South Beach (1993)

South Beach (1993)-* *1\2

Directed by: Fred Williamson

Starring: Fred Williamson, Gary Busey, Vanity, Peter Fonda, Isabel Sanford, Henry Silva, Frank Pesce, Sam Jones, and Robert Forster





 “I can breathe underwater, turnip head.” - Gary Busey






Mack Derringer (Fred) has an awesome name and used to play football. His partner Lenny is also an ex-pro player and now they’re private eyes in South Beach, Florida. And that, if the movie’s tagline is to be believed, is “the world’s deadliest strip of sand”. Mack’s latest adventure involves his ex-wife, Maxine (Vanity), who now runs “Maxine’s Services”, which seems to be some sort of phone sex operation. When a mysterious voice on the phone who calls himself “Billy” starts making threats, Mack snaps into action. As if his partner Lenny wasn’t enough, Mack calls on the services of Jake (Fonda) to help him find his way through the South Beach underworld. But Det. Coleman (Forster) doesn’t trust Mack and seems to be following his every move. But at least Mack’s mother, Mama (Sanford) is proud of him and doesn’t hesitate to tell anyone who will listen. After getting a tip from a rapper named Too Kool (Ross), Mack gets to the real heavies such as Santiago (Silva) and a man named Billy (Jones) - but is it the same Billy that’s been harassing Maxine? Mack Derringer will have to use all the power of his name to get to the truth behind this web of crime and deception. Can he do it?

If the above plot description sounds like a confusing mishmash, that’s because that’s pretty much what South Beach is. Fred is able to get amazing casts for his movies, and in finding a place for everyone, sometimes forgets about coherency. South Beach also has somewhat of a sillier tone than a lot of other Freds we’ve seen, and the end result, while not bad, is likely to not really satisfy anyone except die-hard fans of anyone involved with the production, and only viewers familiar with Fred’s style of filmmaking will be able to glean anything from this movie.

Fred’s array of great jackets is noteworthy, as is he and Busey’s round of what can only be described as “Zany Golf” at the beginning of the film. As in the later Night Vision (1997), Robert Forster plays a cop who yells at Fred. It’s basically the same thing here. There was very minimal Henry Silva - by the time his part in the movie rolled around, he was squeezed out by all the other actors in this broth. And after we were finished pondering why Peter Fonda, as well as his ponytail/mustache combination, were involved in the first place, we got to the rapper Too Kool, not to be confused with Too Short, and another brief Sam Jones appearance. But at least with Jones, there’s a fight, instead of him standing around awkwardly as he does in fellow Fred film Down ‘n Dirty (2001). But all the names in the cast distract from the amazing goons in this movie. We don’t know their names, but we all should. They outshine most of the cast, and they do it in their own lovable way: simply by being humble men, overweight men squeezed into tweed jackets, with mullets and Vuarnet sunglasses. God bless the goons, the unsung heroes of the crime movie world.

As for the DVD we viewed, it’s one of those cheapo gas station jobs and is of very low quality. It’s actually blurry, and we were told in the late 90’s DVD’s would never be blurry. The VHS is of far better quality. However, this particular disc is a double feature with the Mario Van Peebles film South Bronx Heroes (1985), and clearly this DVD company was catering to movie fans just clamoring to complete their “South” movie collections. But, in direct contradiction to that, according to the menu screen, the movie is called “Sonth Bronx Heroes”. You read that right. SONTH. How you screw up the title of the movie on the menu screen of your own DVD, we’ll never know, especially such an easy word like “South”. Either that, or the movie is referring to the heroes of an area of New York City that we’ve never heard of before.

South Beach is kind of a weird outing for Fred, yet also oddly typical of some of his other work. As Survivor once sang when they were surely referring to this movie, “It’s the paradox that drives us all”.

Comeuppance Review by: Brett and Ty


Thank you to DTVC for the hotlink to the cover! Here is his review too.

The Messenger (1986)

The Messenger (1986)-* * *

Directed by: Fred Williamson

Starring: Fred Williamson, Cameron Mitchell, Christopher Connelly, Sandy Cummings, Frank Pesce, Stack Pierce, Magic Wand, and Joe Spinell 










Jake Sebastian Turner (Fred) is an ex-Green Beret in ‘Nam who became a cat burglar. He was busted in Italy and served three years in an Italian prison. When he gets out, one of his old contacts offers him $500,000 or more if he can exact revenge on the drug dealers that killed his son. He takes the job, meanwhile reconnecting with his old flame Sabrina (Sandy Cummings). When drug-dealing scum kill her, Turner kicks into gear, going from Rome, to Chicago, to L.A. and finally to Las Vegas tracking and killing “drug gangsters” as they are called, but also helping people that have been harmed by them along the way, meeting different people and getting into different scenarios in every city he visits. Police Captain Carter (Mitchell) and his number two man, Leroy (Pierce) are trying to track down this “Messenger of Death”, but FBI Agent Parker (Connelly) is sympathetic to his vigilante ways. Watch Fred become a one-man war on drugs in The Messenger!

Fred Williamson once again proves he’s at the top of his game when it comes to the action stars of the 70’s and 80’s. He starred, co-wrote, co-produced and directed this film, and, thanks to his Fred-Fu, was probably Martial Arts coordinator as well. The film might have an odd pace, but it’s Fred’s unique vision that makes it good. Thanks to some of the politically incorrect elements, as well as the ultra-funky score and musical stings (by William Stuckey), you couldn’t make this today. And because, at the time of this writing, it has not been released on DVD, this VHS-only Fred is a true artifact of the time. He also passes a movie marquee showing Raw Deal (1986), and we always like to see these kinds of preservations on film.

As if the strong presence of Fred doing his “Death Wish thing” as has been said, wasn’t enough, he assembled a killer cast: Cam Mitchell plays the angry Police Captain (basically the exact role he plays in Hollywood Cop, 1987), who always has the nub of a cigar in his mouth. And he’s teamed up for what seems like the hundredth time with Stack Pierce, and we always like seeing them, especially when they’re together. In the “awesome glasses” sweepstakes, Christopher Connelly gives Cam a run for his money here, and Connelly also has some great lingo, at one point calling fan favorite Joe Spinell, and we quote, a “Suckfish”. Oddly enough, that word (?) seems familiar and we think we’ve actually heard it uttered before on film. But we can’t remember which movie.

But besides all the names we know and love, we should also point out some of the lesser-known supporting cast: Benny, Fred’s Chicago contact and hot dog chef, is great, and FBI Chief Connors is truly a national treasure. But the drug dealer/pimp known in the movie as Sweet Louie, played by Magic Wand (did they really have to change his name to Sweet Louie?) has an amazing suit with dollar signs on it, making him the Black Matthew Lesko (or “Blesko” as it’s called by people in the know).

Because it was the 80’s, it has a title song (in this case by Jacob Wheeler),  which we always love, and other characters get their own song as well, such as “Sabrina”. It’s a tradition Fred would follow for years to come - just see Night Vision (1997) and its song “Dakota Smith”. So check out some prime, if overlooked, Fred today with this enjoyable outing.

Comeuppance Review by: Ty and Brett

Night Vision (1997)

Night Vision (1997)-* *1\2

Directed by: Gil Bettman 

Starring: Fred Williamson, Cynthia Rothrock, Robert Forster, Frank Pesce, Willie Gault, Robert Prentiss, and Bushwick Bill









When a sadistic serial killer starts stalking the streets of Dallas, Texas, only one man can stop the madness: Dakota “Dak” Smith (Williamson). But before he can fight this antagonist, he must fight his inner demons: he’s been living in a sober house and going to AA meetings. His alcoholism even got him demoted from detective to motorcycle cop working the graveyard shift. But his Commanding Officer, Teak Taylor (Forster) believes in him, so Teak teams Dak up with the enthusiastic Kristin O’Connor (Rothrock). Despite his initial misgivings, they forge a solid relationship. Dak’s buddy Newt (Bushwick Bill) also is supportive. Can Dak turn his life around and catch The Video Stalker (Prentiss) - so named because he videotapes all his murders - at the same time?

The presence and charisma of Fred Williamson completely carries this movie. In his first go as the recurring character Dakota Smith (later to be reprised in On the Edge 2002, among others), Fred gains your sympathy as the hard-working guy who loves Twinkies and root beer. Inexplicably, there are multiple scenes where he appears pantsless, but maybe that was to underline his slide from hero detective to living on the skids - the media even gives him the nickname “The Skid Row Cop”. He even gets his own, ultra-catchy theme song, “Dakota Smith - You’re 12 Steps Away”, which was co-written by music legend Andre Williams of all people (assuming it’s the same Andre Williams whose career goes back to the 50’s).

We all love Cynthia Rothrock, and we were definitely happy to see her here, but she seems miscast as O’Connor. Her martial arts talents are severely underused. This part could have been played by many people - this movie doesn’t highlight her particular talents and abilities. Even still, it was nice to see her alongside Fred and Robert Forster (whose part is pretty minimal but still does a competent job). Bushwick Bill, of Geto Boys fame, basically steals the movie as Newt. You really like Newt and Bushwick does a great job.

The great cast notwithstanding, this is still late-90’s DTV crud. It’s ultra-low budget, and the mixture of simplistic plot - a cop drama/serial killer chase - means it gets a bit slow at times. It really seems like it could have been made in the 80’s, thanks mainly to the cast. It was directed by Gil Bettman, the same man who directed Never Too Young To Die (1986). How far the mighty have fallen. What would Stargrove think?

The DVD contains the trailer, which we would advise watching after the movie because it gives away pretty much everything. That’s why we always watch the trailer after the movie. In order to hook the potential viewer in, they have to give away all the best parts. Too many spoilers.

In sum, the cast is strong but the movie itself is not. So it’s kind of a wash, but Fred and Rothrock fans still might find this entry worthwhile, if not ideal.

Comeuppance Review by: Brett and Ty

Hit List (1989)

Hit List (1989)-* * * *

Directed by: William Lustig

Starring: Jan-Michael Vincent, Leo Rossi, Rip Torn, Charles Napier, Ken Lerner, Frank Pesce, Junior Richard, and Lance Henriksen













Vic Luca (Torn) is a John Gotti-like mob boss who is going to be convicted in court - if his mob underlings can testify. But Luca sends a shoe salesman/psychopathic hit man, Caleek (Henriksen) to kill them so they can’t spill the beans. Purely by chance, Caleek invades the home of innocent man Jack Collins (Vincent), intent on killing him, believing him to be potential informant Frank DeSalvo (Rossi). DeSalvo is being protected before the trial by Tom Mitchum (Napier), an FBI agent on the edge, in a house across the street. When Caleek kidnaps Collins’ son and puts his wife in the hospital - and Luca’s goons cross DeSalvo as well - the two guys create an unlikely partnership to get revenge.

Why is this movie so under-appreciated and unrecognized? If you said to someone “Oh, I watched Hit List last night”, more than likely, they would say, “Huh?” That’s unfortunate, as a movie with the star quality this movie has, directed by William Lustig SHOULD be a well-known “video store classic” as we say. Maybe now that can start to be corrected.

Here we get to see Lance Henriksen as you really want to see him - in a very meaty role as an incredibly brutal bad guy. It’s truly “Lance Unleashed” as he has an evil beret and an evil crossbow/grappling hook/zipline, as well as some nasty martial arts moves.  Leo Rossi is also memorable as DeSalvo, a man who still believes in the codes of honor of the mafia - at least for a while. Vincent mainly just says “Gimme back my son” many times, which, of course, predates Ransom (1996). Rip Torn, who doesn’t often appear in movies like this, puts in an off-kilter, energetic role. Even Charles Napier gets to flex some muscle.

But, by far, the two best things about Hit List are 1. This movie is really politically incorrect - it was made in a time before PC stuff existed and it’s really beautiful to watch. Thank God things like this were preserved for posterity. and 2. the scene in the Photon arcade. (For those that don’t know, Photon was a competitor to Laser Tag, and in some places was replaced by Q-Zar, where kids run around with laser guns and shoot each other). Another awesome preservation.

In all, Hit List is an enjoyable film with a nice pace with a lot of familiar faces. What’s not to like?

Comeuppance Review by: Brett and Ty