Death Chase (1988)

Death Chase (1988)- * * *



Directed by: David A. Prior

Starring: William Zipp, Jack Starrett, Reggie De Morton, Bainbridge Scott, and Paul L. Smith

Steven Chase (Of course his name is Steven Chase) (Zipp) is just a mild-mannered resident of Riverside, California who is out for a bike ride with his sister. Seemingly at random, violence erupts and there are car crashes and shootings. One of the mysterious men who gets shot hands Steven Chase a gun and says to him, “you’re it”. Now a pawn in a deadly “game”, Steven Chase goes on the run, having to shoot and/or beat up all the goons that are suddenly after him. Thankfully, he has the help of Diana (Scott) and his buddy Eddie (De Morton). Lt. MacGrew (Starrett) of the LAPD is also on the case. On top of all that, a large man named Steele (Smith) seems to appear wherever the “Death Chase” is going on. Will Steven Chase survive this…Deathsport? Sorry, DEATH CHASE? Find out today!



Before Deathfight (1990), before Fugitive X: Innocent Target (1996), before The Game (1997), and certainly before The Tournament (2009), Death Chase was first in the “innocent guy caught up in a game where people try to kill him” sweepstakes. Leave it up to David A. Prior and AIP – sure, they might have small budgets, but they have big ideas. Entertaining ideas that were used later in other forms. Will Prior and the gang ever get the proper credit? Probably not…except on sites like ours.

If you’re familiar at all with AIP, Death Chase delivers a look and style that you may be used to. Having seen most of AIP’s output at this point, we found it comforting. Low-budget stunts, shootings, and chases (of course) are the order of the day. Chase is chased by car, by motorbike, by boat, on foot…pretty much any way a human being can be chased. One thing you can’t deny – the movie lives up to its title. 

AIP stalwart William Zipp is well-cast as Mr. Chase, our hero. Fan favorite Paul L. Smith brings more life to the proceedings as Steele, and veteran actor/director Starrett is interestingly cast as MacGrew. While Reggie De Morton should have been given more to do, actually the movie felt overlong at 93 minutes. This basic idea could have gotten its point across at maybe 80-85 minutes.

Yes, there is a lot of mindless shooting, and pure silliness with a lot of people talking in funny voices that are post-dubbed in an amusing manner. But that being said, the idea of the corporate overlords in a smoky back room playing a real-life version of Risk with actual people’s lives is a good and interesting idea. The makers of the aforementioned The Tournament must have thought so. Also, the two female assassins playing “the game” was an idea we enjoyed. The idea of a bunch of people tasked with killing Steven Chase and he doesn’t know who to trust or where to turn put us in mind of John Wick: Chapter 2 (2017). Could it be that the makers of the John Wick franchise have seen Death Chase? We may never know…

Once again, some ace Steve McClintock music is on the soundtrack. Songs like “Running With The One I Love”, “What’s Goin’ On”, and “Can’t Get Enough” are movie highlights. McClintock always delivers the goods.

So, for an adventurous AIP outing that probably won’t change your life but fits squarely in the AIP canon (and was quite ahead of its time), do check out Death Chase.

Comeuppance Review by: Brett and Ty

Also check out a review from our buddy Keith From The Unknown Movies!

Invasion Force (1990)

Invasion Force (1990)- * * *

Directed by: David A. Prior

Starring: Richard Lynch, David "Shark" Fralick, Renee Cline, Douglas Harter, and Walter Cox

A film crew – an AIP film crew, no less – is shooting their latest action movie in the woods around Mobile, Alabama. Sure, there are some of the typical squabbles that go on, but jokes are being told and pranks are being played in the crew’s off hours, so all seems to be going as normal. That is until a paramilitary organization led by Michael Cooper (Lynch) parachutes into the area with his goons. This INVASION FORCE plans to take over a city (presumably Mobile) as part of their dastardly plans. 



They take the director, Ben Adams (Cox) hostage and begin shooting people with machine guns. The film crew only has their prop guns, explosions, and tanks to fend them off, so they’re going to have to use their wits to foil the plans of the baddies. Thankfully, Joni Marshall (Cline), the lead actress, and Douglas Harter (presumably playing himself), the weapons expert, have some tricks up their sleeves. In this battle of film crew versus the bad guys, who will come out victorious? And will there be a final twist to this AIP movie-within-an-AIP movie?


A lone, shirtless meathead stalks the forest. He begins shooting two machine guns at the same time and blowing up various huts. It’s a promising start. Soon enough, the director calls cut and lead star Troy (Fralick) whines that the aforementioned Joni stepped on his foot. What AIP mastermind and writer/director David A. Prior seems to be implying is that these action stars might not be so tough after all. 



Prior goes on to postulate what might happen if one of his small film crews, who normally are so expert in rigging up explosions and providing actors with ammunition, came up against the real thing in real life. How would they handle it? Interestingly, this same ground was covered in Contra Conspiracy (1990) that same year. It would be an interesting double feature of low-budget meta mayhem.


While certainly not a behind-the-scenes documentary of AIP, Invasion Force might be as close as you’ll get. The movie takes the time to show everyone in the crew, from the chef on down, interacting with each other. AIP mainstays like Doug Harter and Sean Holton (as Joey) are engaging and very likable. The director, Ben, bears a strong resemblance to – and should have been played by – Brian Benben. Coincidence? 



There’s a crew member who looks exactly like Andy Richter who has to help fight the baddies as well. Lower-tier fan favorite and Frank Zagarino competitor David “Shark” Fralick has some fantastic outfits and is well-cast as the musclebound hero. While most of the men in the movie have mullets, we think the bandanna he wears is to cover up his thinning hair on the front of his head. But it’s just a theory. Of course, Richard Lynch is the “Lynch-pin” that holds it all together. (Heh heh). But it’s true.


Could Invasion Force be one big ego trip for Prior and his band of AIP stalwarts? The idea that they could fight against a paramilitary group with real guns and ammo in real firefights? Maybe, maybe not, but it's a good idea for an 83-minute direct-to-video action movie. 


Even still, Prior and the gang managed to fashion something modest, yet entertaining, on a rock-bottom budget, which is impressive. Imagine Red Dawn (1984) meets Invasion USA (1985) meets Mankillers (1987). And they even thank the Piggly Wiggly, among other chain stores like Krispy Kreme and Home Depot, in the closing credits. It's blue-collar, homespun filmmaking all the way and therein lies the charm.

Comeuppance review by: Brett and Ty 

Lock N' Load (1990)

Lock N' Load (1990)- * * *

Directed by: David A. Prior

Starring: Jack Vogel, Renee Cline, and William Hathaway-Clark

Paul McMillan (Vogel) is a Vietnam veteran living in Colorado. After having some very strange nightmares, he begins to notice that the members of Delta Company – his outfit in ‘Nam – all begin committing suicide. First they go on some sort of crime spree, and then they off themselves. Because this is happening so systematically, McMillan deduces that something nefarious is going on behind the scenes and he begins his investigation into the bizarre happenings.



Teaming up with the wife of one of his former compatriots, Claire Hamilton (Cline), and Detective Bach (Hathaway-Clark), McMillan demands answers. But it’s not going to be easy to unravel the mystery. What is “King’s Pawn”? And what is the secret behind the phrase “Lock and Load”?



Lock ‘n’ Load is one of the more somber and subdued AIP movies out there. If you liked AIP’s Night Wars (1988), surely you will like this one as well, as it deals with similar subject matter. The whole outing has a certain rough-hewn charm and the emphasis here seems to be on drama and intrigue, rather than shooting, blow-ups, and silliness. Sure, some of that is here, and there is a classic drug deal gone wrong, but it’s all pretty serious-minded. Thankfully, it’s done well and makes for a nice change of pace.



Speaking of pace, it is a little slow, but there’s nothing wrong with that per se. Vogel/McMillan really, genuinely seems to care about what’s going on. McMillan is a good hero – he’s cool, but he’s not an outrageous caricature. Vogel had been in other AIP movies such as Hell On The Battleground (1988) and Order of the Eagle (1989), and even served in a behind the scenes capacity on Maximum Breakout (1991). But this is truly his “Breakout” role.



As for his co-star Renee Cline, she was no stranger to AIP and David Prior productions – she was in Future Zone, Invasion Force, The Final Sanction, and Lock ‘n’ Load all in the same year – 1990. Talk about a banner year! Fitting with the overall tone of the movie, her performance is a total 180 from Invasion Force and she goes for a more melancholy and sedate style.


Unfortunately, Lock ‘n’ Load is the only screen credit for one William Hathaway-Clark, who played the mustachioed Detective Bach. We liked him and we thought he added to the movie. Also, if you look carefully at McMillan’s legal pad where he has his list of Delta Company veterans who are behaving strangely, you see the name David Prior. If you blink, you’ll miss it, but it was a nice in-joke.


Lock ‘n’ Load doesn’t seem to be one of the more well-known AIP movies, but if you like that classic AIP style, give it a chance. It’s a little bit different from the rest (well, with the possible exception of the aforementioned Night Wars) and the muted style may appeal to you.

Comeuppance Review by: Brett and Ty 

Raw Justice (1994)

Raw Justice (1994)- * * *

Directed by: David A. Prior

Starring: Pamela Anderson, Robert Hays, David Keith, Stacy Keach, Ted Prior, Leo Rossi, and Charles Napier











A cool dude named Mace (Keith), who would have to be cool because his name is Mace, is an ex-cop and now a bounty hunter. He doesn’t shave, wears sunglasses, smokes, drinks, and rides his chopper. He’s also handy with gun-shooting and brawling. So, to reiterate, he’s a cool guy. So when Mayor Stiles’ (Napier) daughter is mysteriously killed, he runs straight to Mace’s pad, because he needs someone who will work “outside the law” and by his own rules, to get to the truth and find the killer. 

A goofy guy named Mitch McCullum (Hays) is the prime suspect in the murder but of course is innocent. So Mace and Mitch go on the run (as the original odd couple, of course) in an attempt to get justice, perhaps of the raw variety. Along their quest is a prostitute named Sarah (Anderson) who probably doesn’t need to be there, but no one’s complaining. And what do Lieutenant Atkins (Rossi) and Deputy Mayor Jenkins (Keach) have to do with all this intrigue? You just may have to find out today...

Here’s another David A. Prior movie from the time when he wasn’t with AIP anymore, just like Felony (1994), and even some Felony cast members are reunited here, namely Napier and Rossi. The Felony formula of “reluctant buddies on the run” is tried once again, but this time instead of Joe Don Baker and Jeffrey Combs, it’s David Keith and Robert Hays. Prior fashioned a tongue-in-cheek action/comedy with a silly overall vibe that’s pretty accessible to casual viewers. Prior clearly was unashamed to make a movie of stupid, undemanding fun. Sure, it’s dumb and all, but it’s entertaining enough to not be annoying. 

It’s perfect for 1994, and the cast of B-movie names would surely be enough to garner a rental at the old video store, especially with Pam front and center to attract potential renters.

Leo Rossi does yet another wacky “Southern” accent, Stacy Keach is almost unrecognizable, Pam Anderson does the prerequisite nudity, and Robert Hays does what we’ve always wanted from him, Robert Hays-Fu in a fight scene. Charles Napier barks his lines as we all expect, and David Keith is the main hero. Keith really seemed to give his all and be very invested in the role of Mace. But given the chance to be Mace, wouldn’t you throw yourself into it too? 

Of course, being the ultimate gentleman, when Robert Hays drops off his date at the end of the night, he gives her one of those Troll dolls that were so big at the time. And his date doesn’t even care about it. Apparently she doesn’t find that shock of upturned pink hair charming, so she deserves to die.

And what would a DTV movie of the day be without some time-honored cliches: sax on the soundtrack, a mysterious and sought after computer disc, mindless shooting, mindless chases, a handful of blow-ups, a barfight or two, an exploding helicopter, and an absurd blackmail plot, among other notable examples. 

We’ve reviewed many of Prior’s movies on this site, because we’re fans of his, and he’d refined his style at this point to its most professional level to date. Odds are, if you’re reading this, you’re a fan too, or are at least interested in becoming one. So while it’s no Deadly Prey (1987), Raw Justice is a pretty harmless way to spend an hour and a half.

Comeuppance Review by: Ty and Brett 

Rapid Fire (1989)

Rapid Fire (1989)- * * *

Directed by: David A. Prior

Starring: Joe Spinell, Douglas Harter, Dawn Tanner, Ron Waldron, Michael Wayne, and Del Zamora











When the evil terrorist Mustapha Ahmed (Zamora) and his sidekick Eddy Williams (Wayne) escape military imprisonment and steal a high-tech, high-powered gun (See cover on the left), all hell breaks loose. Hansen (Spinell) calls in his best agent, a man named Mike Thompson (Waldron) to bring Ahmed and Williams to justice. 

Thompson initially balks at the assignment, but when he sees his chance to get revenge against Williams - who he served with in Vietnam (?) and who wronged him then - Thompson jumps at the chance. To complete his mission he teams up with Corie Parker (Tanner, whose only other credit is fellow AIP vehicle Center of the Web), a pretty government agent, as well as Pappy, a not-so-pretty mercenary with a larger than life personality and joie d’vivre. Will the three heroes rise to the occasion and stop the baddies? Find out today...

1989. Will the wonders birthed in that magical year never cease to issue forth? Here, the classic AIP team of David A. Prior, William Zipp and David Winters bring us Rapid Fire, not to be confused with Rapid Fire (1992). This Rapid Fire stars not Brandon Lee, but one Ron Waldron as Mike Thompson. Somehow, we can see the excitement on your faces. Waldron tries for Clint Eastwood in his speech and mannerisms, but comes off as a confused cross between David Heavener and Robert Hays (both no strangers to AIP, interestingly. Prior must have a type he’s looking for). 

He almost gets into a barfight in perhaps the same bar as seen in Hell on the Battleground (1989). Thompson has a truck named Rollin’ Thunder, and, as if that wasn’t enough, his license plate is “FLEX”. His vehicle contains a lot of text. But even with all that firepower, he can’t compare to Pappy.

Unquestionably, Douglas Harter as Pappy steals the movie. It obviously belongs to him. A longtime AIP mainstay, here he finally gets some time in the sun, and he clearly relishes it. Luckily, so does the audience. Pappy is a large, robust man who is bald but has a long beard. He’s usually wearing sunglasses and smokes cigars. His favorite activity is hanging out in his pool, drinking cans of Miller Lite while surrounded by bikini-clad babes. He has great taste in casualwear, and he doesn’t take life too seriously. Yet, he always gets the job done and you can depend on him. We really grew to love Pappy. There needs to be more people like him not just in movies, but in real life.

Countering the ebullience of Pappy, there is a sad undercurrent to Rapid Fire, as it was fan favorite Joe Spinell’s last movie. There are credits honoring his memory both before and after the film. Unlike Operation Warzone (1988), he does stand up here, so it’s not solely a sit-down role, thankfully. Spinell was a great talent and will surely be missed. He brought uniqueness, life, and interest to every role he played. It truly is a shame he left us before his time.

But back to the silliness at hand, the main baddie, Williams, resembles noted pervert and scumbag Anthony Weiner. At least towards the beginning of the movie. Somehow, after repeated flashbacks and paranoid dream sequences, he goes more towards the Heavener side of things, confusingly, just like our hero Mike Thompson. I guess the Heavener look was big back in ‘89.

As usual with AIP, it seems a lot of time and care went into the music. The great Steve McClintock handles it once again, and he delivers some radio-ready songs that were as good as any of the hits of the day. His “C’Mon (My Hometown)” out John Cougar Mellencamps John Cougar Mellencamp, and Bob Harvey’s “The Shack”, well...it out Bob Segers Bob Seger. The songs enrich the movie and ignore the low budget. Sure, there’s a lot of shooting, car stunts, Prerequisite Torture of the hero and whatnot, and even the heartbreaking passing  of Joe Spinell, but we can always go back to “My Hometown”. That seems to be the message, and it seems to fit.

Featuring a very bizarre, totally out-of-left-field denouement, Rapid Fire is more AIP madness you have to love and enjoy.

Comeuppance Review by: Brett and Ty 

Felony (1995)

Felony (1995)- * * *

Directed by: David A. Prior

Starring: Lance Henriksen, Leo Rossi, Charles Napier, David Warner, Jeffrey Combs, Cory Everson, Ashley Laurence, and Joe Don Baker












When a “Cops”-like reality show films a drug bust, and said bust goes sideways, everyone in town wants the tape it was filmed on. The heinous massacre of twelve police officers caught on video was masterminded by arch-baddie Cooper (Warner), and the cameraman who barely made it out of there alive, a guy named Bill Knight (Combs) finds the next couple of days quite trying indeed. 

Everyone from Cooper’s right-hand man Taft (Henriksen) to the mysterious Donovan (Baker) wants a piece of Knight. Meanwhile, Detectives Duke (Napier) and Kincade (Rossi) are working the case and trying to get to the truth of this tangled web. But when Knight meets an attractive nurse named Laura (Laurence), things seem to be looking up for Mr. Knight...but in this complicated web of twists, turns, and constantly changing allegiances, who can really tell? And who is going to commit the ultimate FELONY?

David A. Prior, known to action fans all over as the AIP guy, here corrals an amazing B-movie cast for this non-AIP outing. It was 1995, video stores were booming, and with the right cast, they had a place for Felony on their shelves. With Jeffrey Combs as the main character, Ashley Laurence as the female lead and sidekick, and Lance Henriksen with an impressive array of multi-colored shirts, that was just the beginning. 

We get Joe Don Baker with a triumphant introduction to his character, with an alley rescue scene that is really a lot like the one in Ring of Steel (1994), also with Baker. Maybe rescuing people in alleys is his “thing”. And with his fringed jacket that he no doubt bought at the local buckskinnery, he gives Seagal a run for his money. Then there’s Napier playing a guy named Duke, as he would right around the same time on The Critic, and Leo Rossi doing his best southern accent. Add to that David Warner with a grenade launcher and a small role from Cory Everson, and you have a recipe that raises Felony above the average dreck.

Prior was surely going big-time with this one, indicated by not just the cast, and the fact that it was released by New Line, but also the level of stunt work, with PM-style car-flipping and blow-ups. Cooper even kills off a lot of cops just like baddies do in PM movies. And of course there is the standard pew-pew bullet shooting. He was aiming high, and it works for the most part. At least it’s better-acted than usual, thanks to the experienced cast of familiar names. 

It’s basically as dumb as an AIP movie (and we mean that in the best possible way, of course), with plot holes so big, Stephen Hawking has warned us all that they could potentially slow down the space-time continuum. But this time Mr. Prior has more resources at his disposal than usual. There are even some interesting contemporary references, like to the Tonya Harding-Nancy Kerrigan hoo-hah that everyone was talking about at the time. If only we could have heard David Warner utter the name “Gillooly”, Felony would have shot up a few points.

So go back to a time when strippers stripped to sleazy heavy metal (presumably this is the song “Dynamite” by a band called Psychic Underground listed in the end credits), and to a time when an array of B-movie stars such as this could assemble for a project like this.

Comeuppance Review by: Ty and Brett

Double Threat (1993)

Double Threat (1993)-* * *

Directed by: David A. Prior

Starring: Andrew Stevens, Sally Kirkland, Richard Lynch, Anthony Franciosa, Chick Vennera, and Sherrie Rose












Monica Martel (Kirkland) was once hot property in Hollywood, but now her career is on the downslide because, unfortunately, she is aging. But she’s working on a movie that should revive her fortunes. The producer, a man blessed with the name Crocker Scott (Franciosa) tells the director, Ross (Vennera) to spice up the film and make it “sexier”. The only problem is, Monica proudly proclaims she has never done nudity in her career and isn’t going to budge now. So the filmmakers call in a body double, Lisa Shane (Rose), and you’d think that would solve the problem. But that’s just the beginning, as Monica’s younger boy-toy Eric Cline (Stevens) lusts after the super-hot Lisa in a big way. But Monica is very controlling and Eric can’t really escape her clutches. But once a murder plot erupts, and cars start exploding and people start being shot at, Detective Fenich (Lynch) is on the case, and he’s highly suspicious of Eric and his motives. But does he have good reason? After many twists and turns, the fiendish plot is revealed. Just how many threats will there be? Find out today?

The “Erotic Thriller”, as it came to be known (or “Sizzlers”, as a local video store chain, Tommy K’s, called them) were one of the last “video store genres”. While others such as the DieHardInA, the El Presidente slog, the Ninja Boom movie, the teen sex romp, among others, had been around in video stores for years, it seemed it took until the mid-90’s for the Erotic Thriller to truly find its own space on local store shelves. They became so prevalent on pay-cable, Cinemax became known as “Skinemax” and even the movies themselves got the adopted title of “Skinemax Movies”. Here, David A. Prior, Mr. AIP himself, tries his hand at one. While the obvious influence is Body Double (1984), Prior isn’t quite the virtuosic filmmaker De Palma was in his prime. But maybe he’s not trying to be. Maybe his aim was to make a humble, low-budget, noir-ish thriller for a more undemanding video market. If that was the case, he definitely succeeded.

Andrew Stevens’ mullet and sleeveless denim shirt star in the movie, and when he puts on his Ray-Ban Wayfarer sunglasses, he becomes the ultimate coolguy. He seems to be some sort of cross between Patrick Swayze and David Hasselhoff, so it’s plain to see why he starred in so many of these “Sizzlers”. Connecticut’s own Sherrie Rose has never looked better. Maybe when she does roles that require Martial Arts, she feels the need to be less feminine. The linchpin of the movie is her sex appeal, so unfortunately no Martial Arts is on hand. But her car’s license plate is “MUVIES”. In the fictional world of Double Threat, was “MOVIES”, spelled properly, taken? Is her phone’s ringtone the song from the old Starz channel commercial (set to Beethoven’s 9th Symphony 4th Movement AKA Ode To Joy): “movies-movies-movies-movies-movies-movies-moooo-ooooovies”? She also wears a Seinfeld-style puffy shirt for a decent chunk of Double Threat’s running time. Ted Prior makes a brief appearance as “Thug #1”, a Van Halen-loving street tough who gets in a quick fight with Stevens. Even though there wasn’t really room for him after this one scene, the movie still could have used more Prior.

We always like to point out when there is a disco scene, and there is a good one here, with a generic C + C Music Factory knockoff for a song with a Freedom Williams soundalike commanding us to “Dance” over and over again. Yes, that is what we’re here to do, sir. Thank you. As for the tape itself, it looks quite good, with bright colors. It has no AIP trailers, but we suspect that is because it was released by West Side Studios Home Video, and it was not an entirely in-house AIP release. Regardless, it’s of good quality. But the important thing to know is that there is a longer unrated version. Should you want to add Double Threat to your collection, make sure you track down the unrated edition.

Double Threat has some familiar faces and isn’t a bad way to spend the time. Fans of the Erotic Thriller genre will probably get the most enjoyment out of the movie, but DTV fans in general should like it too.

Comeuppance Review by: Brett and Ty

Hell On The Battleground (1989)

Hell On The Battleground (1989)-* * *

Directed by: David A. Prior

Starring: Fritz Matthews, Ted Prior, William Smith, Johnnie Johnson III, Sean Holton, and Chet Hood





“This is war. There’s no time for love.” - Casey

Sgt. Bill Lance (Prior) and Sgt. Jack Casey (Matthews) are battle-hardened warriors who play by their own rules. While in the depths of the jungle fighting the Russians (is this Vietnam?), their superior officer, Col. Meredith (Smith) punishes them for their rogue ways by having them take some new recruits along with them on their patrols. Now outnumbered by the enemy and surrounded on all sides, Lance and Casey will have to use all their warlike ways to prevail. Will they do it?

Anyone who knows David Prior and the AIP style of filmmaking will appreciate this movie. It’s no Deadly Prey (1987), but what possibly could be? While Deadly Prey was Ted Prior’s movie, Hell On The Battleground is all about Fritz Matthews. Here Fritz gets his moment in the sun and he’s truly never been better. He’s a mulleted mega-meathead who literally spits his terse dialogue and it’s a lot of fun to watch. He even plays his own theme song on acoustic guitar, “Casey’s Bad Boys”. Truly mustaches and mullets are the order of the day here, as surely they were in Vietnam. Ironically, the great William Smith is ‘stache-less here, but he’s as gruff as ever.

Speaking of Smith, once we’re firmly into the movie, Smith - who sounds like a 45 of George C. Scott played on 33 1/3, breaks into a solemnly-spoken poem about Casey and Lance. Apropos of nothing, Smith intones this ballad of the two mighty heroes. Truly in a movie that is highly repetitive and contains shooting, shooting, maybe some grenade launchers and an exploding helicopter, some more shooting followed by maybe a little more shooting, this moment of poetry from an unlikely place stood out. Are Casey and Lance aware that Col. Meredith is writing poetry about them? And how would they feel about that? Those are the unanswered questions that are the food for thought here.

Apparently, since this was the 80’s, our heroes are fighting the Russians, and there’s even a guy that looks exactly like a Red Scorpion (1988)-era Dolph Lundgren. He even has the blonde brush-cut hairdo. The Prior brothers continued fighting the Russians in The Final Sanction (1990), and there they were represented by Robert Z’Dar. So who comes out on top? 

You’ll have to see for yourself. Also, we’re not sure if this was common practice or not, but Lance and Casey’s wives ( Alyson Davis and Ingrid Vold) are along with them, encamped on the battlefield. Both Davis and Vold were in the same year’s David Heavener vehicle Deadly Reactor (1989) together. Do they only come as a pair? But it just proves even further that 1989 was probably the top year for video stores in the U.S. Product was coming fast and furious, and only now are we beginning to sort it all out.

There’s the cross for good luck, and AIP staple Sean Holton is also on board, and this movie does probably top Jungle Assault (1989) and Operation Warzone (1988) for AIP war material, but the problem is there’s no one strong, central villain. There’s no baddie to boo and hiss at. It’s just the nebulous concept of “Russians”. 

But that aside, there are enough decent/funny/worthwhile moments to keep this one afloat, and it has a short running time, so it’s not a burden to watch like some of its more bloated competition. Yes, it’s very dumb, but it’s fun dumb. And it was all done on a tiny budget and released to video stores for the viewing public. It might not be to EVERYONE’s taste, but you have to respect their work ethic and the fact that they got it done.

Featuring yet another quality end-credits song by Steve McClintock, “I Believe In The Battle”, Hell On The Battleground, powered by the Prior-Fritz-Smith triumvirate, comes out as towards the top of the AIP war movie canon.

Comeuppance Review by: Ty and Brett

The Final Sanction (1990)

The Final Sanction (1990)-* *1\2

Directed by: David A. Prior

Starring: Ted Prior, Renee Cline, Robert Z'Dar and William Smith


 “The sanity of our nation’s leaders is certainly in question."

Thousands of people have died after nuclear missiles have launched in the ongoing war between the U.S. and Russia. Rather than risk any more human life, both sides agree to send one of their best soldiers to fight the other in a mano-a-mano duel to the death. Representing America is Sgt. Tom Batanic (Prior), a dude with a bad attitude. Despite his insubordinate ways, the Army chooses him because...you guessed it...he’s “The Best”. Representing Russia is Sgt. Sergei Schvackov (Z’Dar), a SuperSoldier of sorts. Having trained to be an emotionless killing machine by his trainer Maj. Galashkin (Smith), his higher-ups assume he can withstand any challenge. But he has yet to face the wisecracking Tom Batanic, the best the U.S. has to offer.

Also on Batanic’s side is the fact that the Army has installed a device in his brain that can allow him to automatically communicate with Lt. Tavlin (Cline), who is helping him out via computer. If he talks out loud, she can hear him, and she can tell him things directly into his skull. Naturally, at first they don’t get along, but Tavlin begins to fall for Batanic’s unshaven, jaded, one-linery charm. Set loose in a forest to chase and kill each other, who will be victorious?

We have to quote a section of the description on the back of the box: “Armed with every high tech killing device in existence, the renegade American (Ted Prior) and the committed communist (Robert Z’Dar) wage a war to determine the fate of mankind. Democratic Freedom or Communist Slavery...the answer will be written in blood by the last man alive.”

Wow. Sounds awesome, right? While it can’t possibly live up to those overblown claims (every device IN EXISTENCE?), The Final Sanction is really not that bad. Especially considering it’s basically Prior and Z’Dar playing hide and go seek in a forest for 80 minutes. It’s amazing the mileage that David A. Prior gets out of this simple concept. And considering his filmmaking abilities had improved considerably by this point, he should be applauded.

The movie starts with some bomb-blast stock footage, and they spell “Leavenworth” incorrectly, so it gets off to something of a rocky start. But the silliness comes in quickly thereafter to soothe us all, when a delegation of “world leaders” vote on what is presumably nuclear annihilation of the planet by putting scraps of paper with their vote in a grandma-style pewter candy dish! We then move to William Smith doing all sorts of psych and stress tests on Robert Z’Dar, who makes a lot of funny faces. We always have trouble understanding Smith anyway, what with his low, gravelly voice, but add to that a pseudo-Russian accent, and he’s completely unintelligible. It’s almost as if Prior told him, “eh, do what you think sounds Russian”. So he does this kind of gobbledygook that is pretty funny.

As for Ted Prior, he looks a lot like Don Johnson here, and his attitude is pretty Bruce Willis-y in this sort of “Die Hard in a forest” scenario. Tavlin is helping him on a classic old computer screen and it looks like she’s playing Battleship. But with Batanic’s Ozzy Osbourne patch on his uniform, he represents the ramshackle spirit of the U.S. vs. the tightly-controlled training of the USSR.

Try to imagine Deadly Prey (1987) but with no goons, just one enemy for Prior to fight. And the fact that Z’Dar attacks Prior with a series of gardening spades. This could have been one of the many “paintball gone wrong” movies that were surprisingly popular around this time, but they decided on actual weaponry. Nothing much actually HAPPENS in this movie, but it has something of a message at the end, and at 80 minutes (not 88 as the box claims), it never gets boring. It’s all pretty stupid (but you knew it would be going in, so it’s no real surprise) but it’s not BAD. Plus Prior and AIP deliver yet another catchy Steve McClintock song, “The View From Here” for the closing credits.

It should also be noted that the movie’s tagline, “The Only Rule Is There Are No Rules”, is a quote originally stated by Wayne Newton in Best of the Best 2 (1993). How dare they steal from The Newt.

For a simple, undemanding tale where titans clash one-on-one, The Final Sanction fits the bill.

Comeuppance Review by: Brett and Ty

Future Zone (1990)

Future Zone (1990)-*1\2

Directed by: David A. Prior

Starring: David Carradine, Ted Prior, Renee Cline, Gail Jensen, and Charles Napier

John Tucker (Carradine) is back in this sequel to Future Force (1989). This time around, Tucker is having some marital problems with wife Marion (real-life wife at this time Gail Jensen). Also he’s fighting gangsters and corruption - and what does Mickland (Napier) have to do with all this? While Tucker is busy being an old west-style gunslinger in a world gone mad, a mysterious stranger seemingly appears out of nowhere to come back him up. But this “stranger” is none other than Billy Tucker (Prior), John’s son who travels back in time to help his dad. Naturally, they don’t get along at first...well, you know the drill by this point. Will the father and son Tucker team prove that family wins out in the end?

Another question you could ask is, “WHY is there another Tucker?” This movie is really pushing its luck. By that we mean, there was no reason whatsoever for a sequel to Future Force. If David Prior wanted to put Carradine, Napier and Ted in a movie, fine, so much the better, but it really did not need to be another John Tucker vehicle. I doubt fans were clamoring for that. It’s almost wasteful, it could have been a whole new idea. So as it stands, Future Zone is very, very dumb, and with an odd, seemingly too-slow pace to boot. On the bright side, Tucker’s proto-Power Glove is back in force, shooting blue lasers and blowing up helicopters, and there are plenty of blow-ups, but the pace, overall stupidity and one other negative aspect sink the movie...

That being the horrendous score by John Morgan and William Stromberg. It’s old-fashioned, inappropriate, and has loud flutes and oboes blasting in your ears. It sounds like it should be in a Disney or Looney Tunes cartoon. It actually enhances the silliness and flaws in the movie. It’s incredibly grating, so much so, it basically ruins the experience. Plus it’s obvious that Carradine DOES NOT CARE. Maybe he’s acting and that’s just John Tucker’s character, but wow, he really has a lot of contempt for the very fact that he’s even there. It’s just very low energy. By comparison, when Michael Madsen doesn’t care (which is pretty much all the time from what we’ve seen), it’s somehow charming. And when Burt Reynolds doesn’t care (which is pretty much all the time from what we’ve seen), it’s at least funny. But Carradine’s lack of interest just saps energy from the whole project. And it’s already on life support as it is. Ted Prior and Charles Napier do their best to revive the proceedings, but it’s not enough: you check out and boredom ensues - even at an 80 minute running time.

While Ted Prior’s shirt is surely a sight to behold, as is Carradine’s jacket with the hand emblazoned on the back, and Carradine gets a great entrance, it’s, sadly, not enough. This is not David Prior at his best and he should have stopped after the first “Future” movie and made a new project here. Future Zone is a disappointment.

Comeuppance Review by: Brett and Ty

Killzone (1985)

Killzone (1985)-* * *

Directed by: David A. Prior

Starring: Fritz Matthews, Ted Prior, David Campbell, Simon Rhee, and William Zipp




 “Cut the chatter and listen hard”

Welcome to “Scare Camp”, a military training area designed in every detail to resemble the horrors of Vietnam-era POW camps. It even includes torture. All this to prepare the minds and bodies of soldiers for potential capture. The camp is run by Col. Crawford (Campbell), but Crawford gets a bit over-zealous, and one of the soldiers, McKenna (Matthews), finally snaps and totally flips out. He now thinks he’s actually back in ‘Nam and begins killing everyone in sight. Now Campbell has a big mess on his hands and he feels the best way to deal with it is to have McKenna eliminated. But one of McKenna’s buddies, Sgt. Mitchell (Prior) believes in him, and wants to bring him back to reality safely and not kill him. So now it’s a race against time between the two buddies and the people that want to destroy them. THIS military training exercise just got real.

This effort was only the second movie from the Prior brothers, and the first in a long line of jungle war tales. While resembling the same year’s Missing In Action II: The Beginning (1985), it couldn’t possibly be a knockoff, though Killzone has a much lower-budget feel to it because it didn’t have Cannon money financing it. Even AIP had technically yet to be born. But besides the Priors, it has other mainstays of their movies such as Fritz Matthews (who would really come into his own with Hell On The Battleground, 1989), William Zipp, and David Campbell. Even Simon Rhee is credited as being one of “Crawford’s Men”.

Combine the aforementioned MIA II with later Prior movie Deadly Prey (1987), and you have some idea of what’s going on here. Killzone is most definitely a dry run for the wonderful Deadly Prey, seeing as it has a similar cast, a similar plot, and some of the same silly violence. But DP is probably the pinnacle of the AIP/Prior canon, so it’s hard to compare anything to it, really. The first half-hour of Killzone is the Prerequisite Torture we’ve seen many times before, but here they get it all out of the way right off the bat. It makes sense, because we need to see what would make McKenna go nuts. Thanks to the way it was shot, Killzone has a more professional look than some of the later AIP output. And considering they were just starting out, this is a really great effort. Looking back today, you can see the direction they would later take, and that’s quite interesting.

Just check out that great cover art for the VHS release. How could you not want to rent that? And the icing on the cake is that it was released on one of our favorite labels, Vestron. To date it has not been released on DVD so if you see it anywhere, definitely pick it up. AIP fans or fans of low-budget action/war cinema also take note.

Killzone pointed the way forward for AIP so even as simply a historical lesson, it’s worth seeing. But put Ted Prior and Fritz Matthews in the woods with some machine guns, and there’s your movie right there.

Comeuppance Review by: Ty and Brett

Deadly Prey (1987)

Deadly Prey (1987)-* * * *

Directed by: David A. Prior 

Starring: Cameron Mitchell, Ted Prior, Troy Donahue, Fritz Matthews, Dawn Abraham, and William Zipp





A big thank you to Sutekh from Explosive Action for providing us a copy!

Night Of The Kickfighters (1988). Clash of the Ninjas (1986). American Kickboxer 2 (1993). Deadly Prey. The upper echelon of action movie insanity. If you’ve seen any or all of these movies, there’s no going back. You’re a changed person.

Mike Danton (Prior) is just an average guy, we think at first. He just wants to get five more minutes of sleep in his waterbed and take out the trash in the morning. Without warning, he is kidnapped by a team of mercenaries and driven 75 miles southeast of Los Angeles into the forest, where said Mercs hunt live prey as training exercises. The nefarious Col. Hogan (Campbell) just wants to drink his New York Seltzer and run the operation from behind his desk, but his corporate benefactor, Michaelson (Donahue) is breathing down his neck for results. So with the help of his right hand man, Lt. Thornton (Matthews) and right-hand woman Sybil (Abraham) he focuses all his energy on his former protege Danton, who is killing off his entire squad.

Released into the wild like an animal, with only his wits, his mullet and his undersized white shorts, Danton makes mincemeat of his fellow meatheads. But help is on the way in the form of his concerned wife Jaimy (Tara) and her Father (Mitchell). Jaimy’s Dad is a retired cop with somewhere between 27 and 30 years on the force. He infiltrates Hogan’s training camp to find out what’s going on with Danton. Additionally, his old ‘Nam buddy Jack Cooper (Zipp), a former worker for Hogan, switches sides to the good guys to help out Danton. Will Danton - or you - ever be the same?

Far from your average AIP jungle slog, this is far, far funnier. And better. There are at least three solid laughs in the first two minutes of the movie alone . The tone is then set for what has to be the best AIP movie. Why can’t they all be like this gem? Almost every line of dialogue (which is mostly in soundbite form) or even the faces the characters make are a “laff” riot. How did they not know it was this funny while they were filming it?

Far from just a “homage” to First Blood (1982) and The Most Dangerous Game (1932), Deadly Prey is an entirely different beast. We’re just sort of thrown in to the plot, seemingly as random as Danton is thrown into the forest. It is a pretty big coincidence that a guy the mercenaries chose at random just happens to be Hogan’s former student and “the best”. But it’s a joy to watch Danton turn the tables on the baddies, and, looking a lot like a caveman and basically in the nude, display his survivalist abilities. At least they must have saved on their wardrobe budget, as, even when he eventually gets the chance to, Danton still steadfastly refuses to wear a shirt.

Deadly Prey would make an interesting double feature with Masterblaster (1987). It also features one of Steve McClintock’s best scores, and his sensitive end-credits tune “Never Say Die” musically is antithetical to the violence that we just saw, but that’s all part of the illogical fun. We tried to avoid describing specific scenes because you must see them for yourself.

Silly, ridiculous, hilarious, and full of laughs and action, for an entertaining night of wildly fun viewing, it’s basically impossible to top the modern-day classic Deadly Prey. See it!

Comeuppance Review by: Ty and Brett

Future Force (1989)

Future Force (1989)-* *

Directed by: David A. Prior

Starring: David Carradine, Dawn Wildsmith, Anna Rapagna,  D.C. Douglas, Robert Tessier, and William Zipp















In the future, crime is so rampant that regular police are overworked. Enter C.O.P.S., a private firm that is like law enforcement/bounty hunters. It stands for Civilian Operated Police Systems. The big hotshot of the C.O.P.S. is one John Tucker (Carradine). With the help of his computer nerd buddy Billy (Douglas), he always gets his man. After it is thought that TV news reporter Marion Sims (Rapagna) has some incriminating dirt on corrupt Adams (Zipp), the head of the C.O.P.S., he frames her for, of all things, treason, and now all the bounty hunters are after her. Luckily (or perhaps not), Tucker gets to her first. Now Tucker and Sims are on the run from their former co-workers, who all shoot to kill. Adams and his sidekick Becker (Tessier) are ruthless, especially against someone who is “not on their payroll”, i.e. Tucker. But Tucker has a secret weapon, a “power glove” that must be seen to be believed....

Here, director David Prior steals from everything ranging from Death Race 2000 (1975) to The Outlaw Josey Wales (1976) to The Gauntlet (1977) to Robocop (1987), and it all has an especially junky feel. Even the cartoon COPS, which debuted on TV in 1988 (in that case it stood for Central Organization of Police Specialists), and the “original reality show” Cops, which debuted in 1989, might have been reference points for Prior, as they were contemporary shows in the general consciousness.

But the filmmakers must have had problems with the timeline, as even though Future Force was released in ‘89, the “far off future time” was a full two years later, 1991! Couldn’t they do just a bit better? Then again, they could have been aping yet another 80’s classic, Max Headroom, which takes place 23 minutes into the future. But this seems like it could have been a potential Ron Marchini vehicle, as it has the same cheap, “futuristic”, garbagey scenario, you know it’s the future because all the baddies wear baseball caps, and Carradine gives a flat, unlikable performance. Even “John Travis” (one of Marchini’s characters) and “John Tucker” are not far off, and Zipp’s portrayal of Adams is kind of D.W. Landingham-esque. Was this originally meant for Marchini, but Carradine was used instead?

Carradine seems bored/tired/uninterested/perturbed in his role as Tucker, and even though he was 53 years old at the time of shooting, it is said he is 40. We’re not saying all action stars have to be young guys - look at Eastwood (an obvious influence on this film) - but come on. If the main star is not up for it, it can drag the movie down. While Carradine can do better, perhaps the influence of Marchini was just too strong. We know they know each other, at the very least, because they did a movie together, Karate Cop (1991). It’s almost funny how much Carradine openly seems like he doesn’t even want to be there. But on the bright side, he has an awesome vest.

As far as the baddies, William Zipp gives the best performance we’ve seen of his to date. He sinks his teeth into his villain role. His sidekick Becker (interestingly also the name of his sidekick in Jungle Assault, but played by Ted Prior), is a good heavy, and the actor that played him, Robert Tessier, has had a long career which contains everything from One Man Force (1989) to Beverly Hills Brats (1989) to No Safe Haven (1987).

All of Tucker’s C.O.P.S. co-workers are goofy-looking dudes (except for genre stalwart Dawn Wildsmith) and they hang out at a strip club called the Demilitarized Zone, but in the movie, they misspell “demilitarized”! Come on. Little things like that go to illustrate the sloppiness of the overall production.

It may seem we’ve been a bit hard on Future Force, and Carradine’s perhaps-uncaring performance has something to do with that (even though he’s credited as a co-producer, so you’d think he’d care more, or at least put on that face), but if you take into account everything we’ve said so far, you could still have a grand old time watching this movie. It’s “cheap and cheerful” as they say, and there are plenty of fun and funny moments. Plus it has some memorable Steve McClintock music, as is common for AIP, and has a short running time of less than 80 minutes.

Seemingly one of the more popular AIP titles, you might be able to find this at closing video stores or thrift shops. If you do, pick it up...but don’t get on John Tucker’s bad side.

Comeuppance Review by: Brett and Ty

Night Wars (1988)

Night Wars (1988)-* *1\2

Directed by: David A. Prior

Starring: Dan Haggerty, Brian O'Connor, Cameron Smith, Jill Foors, and Chet Hood













Jim Lowery (Smith) and Trent Matthews (O’Connor) are ‘Nam buddies who, nine years after the war, are both  haunted by the specter of their compatriot Jhonny O‘Connor (that’s how they spell his first name, it’s not a typo) (Hood). Jim and Trent must feel guilty for Jhonny’s becoming a POW. But when their dreams are so vivid, their injuries and cuts appear in their waking lives, they know there’s a serious problem. The torment of rogue mercenary McGregor (Horton) and his torture tactics have gotten to Jim and Trent so badly, Trent’s concerned wife Susanne (Foors) calls in psychologist Dr. Mike Campbell (Haggerty) for help. But the boys must “sleep together” in their fatigues to defeat the enemies in their dreams. When dreams and real life blur, who knows what the truth really is?

Night Wars is a good attempt at seriousness from AIP, but, once again, comes off as silly most of the time. That might be because of the constant, uncanny casting of goofy-looking sweaty people in almost every role. But there are some cool ideas and effects mixed in with the standard machine-gun firefights. This movie asks the question: what if the emotional trauma of returning Vietnam vets mutated into an actual, physical horror after the war? Try to imagine Jungle Assault (1989) crossed with A Nightmare On Elm Street (1984).
What if Freddy Krueger was a Vietnam vet?

The role of Jim Lowery should have been played by Wings Hauser, and he and Trent surely are the Bill and Ted of AIP movies, but mention (not necessarily honorable) must go to Dan Haggerty as the “cool” psychologist with the necklace and the pared-down beard. He’s really showing his range here. He’s not Grizzly Adams or the guy from Elves (1989). He’s a doctor. It’s really one of his best sweaters, er, performances.

There are the prerequisite torture sequences, but this time, they are really heaped on. There’s also the typical jungle/war cliches, but this time they are mixed with a dash of spookiness. Also it must be noted that this film has the most amount of people bellowing “NOOOOooooo!!!!!” that we’ve seen to date - it occurs four times during the movie.

While the ideas in Night Wars can’t exactly be described as original (many are lifted wholesale from Elm Street), the attempt to marry the Vietnam war film with the phantasmagoric dream film gives this AIP outing an interesting and noteworthy edge above some of the others. It really gives new meaning to the term “Dream Warriors”. Dokken take note.

For a war/horror hybrid film served up AIP style, look no further than Night Wars.

Comeuppance Review by: Ty and Brett

Operation Warzone (1988)

Operation Warzone (1988)-* *

Directed by: David A. Prior

Starring: Joe Spinell, Fritz Matthews, William Zipp, Sean Holton, and Chet Hood



"They Told 'Em War Was Hell...They Were Right!"

Get ready for yet another romp in the jungle courtesy of  David Prior and AIP. In this particular Vietnam war scenario, Sgt. Holt (Matthews), Cpl. Butler (Zipp) and Cpl. Adams (Holton), among other soldiers, are bravely fighting in the impossible conditions of the ‘Nam jungles. During a firefight, they rescue two Tunnel Rats, Jenson (King) and Hawkins (Cianetti). It comes to light that there is a mysterious, unseen man, dubbed “The General” that has classified documents that could supposedly end the war. Much of the madness can be traced back to Washington and the corrupt George Delevane (Spinell). In a Firehawk-like situation, the soldiers don’t know who to trust, and there could be a conspiracy that goes all the way to the top. Will Holt and the boys make it home alive? Or will the behind-the-scenes dealings get the better of everyone?

Mindless shooting. Exploding huts. Endless machine gun firefights. Uninteresting explosions. Brain-numbing stupidity. Inexcusable boredom. Zero character development. Unexplained Australians. Goofy chases. Prerequisite torture sequence. An unnecessary fistfight scene that is so absurdly extended it makes the “put on the glasses” scene from They Live (1988) look like a blip. These are some basic snapshots that should give you some idea of the “we have to sit through it” vibe of Operation Warzone.

Matthews, Zipp and Holton are all AIP regulars, doing many things both in front of and behind the camera. It seems, contractually, Zipp cannot be in a movie that doesn’t take place in a jungle. So he must have been right at home. Holton looks completely different that he did in White Fury (1990). In ‘Fury he’s a snot-nosed little punk, and here he has an adult mustache and appears at least ten years older - but ‘Warzone  came out two years BEFORE White Fury! How quickly they grow up...or something like that. The legendary and excellent actor Joe Spinell is on hand, and his presence is much appreciated, but it’s what we call a “sit-down” role. In other words, in many instances, from Mickey Rooney in Maximum Force (1992), to Henry Silva in The Violent Breed (1984), to Spinell here (just to name a few), the movie production will hire a name actor to do some scenes over the course of a day or two, give or take. But all the actor’s scenes are sitting down. They never leave their chair. It just kind of exposes the penury of a given production. Here Spinell gives his sit-down role, which is better than many of the other actors’ more action based scenes, but the bottom line is the movie definitely could have used much more Spinell.

Another thing worth mentioning is the highly inappropriate music. Although the movie is set in 1960’s Vietnam, a happy, upbeat, jaunty 80’s synthpop song that sounds exactly like Wham!’s “Wake Me Up Before You Go-Go” blasts onto the soundtrack. I know it seems incredible, but it’s true. What were they thinking? That being said, Steve McClintock’s closing credits dirge “Shadow Of A Doubt” is catchy and one of the best things about Operation Warzone. You gotta hand it to AIP. Almost all their movies have at least one catchy, memorable, original song. It’s really a fairly dependable thing. No matter how “bad” the movie is, at least there will be a song. When is someone going to release a CD, “AIP’s greatest hits”? It would be amazing!

Dumb on top of dumb on top of dumb, Operation Warzone is a misfire.

Comeuppance Review by: Ty and Brett

White Fury (1990)

 White Fury (1990)-* *

Directed by: David A. Prior

Starring: Deke Anderson, Sean Holton, Douglas Harter, Chasity Hammons, Christine Shinn, Michael Kaskel, and William Berg

Danny (Holton) is a champion snowboarder who loves nothing more than being a radically awesome dude with an attitude. His idea of a perfect life would undoubtedly be jumping out of a helicopter on his snowboard and “slamming” a can of Mountain Dew. He takes his girlfriend Christine (Shinn) and his pals Greg (Berg) and Lesley (Hammons) to a remote cabin in snowy Colorado.  They think they’re going to get some nice rest and relaxation, but something goes awry...

Tyler Bennett (Anderson) and his accomplice Marcus (Kaskel) are amoral bank robbers on the run. To escape from the heat of their latest job, they head out to the country and somehow find the aforementioned cabin. They hole up there and generally terrorize the four young adults. But they didn’t count on one thing: a “bounty hunter outta Detroit” named Martin Towers. This grizzled, bearded man is relentless and has been tracking Tyler for years. Armed with a missile launcher and his own determination, will Towers finally get his man...?

This one was pretty junky, even by AIP standards. It’s a fairly basic hostage drama, married with some shreddin’ snowboards. The main problem with White Fury is that its very simple idea overstays its welcome. Due to its pacing issues, when it seems the movie is going to end, it just keeps going with no new ideas to sustain it. Its threadbare plot is running on fumes. And having a wildly overlong snowmobile/snowboard chase/gunfight - which could have been a lot cooler had it been handled differently - doesn’t really help matters. The same song playing over and over again in the background during the scene is kind of a red flag that it might be going on too long. Plus there are plenty of “gaffes” throughout the film that give away its no-budget status. So it’s hard to shake the feeling that you’re watching some bare-bones boring crud.

On the bright side, there are some great late-80’s fashions on display, and most of the cast does their absolute best under trying circumstances.  Have you ever seen Ben Stiller's impression of Tom Cruise? That seems to be the acting style of Deke Anderson as the main baddie Tyler. Much of the rest of the cast seem to be non-actors, so no harsh criticism is coming their way, at least not here. Plus, there might be more subtext here than you might think. Due to some subtle clues, there might be a chance that this is actually a story of the forbidden love between Martin Towers and Danny. Truly one of the great star-crossed love stories of our time, I tell ya. If you ever watch the movie (or see it again if you already have), just take note of the dialogue and interactions between Martin and Danny. You’ll see what we mean. Maybe it’s not so far-fetched.

While we wouldn’t recommend it be the first AIP movie you ever see, if you can’t get enough of that AIP style, you’ll find some familiar entertainment in White Fury.

Comeuppance Review by: Ty and Brett