Showing posts with label Rebecca Barrington. Show all posts
Showing posts with label Rebecca Barrington. Show all posts

2/22/2011

Living To Die (1990)

Living To Die (1990)-* *1\2

Directed by: Wings Hauser

Starring: Wings Hauser, Arnold Vosloo, Darcy DeMoss, Rebecca Barrington, Raymond Martino, and Asher Brauner 



"Some People Play for Money. Some People Play for Keeps."









In this PM production, which can best be described as a low-budget thriller with a huge film noir influence, Wings Hauser (who also directed the film) plays Nick Carpenter, a streetwise ex-cop in Las Vegas. His friend Eddie Minton (Brauner) is being blackmailed, so Eddie calls in Nick to help sort out the situation. It seems Jimmy Fargo (Vosloo) is behind the blackmail, but there are so many twists and turns it's hard to tell what's what. Minton is a corrupt, vain, selfish casino commissioner, and when Maggie (DeMoss) enters the picture, things get even more complicated. Will Nick be able to untangle the web of deceit and betrayal?

While Wings' direction does expose the film's low budget pitfalls, such as some plot/editing clunkiness and amateurish acting at times, considering what he had to work with, he acquits himself admirably and got the absolute most out of what he had to work with, which is commendable. It's wrong to look for perfection, just give us a snappy, entertaining movie, which is basically what Wings does. Somehow, in this neon-soaked Las Vegas tale, some scenes are very dark and hard to see. But there are many strengths as well to Living To Die.


For example, there's the aforementioned film noir style, which Wings clearly is a fan of. There is some memorable dialogue, such as "I'm not here to borrow trouble, but I can afford it", and "Trouble and beautiful women seem to travel well together". Lines like these could have been said in classic noir movies like Kiss Me Deadly (1955) or The Big Heat (1953). The infamous Asher Brauner's performance here could be termed "Asher Unleashed", as the man goes off the chain with his unrestrained yelling and zero-self-control performance. It really makes you dislike his character, Minton (it sounds like everyone in the movie is calling him "Mitten" and it was only the end credits that made us see his name was not in fact Mitten). But maybe that's the point and Brauner is a genius actor. The jury is still out.

Sadly, Wings and Brauner never worked together again after this outing. They seem to work well together, I wonder if they had a falling-out? Maybe Brauner was jealous that Wings got to race a go-kart against some kids in an outdoor go-kart track. But Wings redeems his cool factor as he cruises along the Vegas strip on his motorcycle, no doubt seriously pondering the questions of loyalty surrounding Maggie and Minton he has embroiled himself in.


No movie of this kind would be complete without a saxophone soundtrack, alternately smooth and blaring, and, to Living To Die's credit, it actually credits the sax solos to one Lon Price. Wings must be a fan. He wouldn't let Mr. Price's blowings go unappreciated.

Featuring an eyebrow-raising unorthodox ending, Living To Die is a good piece of the puzzle for PM or Wings completists.

Comeuppance Review by: Brett and Ty



1/01/2011

Dance Or Die (1987)

Dance Or Die (1987)-* * *1\2

Directed by: Richard W. Munchkin

Starring: Roy Kieffer, Rebecca Barrington, and Will Cavanaugh















If you are lucky enough to find a copy of Dance or Die, and you read the first sentence on the back of the VHS box, you will see this (and I quote): "Jason Chandler wants just two things in life: to stay off drugs, and to choreograph a dance show that rivals Flashdance." If that doesn't make you want to immediately see the film, there is clearly something wrong with you.




The aforementioned Chandler (Kieffer) is a skinny, whiny, effeminate bean pole of a man who is putting his dance troupe through its paces - literally. He lives in Las Vegas and loves to just cruise around aimlessly (a pretty significant portion of the film's running time). He shares an apartment with his buddy Alan, who is a cocaine dealer. 


This presents a problem for Jason as he is a recovering addict. They're the original odd couple! Why a sitcom spinoff of Dance or Die never materialized, I don't know. One day while Jason is out spandex-ing it up with his troupe, some baddies come in and shoot up his apartment, killing everyone at a backyard barbecue. They even destroyed the inexplicable outdoor fish tank in the middle of the lawn. Realizing they missed Jason in their killing spree, now they are after him. They think he has the coke, or some information, or something. Also the main evil bad guy is named "Turtle".




Another big part of Jason's day is going to his NA meetings. His sponsor is a woman named Kay, and she and Jason have a very, let's just say, dramatic relationship. Jason also has a romantic relationship with Diane (Barrington), but what is she hiding, if anything? Plus Jason is plagued with nightmares about all his troubles - dancing, drugs, the women in his life, the gangsters that are after him, dancing, etc. So he calls in a psychic who looks exactly like Francis Ford Coppola to help sort out his problems in life. Will Jason Chandler be able to jazz hands and spirit fingers his way out of this one?




We originally tracked down this movie because it was directed by Richard Munchkin, of Ring of Fire (1991), Fists of Iron (1995) and Deadly Bet (1992) fame, and it was released by City Lights, the pre-PM company of Pepin and Merhi. Also we try to watch 80's dance movies whenever possible. So this seemed like a winner all around, and we turned out to be right. The absurd outfits, funny music (that plays at ALL times throughout the movie) and wacky dream sequences are worth the money alone.




Yes, there is some choppy editing, it has a cheap video look, and some of the non-acting is not especially convincing, but come on. It was Munchkin's first film. Cut the guy a break. Besides, the movie's highly-entertaining strengths far, far outweigh some minor technical drawbacks. 


Speaking of which, why Munchkin chose "Roy Kieffer" to be the main hero is puzzling. He's not likable, we know nothing about him (or Jason Chandler, heh heh), in the film he says he's 26 years old but he looks 46, and about halfway through the film, it's like he snaps and just screams and yells at everybody. It seems like he's trying to emulate James Woods, but he's so wimpy it falls painfully short. As if to prove this "fierce and fabulous" dance instructor is totally hetero, for some unknown reason, Rebecca Barrington shows up as his "girlfriend". There's even an utterly unnecessary and unconvincing (I wonder why...?) sex scene between them. Listen, we couldn't care less if he's gay. But that the movie tried so hard to convince us otherwise, for no reason at all, is absolutely hilarious.




As scenes of dancing and dying are intercut in various scenes throughout the film, perhaps Munchkin was trying to give the audience a lesson in the dichotomy of life and death. Sorry that was so pretentious, but the movie does live up to its title. As this great movie ends with Jason Chandler playing some video poker and running into an Eskimo on the streets of Vegas that makes him question the direction of his life, Dance or Die can only be described as an existential film. You will be talking about the "open ending" for weeks to come.



Featuring a notable title song by Pattie Kelly, we heartily recommend Dance or Die.

Comeuppance Review by: Brett and Ty