of unintentional (probably) laughs” category...but there are some major caveats here - read on...

Eric Roberts is definitely a major meathead in this one. His hair, clothing and demeanor are all very silly, and he strongly resembles Antonio Banderas, especially from Assassins (1995). Don’t forget, Roberts also plays an assassin here. Why the filmmakers decided to use a dud like Assassins as their template for greatness is somewhat puzzling. During all the blow-ups and shooting, the bad guys constantly have terrible aim and Lazorka’s is always right-on. Sure, that’s fairly common I suppose, but there are a lot of just hilariously implausible scenarios on show here (again, not necessarily a negative).

And while C. Thomas Howell looks like a young kid here, this was actually released three years after the great The Sweeper (1996), where he plays a macho tough guy. It really shows his range. This movie could have used more Howell. Brent Huff and Damian Chapa are also on display, and it’s nice to see them, as well as fan favorite Robert Miano. Unfortunately, the movie makes a major mistake with the kid. Why, again, would the filmmakers use such poor judgment in thinking any audience any where would like this irritating punk, much less not want to twist his stupid head off like a bottlecap, remains unknown. All he does is spout grating cliches, or, when Lazorka is doing his action stuff, say “Whoa!” and things like that. Sure, the kid from American Ninja 5 (1993) did the same thing, but he was a kid. As an older teen, he has no excuse. We’d love to know what the writers were thinking with this Poochie-like decision. Importantly, he also wears a sleeveless sweater throughout the whole movie. A SLEEVELESS SWEATER. Who even knew they existed?

Hitman’s run is fairly cartoony and could have used some grit. Then just dump the kid and have Eric Roberts go on a solo revenge mission to save his family. THEN Hitman’s Run would really have something. But the quality is junky, and the unnecessary addition of the stupid punk kid really sinks things.

We all love Eric Roberts, and all the other names in the cast as well, and the aforementioned dumbness alone is no big deal, but, married to the addition of the kid, Hitman’s Run might be very trying to the patience of viewers. When the dumbness is the SAVING GRACE of the movie, there’s a definite problem.

Comeuppance Review by: Ty and Brett

Also check out our buddies Direct To Video Connoisseur and Eric Roberts: Our Movies reviews!

To Protect and Serve (1992)

To Protect and Serve (1992)-***

Directed by: Eric Weston

Starring: C. Thomas Howell, Joe Cortese, and Zoe Trilling 














Howell plays Detective Philip Egan, a loose-cannon Detroit Cop On The Edge. He witnesses his fellow police officers beating up an unarmed suspect. They "read him his rights" while they beat him to death. Also these corrupt cops take kickbacks and paybacks. Egan tries to quietly sign up with "the rat squad", AKA Internal Affairs, so he can get justice for the slain man but without his vicious cop buddies knowing. Also there is a serial killer on the loose picking off police officers. AND he is teamed with a new female partner, McCallister, who he doesn't get along with. It looks like Egan has a lot on his plate.

The cops have some funny "street" dialogue such as "you're coming up short, homie" and "hang around, ese" Like "Law and Order" this was ripped from the headlines of the time. In this case, the contemporary story of the Rodney King assault. Thankfully, "To Protect and Serve" is gritty and that serves the film well.

C. Thomas Howell puts in a tough performance and you care about his character and you want him to succeed. He's a man with a conscience that has nightmares about the beating. He also wears a sweet brown jacket and cool baseball cap throughout the movie. His chief at the precinct tells him "you're a loose cannon, Egan! You're not RoboCop! I'm tired of cleaning up your messes!" Classic stuff. For more prime Howell, check out The Sweeper (1996).



Sure, To Protect and Serve has some cliches, but it's the ones you want. It's a cop drama that delivers the paint by numbers action, such as the cops yelling at each other and pulling each other's shirts, but with a C. Thomas Howell twist. If you come across this tape, pick it up if you like Howell or cop dramas.

Comeuppance review by: Ty and Brett

Hoboken Hollow (2005)

Hoboken Hollow (2005)- *1\2

Directed By: Glen Stephens

Starring: Jason Connery, Michael Madsen, Dennis Hopper, and C. Thomas Howell









Hoboken Hollow is a disappointment.

Trevor (Connery) is a war veteran trying to take life easy and hitchhiking his way to California. While hitchhiking, a trucker named Clayton (Howell) asks him for help on his ranch. Trevor agrees only if he can leave the next day. Trevor finds out very quickly that the ranch is filled with deranged lunatics who like to torture and kill their helpers.

It's a good idea for a movie but it just doesn't work because the pacing is lethargic and the scares are minimal. Howell does a decent job as one of the killers, but Connery is wooden.



If you're thinking "Hey, Madsen and Hopper are in it! It can't be all bad...." well, I'm sorry, you're wrong this around. Hopper is in this for about two minutes and he basically says the same line over and over: "I'll give you a lift to the next town". Madsen has it worse because once again, as in "The Covenant: Brotherhood Of Evil” he has an obviously phony mustache. 2005 was the “glued on facial hair stage” in his career. One more thing: Anthony Michael Hall was one of the producers of this mess. Odd....



"Hoboken Hollow" is a very poor flick, that you should only watch if you're a Madsen or Hopper completist (I've seen "Tycus" for gosh sake. Tycus.)

Comeuppance Review by: Ty