Death Wish 3 (1985)

Death Wish 3 (1985)- * * * *

Directed by: Michael Winner

Starring: Charles Bronson, Ed Lauter, Gavan O'Herlihy, Deborah Raffin, Alex Winter, and Martin Balsam

Paul Kersey (Bronson, of course) is back in action and back in New York City in this classic Cannon outing. When Kersey arrives, ostensibly to visit his old buddy, he immediately gets into a whole heap o’trouble, as you might expect. When a devious cop named Shriker (Lauter) unleashes Kersey into a crime-ridden East New York neighborhood, all he asks is that Kersey occasionally reports back to him, because he knows crime stats will drop dramatically. 

But Kersey is more interested in helping the poor inhabitants of an apartment tower that’s plagued with the rampant crime in the neighborhood. He makes fast friends with Bennett (Balsam), and even finds time for romance with public defender Kathryn Davis (Raffin). But the main order of the day is to take down gang leader Fraker (O’Herlihy) and his rampaging underlings. Soon enough, Kersey wages his one-man war against the baddies and ne’er-do-wells of New York…who will survive the onslaught?

Did Judas Priest write the song “Delivering the Goods” about this movie? Well, probably not, as it’s from 1978, but they easily could have. Death Wish III is when the franchise went from being serious-minded and 70’s to being ridiculous, over the top, and 80’s. On the one hand, it lost some of its “serious points”. But on the other hand, it gained a lot in terms of the fun quotient. And this movie is a ton of fun. 

The 80’s was the golden age of movies where punks take over the streets. Tenement (1985), Exterminator 2 (1984), Enemy Territory (1987), and Chains (1989) just to name a few. It’s a joy to watch Bronson blow the baddies away with a wide variety of weaponry. And set all that to a stellar Jimmy Page soundtrack, and you have a classic winner all around (and that’s not a pun based on the director’s name).

Martin Balsam is the classic old salt and he and Bronson make a stellar pairing. When Balsam first appears on screen, you expect to see a credit like “And Martin Balsam as Charles Durning in The Hal Holbrook Story, featuring Burgess Meredith and Ernest Borgnine, and with a special appearance by George Kennedy”. Needless to say, it’s awesome to watch the triumph of the older gentlemen over the disrespectful young whippersnappers. 

While wags may describe the movie as “stupid” or perhaps “mindless”, we say that anyone that levels those charges has no sense of fun and mirth. And if it is stupid, it’s the good stupid we’re always talking about. Honestly, ask yourself: is there anything better than Charles Bronson in the 80’s with a rocket launcher? After some deep soul searching, you will find the answer is no. Trust us, we’ve been there, man. 

Don’t get us wrong, we love the first two Death Wish movies. But the bleak, dour tone is gone here. Death Wish III marks the moment when the gray, overcast clouds broke and the sunlight flooded in. Our credo: Charles Bronson now, Charles Bronson forever!

Comeuppance Review by: Ty and Brett 

Mercenary (1996)

Mercenary (1996)- * * *

Directed by: Avi Nesher

Starring: Olivier Gruner, Ed Lauter, John Ritter, Nils Allen Stewart, Martin Kove, Lara Harris, and Robert Culp 












Jonas Ambler (Ritter) is a multi-millionaire businessman with his face on the cover of Forbes magazine. When his beloved wife Joanna (Harris, of The Dogfighters fame) is killed in a terrorist attack, Ambler wants revenge. After discovering the baddies involved are headed by arch-baddie Phoenix (Kove), the corporate warrior yearns to be a real warrior when he reaches out to Hawk (Gruner) and McClean (Culp), expert mercenaries, in order to capture and kill Phoenix. At first they reject his offer of four million dollars, but they eventually relent and agree to take on the job. The only problem is, while Hawk and his crew are highly-trained badasses, Ambler is not, so they go on an extensive training regimen. All this in the presence of his head of security, Cochran (Lauter). Soon enough, Hawk and the gang are in the Middle East and fighting the bad guys. But Hawk is emotionless (or is he?) and Ambler is a bit of a goofball. But they’re going to have to learn to get along if they want to survive the most dangerous mission of their lives. Will they be successful?

Mercenary is a lot better than we thought it was going to be, having based our assumptions on having seen the second one first. Sequels are often not as good as the originals, and here is a classic case of that. There’s plenty of quality action, and it’s all very professionally done. If the movie had starred Van Damme instead of Gruner, this could have gone to the theater. That’s not to say that Gruner isn’t perfectly cast, however - as the emotionless warrior, with maybe a bit of humanity lurking underneath, Gruner is ideal as Hawk. Plus his hair seems to get higher in every scene. Halfway through the movie, he looks like Kid from Kid n’ Play.

It all kicks off with a bang in classic 90’s style, and the whole outing is perfect for video stores of that time. It even has Jack Tripper himself, John Ritter, getting in on the action. How often are you going to see that? Sure, he provides the comic relief for Hawk, but he also gets emotional and angry at times. And he’s never annoying like the characters in the sequel. Ritter gunning down Islamic terrorists. Who’d’ve thunk it? Plus, we liked the fact that the mercenaries were the good guys.

Cementing the fact that this is classic 90’s action, we have the time-honored barfight and the Prerequisite Torture of the heroes. There’s even some surprise Killfighting. Not to be confused with Punchfighting, at one point Hawk and Ambler find themselves in a dark, underground arena where men take to a pit and try to kill each other, but this is not Punchfighting. There is minimal, if any, punching, and the crowd surrounding them is not clutching cash in their hands. Plus they had knives and were dueling to the death. Leave it to us to define the subtle differences between Punchfighting and Killfighting. But it was all part of the rich array of action’s glory days.

While the movie was from ‘96, the plot - offering up millions of dollars to find a terrorist - recalls the hunt for bin Laden, and Robert Culp strongly resembles Mitt Romney. Coincidence? Well, yes. But to corral a killer cast like this is truly a once in a lifetime assemblage (look out for genre mainstay Nils Allen Stewart and an early appearance from Jaime Pressly). Director Nesher, known for Timebomb (1991) and The Taxman (1999), among others, puts in his version of a Men of War (1994)-style plot, and we say it’s successful. The only real problem with the movie is that it’s too long. It didn’t need to be 102 minutes, and if it was shorter we might be looking at an all-time classic. As it stands, Mercenary is a very good all-around action movie that is more than watchable and likable.

Featuring a cover of La Bamba by the band Popdefect, watching Mercenary will take you back to one of the last great years for DTV action. Just make sure you avoid the sequel.

Comeuppance Review by: Ty and Brett

Also check out write-ups from our buddies, DTVC and The Unknown Movies!

Extreme Justice (1993)

Extreme Justice (1993)-* * *

Directed by: Mark L. Lester

Starring: Lou Diamond Phillips, Scott Glenn, Chelsea Field, Yaphet Kotto, Andrew Divoff, Ed Lauter, and Stephen Root












Jeff Powers (Phillips) is an LAPD detective known for his aggressive streak. Rather than be a detriment to his career, it enables him to join the SIS, or Special Investigative Section, an elite team of cops given a wider berth to take down repeat criminal offenders by any means necessary. The group is led by Dan Vaughn (Glenn), a charismatic but violent man. Other members of the team include Angel (Divoff) and, as Larson, Yaphet Kotto in one of his best roles we’ve seen to date.  As Vaughn and his ethical issues become darker and murkier, Powers, spurred on by his reporter girlfriend Kelly (Field), becomes wary and spirals into a moral conundrum - remain true to his brotherhood and its camaraderie - after all, they ARE stopping crimes, or, blow the whistle because their crime-stoppery knows absolutely no limits and at times comes with a very high price? What will Jeff Powers do?

There are a lot of really good things about Extreme Justice, starting with its title. This was before “extreme” things became the norm. The SIS gets EXTREME justice. But besides that, it has a top-notch cast, and the excellence of fan-favorites LDP, Yaphet Kotto, Andrew Divoff, Ed Lauter and Scott Glenn raise the bar considerably. The movie has back-to-back scenes of awesome cliches (someone should invent a word that means “cliche” but doesn’t have a negative connotation, because that’s what we’d use here) - everything from a female BYC (Black Yelling Chief), to Jeff Powers being called “A Loose Cannon” - but Extreme Justice really does provoke thought, as well as conversation with whoever you’re watching it with.

We talked about the fine ethical line some of the characters walk - and Powers, Vaughn and others deal with their issues in their own ways. We also talked about the nature of law and justice and things of that nature. This movie really does bring them up, which is more than you can say about a lot of other cop dramas of this type. Plus it has Yaphet Kotto dressed as a cowboy complete with hat, belt buckle and six-shooter.

The ubiquitous Ed Lauter’s role here (as well as the plot of the movie) is a precursor to the great The Sweeper, 1996 (note the “Cloak and Dagger” business card), and Scott Glenn’s role as Vaughn also is a precursor to another career-best role as Cole McCleary in The Last Marshal (1999). This is a manly movie about dudes who drink at bars, go to strip clubs, and shoot their guns at their steak-fueled cookouts.  But this Brotherhood Movie, as we call them, has an uglier side and themes of adult peer pressure are explored.  Try to imagine a cross between the TV show The Shield, The Last of the Finest (1990) and The New Centurions (1972). Now add to the mix the L.A.- based cop dramas of James Ellroy such as Dark Blue (2002) and Street Kings (2008), and you have an idea of where this movie lives.

Director Mark L. Lester, who has given us such gems as Showdown in Little Tokyo (1991) and Commando (1985), delivers a refreshingly-adult drama, a far cry from the stupidity of his later Hitman’s Run (1999). Here, there are no stupid, wisecracking teens or kids.

Extreme Justice is solid and recommended.

Also check out RobotGEEK's review!

Comeuppance Review by: Ty and Brett

Breach Of Trust (1995)

Breach Of Trust (1995)- * *1\2
 
AKA: Crash

Directed by: Charles Wilkinson

Starring: Michael Biehn, Leilani Sarelle, Miguel Sandoval, Matt Craven, Vladimir Kulich, Ed Lauter, and Kim Coates












Casey (Biehn) is a low-level courier for a criminal enterprise led by Carlo Sanchez (Sandoval). Casey comes into possession of “The Disk”, a CD-ROM (presumably, because this was the 90’s) that has information leading to 40 million dollars’ worth of criminal earnings. When undercover cop Madeline (Sarelle) becomes involved because some corrupt government agents are on the take and also want The Disk, soon Casey and Madeline are on the run from many bad guys who are after them because they want “The Disk” as well. Not the least of which is scary executioner Bracco (Kulich, last seen in Crackerjack, 1995 and Red Scorpion 2, 1994). The BIG boss of it all is Kreuger (Lauter). Will Casey and Madeline ride off into the sunset together - or is there just too much shooting?

While the first part of this movie gets off to a weird start, the many character actors involved throughout the film make you forget about the odd pace (which eventually becomes more normal). We’ve seen many, many movies where “The Disk” is something both the good guys and the bad guys want, and here is no exception. A lot of the scenes are dark, just like the other Biehn vehicle American Dragons (1998). It must be in his contract that his movies use less lights.

Speaking of Biehn, here he’s more animated than usual and really turns on the charm. Ed Lauter should have been in more of the movie, his is basically a bit part. His accent is suitably menacing, however. The similarities to Crackerjack continue...and yes, there is some classic 90’s computer gobbledygook on show as well.

While they really went crazy with the scenes of mindless gun-shooting, perhaps the movie could have been trimmed a bit. It may seem like quibbling, but Breach of Trust probably didn’t HAVE to be 96 minutes. It should have been 90 or less. Demanding more than that of audiences for this type of fare is kind of pushing it. But the presences of Biehn, Sandoval, Kulich, and Lauter, not to mention further fan-favorite familiar faces such as Matt Craven and Kim Coates certainly soften the blow. We weren’t overly familiar with Sarelle but she does a good job as the tough cop but who also can’t resist the overpowering winning smile of Casey.

Shot in Vancouver, B.C. Canada, Breach of Trust isn’t mind-blowingly different (and something happens at the end which is...odd) but it provides decent entertainment.

Comeuppance Review by: Brett and Ty

The Sweeper (1996)

The Sweeper (1996)-* * * *

Directed by: Joseph Merhi

Starring: C. Thomas Howell, Ed Lauter, Kristin Dalton, Janet Gunn, Felton Perry, Max Slade, John P. Ryan, Kathrin Middleton, and Jeff Fahey











Ever since he was a young boy, there was no question that Mark Goddard (Howell) would become a good cop like his father Dale (Fahey). When bad guys gun down his whole family, it traumatizes him, but he grows up to become a police officer anyway - but naturally his unfortunate past has given him a chip on his shoulder and a proclivity towards violence. Sure, the recipients of said violence are criminal scum, and this allows him entry into a super-secret fraternity of criminal-killers called J.I. or “Justice Incorporated”. If you have nine kills to your credit, you are allowed entry. Even though the naturally suspicious Goddard is wary, he reluctantly joins because the leader, Molls (Lauter) is persuasive, his associate Rachel (Dalton) is seductive, and he gets to go on off-the-books missions and kill as many bad guys as he wants and still get paid. But the awesomeness of this setup quickly wears thin as Molls hides a sinister secret. All Goddard wants to do is see his son, and reconnect with his estranged wife Melissa (Gunn)...but will he get the chance before all his incredibly dangerous doings get to him first?

This is an excellent movie. God bless PM, they’ve done it again. This ranks right up there with Zero Tolerance (1994) and Last Man Standing (1996) with the best of the PM’s. C. Thomas Howell is great as the troubled cop on the edge, and while other actors in this situation would have relied on simply having a goatee, sunglasses, necklaces and a leather vest, not to mention an awesome House of Pain baseball cap (all of which he has because he‘s a badass, duh), Howell actually adds a lot of care and subtlety to his role. You can see his rage issues and suspicions without him saying anything. It really is CTH at his best. Very under-appreciated.

Speaking of things that are under-appreciated, this movie is packed with killer and hugely enjoyable stunts and action setpieces in the true PM tradition. It takes tons of work and skill to pull these things off, but they go by in such a flash, people tend not to think about all the talent, artistry and labor that goes into them. You’ve got to admit, PM brings it, and brings it hard, and you CAN’T not love it.

There’s plenty of familiar faces on show as well, besides the aforementioned CTH, Dalton, Gunn and Lauter, there’s also John Ryan of American Cyborg: Steel Warrior (1993) fame as the head of the “Concrete Lion” gang,  PM mainstay Kathrin Middleton, the legendary Felton Perry, and lastly Max Slade, who famously was one of the 3 Ninjas (1992).  Of the supporting cast, we saved the best for last: Jeff Fahey. Perhaps the only flaw in this movie is that we would have liked to see more Fahey. His role is small. But it’s important and fits the plot, we understand.

PM understands that stunts aren’t worth jack if you don’t have characters that you care about that are in danger. Thanks to some above average acting and writing, they can now marry that to their top-notch stuntwork. PM puts in actual effort and it pays off in dividends.

We wholeheartedly recommend The Sweeper!

Also check our buddies, Direct To Video Connoisseur's review and Cool Target's write-up!

Comeuppance Review by: Ty and Brett

Raw Deal (1986)

Raw Deal (1986)-* * *1\2

Directed by: John Irvin

Starring: Arnold Schwarzenegger, Darren McGavin, Joe Regalbuto, Kathryn Harrold, Sam Wanamaker, Ed Lauter, Steven Hill, and Robert Davi




"NO ONE GIVES HIM A RAW DEAL"








Today we thought we'd revisit an Arnie classic. Sometimes the hustle and bustle of reviewing movies from the direct-to-video world makes you forget that staple action movies such as this came to the theater, and they shouldn't be overlooked.

In this Arnold outing, he plays Mark Kominsky, the sheriff of a small town who always gets his man. He was once an FBI big shot, but was "exiled" to the boondocks. When his former FBI chief Harry Shannon (McGavin) informs him he might have a chance to get back to the Bureau, Harry pays attention. It seems a group of mobsters led by the evil Patrovina (Wanamaker) killed Shannon's son, so he does what any grieving father would naturally do: he gets Arnold Schwarzenegger to go undercover in the organization and get an explosive revenge. And if anyone screams "I fit in perfectly with Italian gangsters" it's clearly the Aryan supergod Schwarzenegger with his thick Austrian accent. It's no wonder Shannon tapped him for the job. (In his defense, he did dye his hair black, so, disguise completed).

While taking down the "strongest of the Chicago families", Kominsky runs into a variety of colorful characters. Baxter (Regalbuto) is the federal prosecutor with mysterious motives, Rocca (Paul Shenar) is the "undertaker" for the mob, Lamanski (Hill), not to be confused with "Kominsky" is a mobster honcho, and it's interesting to see "Adam Schiff" in a totally different type of role than his legendary Law and Order character. While away from his wife (Blanche Baker), Kominsky meets a totally different type of woman, Monique (Harrold), a flashy dame, also with questionable motives. Ed Lauter plays the cop one step behind Kominsky, and last but not least is Comeuppance favorite Robert Davi as Max Keller, a mob enforcer suspicious of Kominsky. I guess Kominsky's "undercover name" of "Joe Brenner" didn't convince him like it did everyone else.

But honestly the star attraction here is unquestionably Schwarzenegger, who when we first meet him is wearing a red and black lumberjack shirt and closely resembles the Brawny paper towel man. He quickly and effortlessly charms the audience with his winning smile (even while chomping a cigar), and also with his classic one-liners like "you should not drink and bake" and "magic? Or...magnet?!!??!!" His deadpan wit makes you see what the writers of The Simpsons must have seen with their "McBain" parodies. There's an immense amount of shooting, but it's all good clean fun, really.

And, as opposed to some of its imitators, Raw Deal has impressive widescreen photography and a cool score. Some of the pop songs it uses are interesting too, such as The Rolling Stones' "Satisfaction", which must have cost the filmmakers a pretty penny to use, as well as lesser-known gems like Pamela Stanley's "If Looks Could Kill". Add some humor into the mix, and it all adds up to classic 80's entertainment.

As you probably already know, Raw Deal is foundational for your knowledge of American action films and is a true classic of the genre. If you haven't seen it yet, don't hesitate.

Comeuppance Review by: Brett and Ty

Digital Man (1995)

Digital Man (1995)-*1\2

Directed by: Phillip J. Roth

Starring: Matthias Hues, Ken Olandt, Adam Baldwin, Chase Masterson, Kristin Dalton, Paul Gleason, Ed Lauter, Susan Tyrrell,  Don Swayze, and a Special Appearance by: Clint Howard












In the future, if there is a situation too dangerous for human soldiers to go into, there is such a thing as the "D-1 Weapons System", or "Digital Man" (Hues). Such a situation arises when terrorists steal the launch codes for some nukes and demand 2 billion dollars in gold. Digital Man spoils their plans, but he uploads the launch codes on to his system. He then ends up in Badwater, Nevada, a small, dusty hamlet in the desert. When it is found out he has the nuclear launch codes, a special, crack team led by Anders (Olandt) is sent to Badwater to "take him off-line". Also there's some sort of stupid intrigue involving Adam Baldwin and Ed Lauter that is impossible to care about. So it's a scenario with a multi-racial team trying to stop Digital Man, Digital Man eluding them, and rednecks and trailer park dwellers such as Billy (the Swayze of the Don variety) interacting with all the high-tech goings-on.

Maybe it's just us, but we hate these low-budget sci-fi future movies. The dialogue consists of nothing but gobbledygook which is completely unrelatable to any audience. Thus they mentally "check out", lose interest and stop caring about the proceedings. Digital Man in particular is guilty of this, with very few, if any, likable characters. The most likable of the bunch is probably the emotionless supersoldier Digital Man. It's a perfect role for Hues. 

In 1995, CD-ROMs were huge, and this movie feels like one long, painful CD-ROM, with all the graphics and silly "morphing" effects that would entail. I've played flight simulators that are more thrilling than Digital Man. Flight Simulators.

Just imagine a mish-mash of Virtuosity (1995), The Terminator (1984), Neon City (1991), Robocop (1987), American Cyborg: Steel Warrior (1993), Hologram Man (1995), Circuitry Man (1990) and even the Sega Genesis game Vectorman.  The idea of the "sci-fi western" has been tried with everything from Westworld (1973) to Oblivion (1994). While the novelty of Don Swayze in a Chad McQueen-style sleeveless shirt angrily spouting lines like "You can't tell me what to do, robot!" in utter seriousness to such people as Matthias Hues is worth noting, Digital Man is just so dumb and tedious it wears off quickly.

For example, the weaponry the cast uses look like spray-painted leaf blowers, and robots die like the Itchy and Scratchy robots in that episode of The Simpsons.  The "crack team" does hone their craft, whatever that's supposed to be, by fighting "Virtual Ninjas" (you gotta figure the word "virtual" is going to show up sometime). The idea of a virtual ninja is cool and is probably strong enough to support its own movie. Maybe there will be a spin-off (please God not a sequel).

So while the movie does have a professional look thanks to the cinematography, and there are a lot of explosions, the only real reason to watch this is for Matthias Hues. Which is the only reason we watched it. So that works out. The climax does feature some Hues hand to hand combat, which is nice, because Hues walking around a trailer park with a leaf blower for 90 minutes sounds more entertaining than it actually is.

In the end, Digital Man seems like something you'd happen to catch on HBO or Cinemax in the middle of the afternoon sometime in the 90's. Sadly though, the strong B-movie cast cannot save the dire stupidity within.

Comeuppance Review by: Brett and Ty

Strike Force (2003)

Strike Force (2003)-* * *

AKA: The Librarians

Directed by: Mike Kirton

Starring: William Forsythe, Burt Reynolds, Erika Eleniak, Christopher Atkins, Ed Lauter, Andrew Divoff, Daniel Bernhardt, Mark Foley, and Matthias Hues









Strike Force or "The Librarians" is a stupid, fun action movie that doesn't take itself too seriously.

William Forsythe stars as Simon, who is looking for a missing daughter of a wealthy client. He meets up with Sandi (Eleniak) who is also looking for someone-her sister. But there are evil bad guys afoot. The most evil of them all is Marcos Canarious (Divoff). Marcos likes to kill people.



So now, Simon and Sandi have to team up to bring down the villains. The whole cast is great, with Divoff stealing the movie. There are also cameos by Ed Lauter, Burt Reynolds, and esteemed star of stage and screen, Mark Foley (actually disgraced politician Mark Foley in the greatest cameo since Gloria Allred lit up the screen in On The Edge).  If you are looking for a silly action film, watch this and have a good time.




Comeuppance Review by: Ty

Out In Fifty (1999)

Out in Fifty (1999)-* *

Directed by: Bojesse Christopher & Scott Leet

Starring: Mickey Rourke, James Avery, Ed Lauter, Christina Applegate, Balthazar Getty, and Alexis Arquette












This is one of the low points of Mickey Rourke's career. The other film is Point Blank (1997).

In this one, he plays a really strung out Cop On The Edge. He drinks, smokes, and speaks in monotone. That's not the character, that's Rourke. He's unshaven and mumbles so much you can't hear what he's saying. He has one scene with James Avery (Uncle Phil from the "The Fresh Prince of Bel Air") that's just hilarious. You need subtitles. Just watch it for Rourke's non-performance. If he thought the character "Jack Bracken" was like this, this is an amazing performance begging for repeat viewings.



I like Mickey Rourke. He is a excellent actor, with gems like Year of The Dragon (1985), Barfly (1987), and Pope of Greenwich Village (1984). This is just a detour which he will eventually go on the right track.

Comeuppance review by: Ty

Brothers In Arms (2005)

Brothers In Arms (2005)-* *1\2
 
Directed by: Jean-Claude La Marre

Starring: David Carradine, Kurupt, Raymond Cruz, and Ed Lauter













Brothers In Arms is a decent "urban" western. The plot is about two brothers and his gang of thieves who plan to rob a bank. The only things that stand in their way are: The Kurupt town governor Driscoll (Carradine) and his bounty hunters.

The movie is fast-paced but the bank robbery scene\aftermath is almost half the movie and because of that there is some repetition in the dialogue.


The performances are okay. The standouts are Raymond Cruz as the Reverend and David Carradine as Driscoll. Ed Lauter and Kurupt stand around for most of the film. The gunfights could also use some improvement. When the ending comes it stops being an action movie and starts being a drama, which works actually.

In the end: Besides some minor problems, Brothers In Arms is still worth watching.




Comeuppance review by: Ty