Young Rebels (1989)

Young Rebels (1989)- * * *

Directed by: Amir Shervan

Starring: Robert Z'Dar, Aldo Ray, Christine Lunde, Jon Greene, and Tadashi Yamashita

Mr. Vincenzo (Rivas) is a local California mob boss. His son Joey (Z’Dar) and his goons are causing havoc all over town. The Sheriff (Ray) (That’s all he’s credited as) is ineffectual against the reign of terror caused by the Vincenzo family. That is, until Charlie (Greene) shows up. And, to a lesser extent, his girlfriend Liz (Lunde). They decide to take on the mob family the only way they know how – extended scenes of mindless shooting. Of course, Joey Vincenzo is the scary final boss…will Charlie be man enough to take him down?

One of our favorite directors of silly movies, Amir Shervan, once again provides silly dubbing, silly editing, silly plotting, silly performances, and filmmaking that is from every angle – not to put too fine a point on it – just downright silly. Sure, while it may be a bit amateurish and repetitive, it’s also a ridiculous good time that you can’t help but love. Or at least appreciate, especially considering they really don’t make movies like this anymore. Whether that’s a good thing or not is up to you…well, we’re the ones writing the review, and we say it’s a bad thing that they don’t make absurd gems like this anymore. So there. 

Yes, there are countless shootouts, chases, barfights, and stripping scenes, and some unfathomable subplot about smuggling illegals into the U.S., but really a lot of the running time of the film consists of weird-looking people beating up other weird-looking people.



Aldo Ray is in two scenes, attired in an ill-fitting Sheriff’s getup. He steals both scenes. There should have been more instances where a confused and angry Aldo Ray yells at people. Shervan mainstay and fan favorite Robert Z’Dar is also here, as chinny as ever, but the real question is: why is this movie called Young Rebels? Who are the Young Rebels? And what are they rebelling against?



Maybe it was this unanswered question that caused the lack of a wide release for this movie (although it is entirely fitting because it makes just as little sense as anything else on show here). As far as we can tell, it never got any kind of release at all, even though it was made in the golden video store year of 1989. It’s available, as of this writing, on Amazon Prime, and pretty much nowhere else. For its rarity alone (if not any of its other qualities) it’s worth seeing.


So, if you’ve seen the other Shervan Classics and are missing out, you pretty much know what to expect. It’s funny, it’s ridiculous, it’s absurd, and…forget seeing a boom mike at the top of the frame or its shadows, those can be seen in lots of low-budget efforts. Only in Young Rebels do you see a crew member clack the slate before a scene begins (It happens towards the end).

For a laughable and ludicrous good time, do check out Young Rebels.

Dead End City (1988)

Dead End City (1988)-* *

Directed by: Peter Yuval

Starring: Gregory Scott Cummins, Rob Wuesthoff, Alena Mekelberg, Christine Lunde and Robert Z'Dar

In the near future (?), criminal gangs have run so wild, normal civilians are relocated to shanty towns called “Evac Cities”. The leader of one of the most ruthless gangs, The Ratts, is a guy named Maximum (Z’Dar). In the course of their daily rounds of terrorizing and killing, they run into one man who won’t be intimidated: Jack Murphy (Cummins). He’s a factory owner who inherited his business from his father. All Jack wants to do is sit in his office, eat his Chinese food and drink his Jolt Cola, but The Ratts have other plans. They stage a siege on Jack’s factory, enraged that Jack won’t be scared away. Jack and some of the people he’s hiding, Nancy (Mekelburg), and her blind brother Malcolm (Wuesthoff), among a few others, break out their guns to defend the factory. Meanwhile, TV news reporter Opal Brand (Lunde) comes to do a story on Jack and ends up getting stuck there, so she and Jack forge a relationship. But what’s the cause of all this mayhem? Could it be a conspiracy that goes all the way to the top?

Try to imagine a cross between Assault On Precinct 13 (1976) and Chains (1989)  - note that it’s Chains - not The Warriors (1979) - because Dead End City is what you might call a “cheap and cheerful” tale whose threadbare plot and certain chintziness gives away its low-budget origins. Not that that’s necessarily a bad thing, especially as Peter Yuval, who also directed Firehead (1991), seems to have some aspirations of lifting this movie above the crowd, but its penury inevitably keeps it down.

It gets off to a funny start, with fan favorite Robert Z’Dar running around town yelling at people and harassing them, all the while wearing a suit jacket with an ascot, while his fellow Ratts wear the classic “80’s gang baddies” getups we’ve all come to know and love. Z’Dar enlivens any role he’s put in, and here is no exception. Gregory Scott Cummins, who forever will be in the hall of heroes because of the legendary Action U.S.A., makes yet another bid for being a leading action star. Sure, the market was flooded at this time with tough guys, everyone from Stallone to Van Damme to Edward Albert and Richard Norton and so many others vying for the video store patron’s dollars and attention. While Dead End City may have its deficiencies, Cummins certainly isn’t one of them, and he can easily stand as a leading man in his own right. For more Cummins, check out Bail Out (1989) and Cartel (1990).

While the whole “futuristic warzone on a budget” may recall you to some of Ron Marchini’s classics, the music by Brian Bennett immediately puts you in AIP mode. Remember, this is the amazing musician who composed the killer song for Jungle Assault (1989). But there aren’t enough ideas at work to make Dead End City feel like a fully fleshed-out concept. It can barely sustain its 80 minute running time (not 88 as the VHS box states). For this reason, it gets very repetitive and dumb.

If you’re looking for action for pennies on the dollar, Dead End City certainly won’t tax your brain. Thanks to the presence of Cummins and Z’Dar, this is just barely worth seeing.

Comeuppance Review by: Brett and Ty