Last Flight To Hell (1990)

Last Flight To Hell (1990)-* * *

Directed by: Ignazio Dolce

Starring: Reb Brown, Chuck Connors, Michele Dehne and Mike Monty



 "A mission of no return."

Mitch Taylor (Reb) is a DEA Agent but seems more like a Rambo-style warrior. He travels to the jungles of the Philippines (where else?) because he’s trying to find Vince Duggan (Monty), a drug dealer who is trying to evade the law. Duggan’s daughter Sheila Madison (Dehne) teams up with Taylor because she has a vested interest in finding her father alive and wants to be sure he isn’t killed. Taylor’s commanding officer is Red Farley (Connors) - but he has a secret. What is it?

Last Flight To Hell is something of a mixed bag. On the one hand, you have moments of sheer ridiculousness which are amazingly fun and entertaining. But on the other hand, there are some pretty lengthy stretches where nothing much happens and the proceedings get rather boring. In this schizophrenic situation, it’s hard to determine where this movie really lies on the entertainment spectrum. Fan favorites Reb Brown and Chuck Connors are on board, as is lower-tier favorite Mike Monty, but there are some scenes where none of these men are involved, and those are the slower parts. Reb is the classic Reb you want, yelling it up as the true action hero of the 80’s. Here, more than anywhere else, he looks like a baby-faced Martin Kove.

Chuck Connors seems more animated here than usual. He laughs, yells and jokes it up. Compare this to his stone-faced performance in Sakura Killers (1987). Perhaps there he didn’t want to get in the way of the raw animal magnetism of George Nichols, so he didn’t even try. Here, he buddies it up with Reb in a nice way. As for his name in the film, Red, other characters, including Reb Brown himself, call him “Reb.” Whether this was an in-joke, or something lost in translation, or just a misunderstanding, we don’t know. And there’s even a scene where Chuck is wearing a black and white striped shirt (or so it seems, it could be horizontal shadows), and another character calls him “Ref”. So suddenly he’s the ref of the jungle? But that striped, collared, short-sleeved shirt makes him look like one of the Beach Boys getting a bit long in the tooth. A Beach Man, if you will.

But like how two highly-trained Government Officials must both turn their keys at the same time to release the bomb, both Chuck Connors and Reb Brown must be present together for this movie to really work. Interestingly enough, the music by Luigi Ceccarelli is the same as Reb’s Strike Commando (1987). It’s not a soundalike, it’s literally the exact same score. Presumably they figured this movie has Reb, so, why spend the money on all new music? But there’s plenty of shooting, of both the machine gun and the rocket launcher variety, with exploding helicopters as well. Most of the shooting victims seem to be overweight, so perhaps their death is the ultimate diet plan. There are other sweaty-looking characters that have strange beards or resemble Jon Lovitz.

We here at Comeuppance Reviews often talk about how you rarely see misspellings in movie credits. It would be weird if you went to see a movie in the theater and in huge letters on the silver screen it stated the star was “Tim Cruise” or “Bruce Wallis”. Well, we’re proud to announce that Last Flight To Hell does not have a credit for who wrote the screenplay. It does, however, have a credit for who wrote the sceenplay. It’s none other than Tom Carp, of course. (Actually Tito Carpi). The fact aside that Last Flight has one of the greatest sceenplays ever written, we can assume it is to date the only sceenplay ever written. This is perhaps even better than Dale “Appollo” Cook in the misspelled movie credits department. You gotta love it.

Thanks to AIP for putting this out. It’s certainly not perfect, but it definitely has its moments. And it further solidifies Reb Brown as perhaps the ultimate underrated action star of the 1980’s.

Comeuppance Review by: Brett and Ty

Hell On The Battleground (1989)

Hell On The Battleground (1989)-* * *

Directed by: David A. Prior

Starring: Fritz Matthews, Ted Prior, William Smith, Johnnie Johnson III, Sean Holton, and Chet Hood





“This is war. There’s no time for love.” - Casey

Sgt. Bill Lance (Prior) and Sgt. Jack Casey (Matthews) are battle-hardened warriors who play by their own rules. While in the depths of the jungle fighting the Russians (is this Vietnam?), their superior officer, Col. Meredith (Smith) punishes them for their rogue ways by having them take some new recruits along with them on their patrols. Now outnumbered by the enemy and surrounded on all sides, Lance and Casey will have to use all their warlike ways to prevail. Will they do it?

Anyone who knows David Prior and the AIP style of filmmaking will appreciate this movie. It’s no Deadly Prey (1987), but what possibly could be? While Deadly Prey was Ted Prior’s movie, Hell On The Battleground is all about Fritz Matthews. Here Fritz gets his moment in the sun and he’s truly never been better. He’s a mulleted mega-meathead who literally spits his terse dialogue and it’s a lot of fun to watch. He even plays his own theme song on acoustic guitar, “Casey’s Bad Boys”. Truly mustaches and mullets are the order of the day here, as surely they were in Vietnam. Ironically, the great William Smith is ‘stache-less here, but he’s as gruff as ever.

Speaking of Smith, once we’re firmly into the movie, Smith - who sounds like a 45 of George C. Scott played on 33 1/3, breaks into a solemnly-spoken poem about Casey and Lance. Apropos of nothing, Smith intones this ballad of the two mighty heroes. Truly in a movie that is highly repetitive and contains shooting, shooting, maybe some grenade launchers and an exploding helicopter, some more shooting followed by maybe a little more shooting, this moment of poetry from an unlikely place stood out. Are Casey and Lance aware that Col. Meredith is writing poetry about them? And how would they feel about that? Those are the unanswered questions that are the food for thought here.

Apparently, since this was the 80’s, our heroes are fighting the Russians, and there’s even a guy that looks exactly like a Red Scorpion (1988)-era Dolph Lundgren. He even has the blonde brush-cut hairdo. The Prior brothers continued fighting the Russians in The Final Sanction (1990), and there they were represented by Robert Z’Dar. So who comes out on top? 

You’ll have to see for yourself. Also, we’re not sure if this was common practice or not, but Lance and Casey’s wives ( Alyson Davis and Ingrid Vold) are along with them, encamped on the battlefield. Both Davis and Vold were in the same year’s David Heavener vehicle Deadly Reactor (1989) together. Do they only come as a pair? But it just proves even further that 1989 was probably the top year for video stores in the U.S. Product was coming fast and furious, and only now are we beginning to sort it all out.

There’s the cross for good luck, and AIP staple Sean Holton is also on board, and this movie does probably top Jungle Assault (1989) and Operation Warzone (1988) for AIP war material, but the problem is there’s no one strong, central villain. There’s no baddie to boo and hiss at. It’s just the nebulous concept of “Russians”. 

But that aside, there are enough decent/funny/worthwhile moments to keep this one afloat, and it has a short running time, so it’s not a burden to watch like some of its more bloated competition. Yes, it’s very dumb, but it’s fun dumb. And it was all done on a tiny budget and released to video stores for the viewing public. It might not be to EVERYONE’s taste, but you have to respect their work ethic and the fact that they got it done.

Featuring yet another quality end-credits song by Steve McClintock, “I Believe In The Battle”, Hell On The Battleground, powered by the Prior-Fritz-Smith triumvirate, comes out as towards the top of the AIP war movie canon.

Comeuppance Review by: Ty and Brett