The Divine Enforcer (1992)

The Divine Enforcer (1992)-* *

Directed by: Robert Rundle

Starring: Erik Estrada, Jan-Michael Vincent, Michael Foley, Jim Brown, Judy Landers, Hiroko, Don Stroud, and Robert Z'Dar












The Monsignor (Estrada), Father Thomas (Vincent) and their helpful assistant Merna (Landers) live and work at a church in a “bad part” of L.A. One day, a man named Father Daniel (Foley) comes to join their parish. The only thing about Father Daniel is, he’s a Martial Arts expert who uses his Cross-emblazoned gun, knives and even throwing stars to take out the trash of the city. He even uses the confessional for tips on where to go. But if the parishioners don’t give him enough info, he uses his psychic powers to find out more. 

While trying to keep his double life secret, he meets a fellow psychic, Kim (Chambers), who he takes a liking to. Meanwhile, there’s a sadistic serial killer stalking the city named Otis (Stroud), who drains his victims of blood and saves their skulls. But Father Daniel saves people’s souls, so the two men are mortal enemies. When Otis kidnaps Kim, the ultimate showdown ensues. Or something like that.

You would think a movie about a psychic priest who kills his enemies with throwing stars with the Cross on them would be a surefire hit. But in the hands of director/co-writer Rundle, this one idea is not enough to sustain a 90 minute movie. Thus there is plenty of filler which dilutes this killer idea. A wise man once said “you cannot intentionally make a cult film” and that seems to be the case here. 

Sure, the movie is loaded up with quality B-movie names, but it could definitely be argued that they are not used to their full potential. Add to that some muddy, muffled sound where the music is louder than the dialogue and a lot of repetitive scenes (such as the oft-repeated “Breakfast” scene) and, far from a unique winner, we’re bordering dangerously on dud.

The credits of the movie misspell Erik Estrada’s name (crediting him as “Eric” with a C), while the VHS box (released by Prism) has it correctly. He does more-or-less a “sit-down” role, as does Jan-Michael Vincent, who does an out-and-out sit-down. Vincent just sits at the breakfast table with his newspaper and slurs a few lines. Sure, there’s something endearing about it, but he’s so under-used. And speaking of under-used, Jim Brown and Robert Z’Dar are on screen for literally seconds as incidental drug-dealers. More should have been made of them. Don Stroud plays the deranged killer with aplomb, but his scenes contain the most filler.

And who is this Michael Foley, who plays the main role of Father Daniel, you ask? He was in Lionheart (1990), Karate Cop (1991) and Intent To Kill (1992) - but he’s still kind of an odd choice for a leading role. 

Some of the better moments in The Divine Enforcer comes from the random scenes - plenty of parts have no explanation, and that combined with the amateurish acting usually provides the VHS gold we’re always looking for. But it’s a battle against filler. Ken Davitian shows up in an uncredited role as a club owner watching the singer Hiroko (and her stellar backup dancers) do a performance. Her song “My Love’s Waiting” temporarily livens things up, but this movie is still fairly disappointing.

In all, the idea of the Father Daniel character is excellent, but, sadly, the movie as a whole is mishandled, not getting the maximum bang for the buck from the idea.

Comeuppance Review by: Brett and Ty

Intent To Kill (1992)

Intent To Kill (1992)-* * *

Directed by: Charles T. Kanganis

Starring: Traci Lords, Angelo Tiffe, Scott Patterson, Michael Foley, Vinnie Curto, and Yaphet Kotto













Vickie Stewart (Lords) is a beautiful female cop on the edge in this PM outing. When a drug deal goes wrong (you mean they can go wrong?), Colombian thug Salvador (Tiffe) must get millions of dollars worth of drugs to his ruthless boss, The Mooch (Curto), or Salvador will meet a gruesome end. So Salvador is going all over the seedy sides of L.A. trying to collect all he can. The only thing stopping him is Vickie, who is determined to bring down the Colombian drug empire. To do this, she must go pretty rogue, but not all the way rogue. Meanwhile, she must deal with her philandering boyfriend Al (Patterson), a fellow cop, as well as her boss Captain Jackson (Kotto)., who is always on her case.

It was nice to see Traci Lords as a tough cop on the edge. She even teaches classes to other women in street self-defense. The sleaze factor comes in with some of the seamier sides of Hollywood with hookers and such (Vickie must go undercover as a hooker at one point). Vickie is a cool character and it would have been nice to see that developed more, maybe in a follow-up movie, or a movie that doesn’t fluctuate so much...

What we mean by that is, Intent to Kill goes back and forth between decent and very dumb, and there seems to be a lot of padding and plot elements that aren’t related and/or make no sense.  But luckily there are car chases with rockin’ guitar solos behind them, blow-ups, shooting, funny moments and lots of cliches. And of course Traci Lords getting into all sorts of dangerous situations (keep in mind it must have been in her post-porn industry contract that she do no nudity or sex scenes to try to distance herself from her past...just a theory)...and Yaphet Kotto pops up as the BYC with, and we quote, “one month left ‘til retirement” ! It is a shame that he’s retiring, as every day, generic newspaper headlines appear such as “Drugs Rule Streets”.

And as far as her love interest is concerned, Officer Tom Martin, he’s a kickboxing man that’s some sort of cross between Gary Daniels and Richard Norton, but not anywhere near as likable or interesting as those two. This Gary Norton (or Richard Daniels) guy is Michael Foley, and he was actually in Karate Cop (1991), so there you go.

Intent to Kill was released on the budget-priced EP speed tape released by Video Treasures/MNTEX, and the quality is not good. We’re guessing this was a posthumous release because it’s not included in some reference guides. Why this didn’t come out on PM’s own label, we do not know. It even has a shot from another movie on the cover (we believe it was taken from a Gary Daniels film). The director of this movie, Charles Kanganis, should have complained. After all, the previous year he directed Traci in A Time To Die (1991), and the packaging was much better, it even had a red plastic VHS.

Featuring the inspirational tune “Stand Tall” by Lost Art, Intent to Kill is reasonably entertaining, but not a premier PM.

Comeuppance Review by: Brett and Ty

Karate Cop (1991)

Karate Cop (1991)-* * 1\2

Directed By: Alan Roberts

Starring: Ron Marchini, David Carradine, Michael Foley, and D.W. Landingham




"Martial Law At Its Most Lethal!"









Karate Cop is the creme de la creme of crud. It is so incredibly bad, it is hard to fathom. You gotta love it! (or do you?)

This is a sequel to the previous year's Omega Cop (1990) also featuring Marchini as John Travis, the last cop on earth. There must have been a public outcry for more "Marchini Madness". Thankfully he answered the call.

When this installment begins, some baddies are chasing two women. Right when they are closing in, John Travis appears and says a classic introductory line: (Read in the most flat monotonous tone you can) "Can I help you guys?" You hear people at fast food joints deliver that line with more passion and conviction.

It appears Travis is the last cop in a post-apocalyptic world. You can tell because his homemade (?) hat proudly announces he is "Special Police". Special indeed. He's hiding out in an abandoned warehouse of course. He's there with a woman named Rachel and a gaggle of children. In the future innocent tots are called "Freebies" and the baddies are called "Scavs" (not to be confused with Neon City (1991) where the baddies are called "Skins".) The head of the Scavs is a portly man named Lincoln (Landingham) who resembles a sillier version of Accept's Udo Dirkschneider, and his right-hand man is named "Snaker" who has a very irritating and loud voice. It already grates on your nerves the moment you hear him. Just imagine "Jar-Jar Binks" yelling into 5 megaphones.


In order to save the Freebies, Travis must find a magic crystal that powers a Star Trek-like teleporting device. The plan is to teleport them to Oregon because apparently the apocalypse hasn't yet reached Oregon. Before that can happen, Travis has to battle through "Trade Town" and fight the Scavs. We don't know how far "Trade Town" is from Oregon. But it must be pretty far. Luckily, "If anyone can make it, it's John Travis!" Along his magical journey, he has to defuse a bomb that doesn't go off and stops at a roadside diner run by "Dad" played by David Carradine. The only thing they serve there is something called "Jacky Rabbit Stew". "Dad" gives Travis a big bowl of it, and he refuses to choke it down, and a fight ensues.


 Meanwhile, Rachel is kidnapped and held captive by Lincoln. Lincoln passes the time watching cage fighting matches. Whoever wins the cage fight gets Rachel as the prize. Travis has to rescue her from the clutches of the biggest meanest scav in town who wins all the cage fighting matches. Unfortunately Lincoln's compound is guarded by guys in used sporting equipment with spray-painted football helmets. Travis invades the compound and more fights ensue. Will Travis put the crystal in the teleporter in order to ship the freebies to Oregon, or will Lincoln win out?

One of the most annoying aspects about the movie is that Travis is very unlikable. He whines and complains about every single task he has to do, most of which ends with the phrase "she said". For example, "It will be easy she said, diffuse the bomb she said" etc. Thusly the audience never gets behind him as a hero we can believe in. He comes off as a jerk. Also, he seems a bit old to be capering around in "Trade Town". He looks like he is in his fifties. His "Special Police" cap is probably there to hide his balding head. Maybe that explains all the complaining. His acting makes Chuck Norris look like a master thespian. His delivery is more wooden than a lumber yard. It must be hard to make a futuristic sci-fi epic with no budget. They spent it all on Carradine and the hat. His best moment is when he jumps off a building and goes "AAAAhhh!!!!!"



After all this ridiculousness, the end credits feature an R&B slow jam extolling the virtues of The Karate Cop.

Ron Marchini is a national treasure and so is this VHS tape. Find it today!


Comeuppance Review by: Ty & Brett