Directed by: Mark L. Lester
Starring: Dolph Lundgren, Brandon Lee, Tia Carrere, Renee Allman, Simon Rhee, and Cary-Hiroyuki Tagawa
Kenner (Lundgren) is a cool L.A. cop working the Little Tokyo district of town. He grew up in Japan
and is familiar with its culture. When he was a kid, his parents were
killed by a member of the Iron Claw gang, Yoshida (Tagawa). Now that the
Iron Claw is in America and ready to step up their criminal empire
using a brewery as a front to distribute the drug Ice (more deadly than
“Rock”, so we’re told), it’s up to Kenner and his enthusiastic new
partner Johnny Murata (Lee) to stop them. Also Tia Carrere is on hand
as Minako, a performer in an Iron Claw-controlled club that Kenner wins
over, as is Death Match’s (1994) Renee Allman in a small role as Minako’s
friend.
What we have here is classic Dolph from start to finish. Which, incidentally, doesn’t take very long, as the movie is 78 fast-paced minutes, and that includes the opening and closing credits, so it’s probably closer to 70 minutes or so. But in that brief time, we’re treated to nonstop action and all the other trademarks of movies like this - constant wisecracks and one-liners, the obligatory torture and training sequences, flashbacks, fight scenes, nudity, blow-ups and the like. It distills the action movie down to its barest elements and is incredibly entertaining and fun for doing so. This is a film that knows its audience.
What we have here is classic Dolph from start to finish. Which, incidentally, doesn’t take very long, as the movie is 78 fast-paced minutes, and that includes the opening and closing credits, so it’s probably closer to 70 minutes or so. But in that brief time, we’re treated to nonstop action and all the other trademarks of movies like this - constant wisecracks and one-liners, the obligatory torture and training sequences, flashbacks, fight scenes, nudity, blow-ups and the like. It distills the action movie down to its barest elements and is incredibly entertaining and fun for doing so. This is a film that knows its audience.
Showdown in Little Tokyo is incredibly juvenile, but in the best possible way. It seems like the movie was written by a team of middle school-aged boys who simply wanted to get their adolescent fantasies on the screen. Just bring on the action and girls and let subtleties, complexities or consequences be damned. You gotta love it. We should all be glad the parents never came home while they were making this movie. It would be far less of a gem.
It’s silly, it has humor, most of the characters wear big, loud, colorful suits, and it’s all supported by a rockin’ electric guitar score. It’s hard to imagine another movie that asks so little of you and your time, yet delivers so much. Everyone should own a copy of Showdown in Little Tokyo, and the world would be a better place if action movie makers followed its example.
Comeuppance Review by: Ty and Brett