Red Sun Rising (1994)

Red Sun Rising (1994)- * * *1\2

Directed by: Francis Megahy

Starring: Don "The Dragon" Wilson, Michael Ironside, James Lew, Mako, Terry Farrell, Ken Davitian, Stoney Jackson, Edward Albert, and Soon-Tek Oh











Thomas Hoshino (Wilson) is a half American-half Japanese cop with a strong sense of honor. When his partner is killed whilst in Japan, he tracks the baddies responsible all the way to Los Angeles.  It turns out the main culprit is no ordinary baddie. Jaho (Lew) is a supremely evil monster with a very special weapon literally at his fingertips - the Death Touch. In order to combat against this supposed Death Touch, Hoshino reaches out to an old associate, Iga (Mako) and he trains him in not just Martial Arts but magic powers. Hoshino also ends up working alongside no-nonsense L.A. cop Karen Ryder (Farrell). Ryder comes into the picture because a gang war is brewing between street gangs the 72nd St. Icemen and the Malitos. 

Could Jaho have anything to do with the impending gang throwdown? Can it be stopped? Can anything stop...the DEATH TOUCH? Find out today!

We believe Red Sun Rising: The Legend Of The Death Touch (if you include that on-screen subtitle) is one of Don The Dragon Wilson’s best movies. Could it be a coincidence that when he escaped the clutches of Roger Corman, his best work appears? There have been other movies that revolve around, or at least mention some kind of “Death Touch” (also sometimes called the “Dim Mak”) but here it receives what has to be its ultimate cinematic representation. Add some training sequences and an all-star B-movie cast and it’s pretty tough to go wrong.

James Lew (he gets an “Introducing” credit here although he’d been in plenty of movies before this) puts in a hiss-worthy bad guy performance, with Soon-Tek Oh backing him up. Michael Ironside as Ryder’s Captain does pretty much a sit-down role, but it’s one of the better ones we can remember. Ken Davitian is on hand as the prerequisite Wacky Taxi Driver, and Stoney Jackson has a pretty small but worthwhile role as Gamal. 

Edward Albert of Kenderson!!!!!!! fame has a low-key role that perhaps should have been bigger, but that’s the problem with these “all-star” movies. Not everyone gets enough time in the sun. But for once, Mako is not the victim of that. His role is meaty and substantial, with plenty of screen time. Don the Dragon is delightfully wooden as always, and it should also be mentioned that Art Camacho has a small role as a Malito. Perhaps stealing the movie was Terry Farrell as Ryder. We weren’t familiar with her before, but she’s tough, smart and funny in equal measure. Farrell should have done more material like this.

Wilson, besides merely starring in the movie, receives the credit “Executive In Charge Of Fight Action”. Who else can claim that distinction? Providing his foil is Mako, and when we first see him, although he is the wise sensei, he is wearing a shirt that says “I am the big banana” with a large picture of a banana, with matching banana-print pants! We applaud the filmmakers for not going with the typical cliches. He’s more intelligible than usual and he puts in a bright, happy performance. 

Ryder and Hoshino go through the typical American vs. Japanese “culture clash” that we’ve seen before but it’s usually played for laughs. As for the training sequences, they could have used a pounding, anthemic rock song, but maybe they were taking a different tack this time. And seeing as how this was the mid-90’s and Street Fighter and its Ha-Do-Ken was huge, this is finally the movie to see it in. Interestingly enough, the Street Fighter (1994) movie came out the same year.

Seeing as how this is a “gang war” movie as well as a “death touch” movie with a mega cast, it really tries to be all things to all people and basically succeeds.

Featuring a title song (we always love those) by Angela Carole Brown and Phil Settle, Red Sun Rising is a very good example of what Don The Dragon can do and would be a good starting place for people not familiar with him. It’s also a good example of 90’s video store action that’s worth seeing.

Comeuppance Review by: Ty and Brett

Also check out write-ups from our buddies, The Video Vacuum and DTVC!

The Divine Enforcer (1992)

The Divine Enforcer (1992)-* *

Directed by: Robert Rundle

Starring: Erik Estrada, Jan-Michael Vincent, Michael Foley, Jim Brown, Judy Landers, Hiroko, Don Stroud, and Robert Z'Dar












The Monsignor (Estrada), Father Thomas (Vincent) and their helpful assistant Merna (Landers) live and work at a church in a “bad part” of L.A. One day, a man named Father Daniel (Foley) comes to join their parish. The only thing about Father Daniel is, he’s a Martial Arts expert who uses his Cross-emblazoned gun, knives and even throwing stars to take out the trash of the city. He even uses the confessional for tips on where to go. But if the parishioners don’t give him enough info, he uses his psychic powers to find out more. 

While trying to keep his double life secret, he meets a fellow psychic, Kim (Chambers), who he takes a liking to. Meanwhile, there’s a sadistic serial killer stalking the city named Otis (Stroud), who drains his victims of blood and saves their skulls. But Father Daniel saves people’s souls, so the two men are mortal enemies. When Otis kidnaps Kim, the ultimate showdown ensues. Or something like that.

You would think a movie about a psychic priest who kills his enemies with throwing stars with the Cross on them would be a surefire hit. But in the hands of director/co-writer Rundle, this one idea is not enough to sustain a 90 minute movie. Thus there is plenty of filler which dilutes this killer idea. A wise man once said “you cannot intentionally make a cult film” and that seems to be the case here. 

Sure, the movie is loaded up with quality B-movie names, but it could definitely be argued that they are not used to their full potential. Add to that some muddy, muffled sound where the music is louder than the dialogue and a lot of repetitive scenes (such as the oft-repeated “Breakfast” scene) and, far from a unique winner, we’re bordering dangerously on dud.

The credits of the movie misspell Erik Estrada’s name (crediting him as “Eric” with a C), while the VHS box (released by Prism) has it correctly. He does more-or-less a “sit-down” role, as does Jan-Michael Vincent, who does an out-and-out sit-down. Vincent just sits at the breakfast table with his newspaper and slurs a few lines. Sure, there’s something endearing about it, but he’s so under-used. And speaking of under-used, Jim Brown and Robert Z’Dar are on screen for literally seconds as incidental drug-dealers. More should have been made of them. Don Stroud plays the deranged killer with aplomb, but his scenes contain the most filler.

And who is this Michael Foley, who plays the main role of Father Daniel, you ask? He was in Lionheart (1990), Karate Cop (1991) and Intent To Kill (1992) - but he’s still kind of an odd choice for a leading role. 

Some of the better moments in The Divine Enforcer comes from the random scenes - plenty of parts have no explanation, and that combined with the amateurish acting usually provides the VHS gold we’re always looking for. But it’s a battle against filler. Ken Davitian shows up in an uncredited role as a club owner watching the singer Hiroko (and her stellar backup dancers) do a performance. Her song “My Love’s Waiting” temporarily livens things up, but this movie is still fairly disappointing.

In all, the idea of the Father Daniel character is excellent, but, sadly, the movie as a whole is mishandled, not getting the maximum bang for the buck from the idea.

Comeuppance Review by: Brett and Ty