Aftershock (1990)

Aftershock (1990)- * * *

Directed by: Frank Harris

Starring: Jay Roberts Jr., Chris DeRose, Elizabeth Kaitan, James Lew, Matthias Hues, Chuck Jeffreys, Al Leong, Chris Mitchum, Michael Berryman, Russ Tamblyn, Gerald Okamura, John Saxon, and Richard Lynch

"Chill Out, Mushroom"-Prisoner

In a post-apocalyptic world, society is broken up into fascist-type overlords and their minions who try to control the population, and the rebels who fight the baddies for their freedom. Everyone in society is required to have a barcode on their arm. However, the underground resistance is gathering steam with their "Start To Question!" campaign, which they push through flyers, spray-painted walls, and other means. 


The catalyst for the ultimate battle between the Empire and the Rebels is a beautiful extraterrestrial named Sabina (Kaitan). Baddie Oliver Quinn (Saxon) wants to experiment on her, but rebel Willie (Roberts Jr.) wants to run away with her. Will it be World War III...again?




Aftershock may be one of the many, many post-apocalyptic movies out there (we call them post-ap's for short), but it has a handful of things going for it that its competitors don't. Its Star Wars-esque plot allows for some actual ideas to come forth, which is more than some of the others can claim. Also, on the whole it's a lot better than, say, Bloodfist 2050 (2005) or Dragon Fire (1993). It's directed by Frank Harris, who is very well known to us from his action films of the 70's and 80's, and the whole thing gets funnier and more enjoyable as it goes along. By the halfway point, things really start to pick up. 

But, unquestionably, Aftershock has one of the best B-Movie casts ever. We don't say that lightly. Somehow Harris was able to corral an amazing bunch of people - and the whole thing doesn't even fall prey to Lone Tiger Effect. Sure, with such a cast, not everyone gets all the time in the spotlight they perhaps should, but the movie overall is far from a dud. Here's a breakdown:




- Jay Roberts, Jr. as Willie, the rebel with the earring, motorcycle, rattail, and Martial Arts moves is the main hero and love interest for Sabina. We hadn't seen him since White Phantom and were glad to see his triumphant return.
- Chuck Jeffreys as Danny, Willie's sidekick. His energy, athletic ability, and Eddie Murphy-esque charisma was more than welcome.
- Elizabeth Kaitan as Sabina, the alien. Her transformation from clueless creature from another world to wise woman was genuinely charming. She learned all she knows by soaking up the info from a container of floppy disks (as we all did back then...though isn't this the future? Anyway...) and it's well-noted that she wears fireproof clothes.
- John Saxon as the evil Oliver made the perfect main baddie. If he's the Darth Vader, then...
- Richard Lynch as Commander Eastern was the Emperor. He wasn't in it that much but it was nice to see him.
- James Lew was one of the enforcers, and...
- Chris DeRose was one of the others. Both were heavies but DeRose looked more like Chris Noth than ever.
- Chris Mitchum - we haven't even gotten to Chris Mitchum until now! Normally his presence alone in a movie would be enough for us. Here he's one of the rebel commanders. You can always use more Mitchum but what are ya gonna do?
- Matthias Hues is a hulking, punchfighting, almost Conan-esque brute. He doesn't say anything, but his partner in crime is none other than...
- Michael Berryman - even by his standards his character is extremely bizarre, a cross-dressing fighter of the wasteland.
- Russ Tamblyn is also on board as a bartender and good guy. What little screen time he has, he makes the most of with a sympathetic character.
- Al Leong and
- Gerald Okamura both have blink-and-you'll-miss-em cameos as fighters in some of the Punchfighting/battle scenes.




This reads more like the lineup for a convention like Chiller Theatre than a cast list for one movie. For the cast alone, Aftershock is worth seeing. The post-ap aspects (post-aspects?) aren't amazingly different from others of its ilk, but the main difference is the terrific cast. 

Filmed at the Kaiser Steel Plant in Fontana, California and the Domtar Gypsum Paper Mill in Vernon, California - because obviously places where they used to make paper and steel now look like bombed-out wastelands - Aftershock does have some standout moments, mainly after the halfway point, and the cast is fantastic. That should be enough for at least a one-time watch.

Comeuppance Review by: Brett and Ty

B.O.R.N. (1988)

B.O.R.N. (1988)-* * *

Directed by: Ross Hagen

Starring: Ross Hagen, William Smith, P.J. Soles, Gregory Scott Cummins, Hoke Howell, Claire Hagen, Clint Howard, Rance Howard, and Russ Tamblyn












Buck Cassidy (Hagen) is a big-hearted cowboy who, with his wife Della (Claire Hagen) have, over the years, adopted seventeen foster children. When three of his adopted daughters are kidnapped and thrown into an unlicensed ambulance, the nightmare begins. It turns out innocent people are being taken from off the street, put into dingy operating rooms, and their organs are removed and sold to the highest bidder on the black market. 

Dr. Farley (Smith) is the sinister surgeon, Jerry (Clint Howard) is the creepy male nurse, Liz (Soles) is the secretary, and the super-evil Hugh (Tamblyn) is the agent that acts as the liaison between the desperate families that need the organs and the unwilling participants. So Buck contacts his old buddy Charlie (Howell), a retired LAPD cop, and the two of them search all over the L.A. area for the missing girls. But will they be too late?

The main reason we sought this movie out is because it contains most of the cast and a lot of the crew from one of our favorite movies, Action USA (1989). B.O.R.N. is almost like a dry run for their later masterwork. Ross Hagen, Claire Hagen, Gregory Scott Cummins, William Smith and Hoke Howell all reconvened the next year after B.O.R.N. to make the great Action USA, and the second unit director for B.O.R.N., John Stewart, became the director for Action USA, and later Cartel (1990). So when we heard that the Action USA team had tried their hand at a horror-themed film about a “Body Organ Replacement Network”, obviously our interest was piqued.

But you can tell they wanted to do an action movie all along, because there are shootouts, fisticuffs and car chases in B.O.R.N., making it less a straight-up horror movie and more a thriller with some action and horror elements.

William Smith is delightfully unintelligible as the main surgeon. Sure, it’s odd to see Smith as a surgeon, but that adds to the weirdness. PJ Soles is almost unrecognizable as the big-haired Liz. Russ Tamblyn stands out as one of the more evil baddies we’ve seen in a while. Clint Howard, playing, surprisingly, a creepy rapist, later reprised his role in Street Corner Justice (1996) (and probably a lot of his other roles as well). Rance Howard is also on board and he resembled Night Court’s Harry Anderson more than his brothers Ron or Clint.

At first it’s hard to tell who’s who in the movie, because everyone is inexplicably wearing cowboy hats in modern-day L.A., but eventually you can discern who the characters are. The editing is almost as choppy as Dr. Farley’s scalpel-work, but then there are some oddly funny moments to distract you from that, such as when Buck and a large group of people are at a large dance called “Adopt A Grandparent Day” and they’re all dancing in a circle singing “Beautiful Dreamer”.

 And sure, there’s a bit of what you might call “surgery gore”, but the main problem is that the movie needed to be tightened up. Most of the running time consists of Hoke and Hagen searching around town for the missing daughters. It’s almost like the B.O.R.N. concept couldn’t fill 90 minutes on its own. There should have been more going on plotwise. But there are enough silly/Un-P.C./worthwhile moments to keep the movie afloat.

In the music department, a band called Pigmy Love Circus plays at the aforementioned “Adopt A Grandparent Day” (good gig!) and Dawn Wildsmith is uncredited as the singer. Wildsmith was also in Cyclone (1987) with Russ Tamblyn and John Stewart, not to mention Armed Response (1986) with Ross Hagen. The end credits song (which also appears in one of the many scenes when Hagen is searching the city in his van) is “sung” by Ned Albright. It seems this was his first attempt at singing. Not just in front of a microphone at a recording session...I mean EVER. Is this the best they could have gotten? NED ALBRIGHT?

In all, B.O.R.N. is an amusing curiosity, and its claim to fame, besides its cast, is that it paved the way for Action USA.

Comeuppance Review by: Ty and Brett