Nails (1992)

Nails (1992)- * * *1\2

Directed by: John Flynn

Starring: Dennis Hopper, Earl Billings, Anne Archer, Cliff DeYoung, Keith David, Tomas Milian, and John Hawkes










Harry “Nails” Niles (Hopper) is an LAPD homicide cop - and perhaps the ultimate Cop On the Edge! While his clueless co-workers call him a “dinosaur”, Nails’ old-school ways get results, and you don’t want to get on his bad side. But that’s just what happens when a gang of Cuban drug dealers kills Nails’ beloved Black Partner, Willis (Billings). Nails goes after them with a vengeance, turning L.A. upside down in the process. Not just to avenge Willis, but to settle some of his unfinished business as well. Willis, before his untimely death, was “working on something big” - and it just may be a criminal conspiracy that goes all the way to the top! 

Now back with his old partner, Herrera (Milian), Nails, in his own inimitable fashion, tries to find out how Congressman Stambusky (De Young) and his cohort Noah Owens (David) are involved. And all this while he tries to reconnect with old flame Mary (Archer). Will the bad guys get NAILED once and for all?

Nails is a killer Cop On The Edge movie, and getting Dennis Hopper to play him was an inspired choice. This movie truly is Hopper at his absolute best - his energy, charisma and likability carry the film. He’s angry and drinking from the get-go, just as it should be. Just why this L.A. cop has a Southern accent is never explained (or ever mentioned) but it’s all part of the fun. 

But it’s not all violence and darkness, there’s some nice humor as well and Hopper gives the Nails character charm, in his own unique way. It’s almost weird James Ellroy wasn’t involved with this project, it’s almost like Dark Blue (2002) or Street Kings (2008) in its approach, before those movies came on the scene.

You really have to enjoy cop drama/thrillers (and preferably have seen a lot of them) to properly appreciate Nails. It has just about every cliche you can name - and as we always say, that’s not a bad thing and we need these cliches for our entertainment purposes. 

The Black partner who’s close to retirement, the drug deal gone wrong, the abandoned warehouse, the WYC (White Yelling Chief), the WYC who demands our rogue cop hand in his badge and gun, the echoey guitar riffs on the soundtrack during chases/tense scenes, and of course the Cop On The Edge itself, and so much more. Those of you out there that enjoy these things, like we do, will have a feast here. 

The movie gets further bonus points for being about dyspeptic middle-aged people, not stupid, flashy kids, there’s a lot of un-PC dialogue, there’s no stupid little kid to ruin things, and, the original foodie, Herrera is always seen eating. Usually a burrito. If you don’t like it, take it up with Harry Niles.

We should take a moment here to recognize the unheralded genius of director John Flynn. It’s an absolute tragedy that he’s not a household name, yet plagiarists like Tarantino are. Besides directing the early Seagal in Out For Justice (1991), he also did Lock Up (1989) with Sly, the underrated James Woods vehicle Best Seller (1987), and the Jan Michael Vincent movie Defiance (1980). But the Coup De Grace is that he directed one of the best movies ever, Rolling Thunder (1977). If he directed nothing else but that in his career, he would be a legend in our eyes. But his career making tough, interesting fare speaks for itself. 

Back to the cast, Milian is likable as Herrera, Archer does well in a somewhat thankless role, Keith David fits the bill perfectly as Owens, and Cliff De Young, interestingly enough, plays a guy named Stambusky, which, though different, today has connotations of a certain child molester that are hard to ignore.

Featuring an end credits song by Eddie Money, Nails might be THE classic example of the Cop On The Edge movie. We say see it soon.

Comeuppance Review by: Ty and Brett

Trackdown (1976)

Trackdown (1976)- * * *

Directed by: Richard T. Heffron

Starring: James Mitchum, Karen Lamm, Erik Estrada, Anne Archer, Vince Cannon, and Cathy Lee Crosby











Jim Calhoun (Mitchum) is a Montana cattle rancher who doesn't take any guff. When his sister Betsy (Lamm) decides to follow in the footsteps of so many that came before her and moves to L.A. seeking fame and fortune, tragedy befalls her. The wide-eyed and innocent Betsy falls afoul of an evil gang and is forced into prostitution. A guy named Chucho (Estrada) falls for Betsy, and while initially associated with the gang, severs ties when Betsy goes missing. 

Soon Jim Calhoun is in the big city, a big, burly fish out of water, also searching for his beloved sister. Joining the search party is social worker Lynn (Crosby). But super-evil baddie Johnny Dee (Cannon) is going to make life especially hard for the well-meaning trio, who, despite all their social differences, have banded together to save Betsy from a life of squalor. Will Calhoun and his friends succeed in their TRACKDOWN?

Trackdown is a quality example of the "disgruntled man searching for his wife/sister/daughter" movie exemplified by the likes of Hardcore (1979), Broken Angel (1988), and, most recently, Taken (2008). While there are other examples, Trackdown predates the aforementioned three titles, and, as you might expect, is dripping with 70's style. Thank goodness for movies like Trackdown, which show L.A. back in the day in all its gritty glory. While the surface is loaded with rotary phones, wide ties, and bellbottoms, the underlying message seems to be that the city is filled with harsh realities and uncaring people, and scavengers will take advantage of you if you don't have a support system of people who care.

One of those people happens to be Erik Estrada. His youthful energy pours through in this early role, and he has some stylish shirts and a killer van to boot. He even takes Betsy to a very interesting dance club with a live band at one point. Director Heffron was going for realism for the most part, which pays off today in the sense of it being a fascinating time capsule. But the true reward of this realistic approach is that there is no treacly sentimentalism or preachy messages, just Jim Mitchum with a shotgun dispensing Montana justice. Now that's a trackdown we can get behind.

It's hard to pick a favorite Mitchum: Jim, Chris or Robert. Each time we think we have a fave, along comes a Code Name: Zebra (1987) or a mega-winner like the awesome Final Score (1986). But for the purposes of today's review, Jim is in the driver's seat, and we couldn't be happier. Jim Calhoun brings a dose of reality to those L.A. airheads, in the form of some good beat-em-ups and an extremely well-directed action setpiece in an elevator shaft. While Cathy Lee Crosby and Anne Archer provide nice cast additions, Mitchum makes you root for Calhoun. Featuring the end credits song "Runaway Girl" by none other than Kenny Rogers, we feel Trackdown is worth tracking down.

Comeuppance Review by: Brett and Ty

Also check out write-ups by our buddies, The Video Vacuum and The Unknown Movies!

Good Guys Wear Black (1978)

Good Guys Wear Black (1978)-* *

Directed by: Ted Post

Starring: Chuck Norris and Anne Archer












John T. Booker (Chuck) is a former Vietnam commando who has blown up his fair share of huts and guard towers when in his prime. Five years after the end of the war, he’s living a peaceful life as a teacher and race car enthusiast in Riverside, California. There’s even a romance brewing with journalist Margaret (Archer), and all seems well. That is, until members of his former unit start being assassinated one by one. This sends John T. Booker on a quest to find out the truth behind the ruthless murders. He just may find that it’s a conspiracy that goes - you guessed it - all the way to the top. Will good guys wear black, or will good guys be DEAD? Find out today…

Good Guys Wear Black is a pretty early Chuck movie, and has an old-fashioned, staid vibe to it more suited to the TV movies of the day. We found it boring, talky, and it looks its age, and not in a good way. There isn’t even any Martial Arts until an HOUR into the movie. All that being said, there is a standout action setpiece around that point.

Chuck is a guy you can’t help but like, and, despite the annoyingly minimal character development (what else is new in the world of Chuck), his mustache is looking especially walrus-y this time around. Plus the opening credits sequence sets things up to be a lot cooler than what follows, with snazzy 70’s-era computer graphics and nice music. But then it goes into a ‘Nam sequence the viewer has trouble seeing, and interest starts to slip. From there it goes to some government yakety-yak, and interest slips even more. If not for Chuck’s superstache, this first half would have been a total waste.

Interestingly, though, Seagal ripped off Chuck once again - Chuck was first when playing the silent-but-intellectual professor, decades before “Professor Robert Burns”. Another thing going against the movie is the unusually fuzzy presentation from Vestron. This seems to be a rare lapse for the normally fine company. The visuals are dull and washed out. Maybe other presentations on other formats are better, we’re not sure. If you have another version, write in to let us know. But it all kind of cumulatively adds up against the viewer’s enjoyment. It made us aloof to most of the proceedings, and the slow, overlong nature of it all certainly didn’t help either.

We really wanted to like the movie more, and all it had to do was have Chuck fight more people, and have more scenes like the big action setpiece in the middle. That’s ALL it had to do to win us over. But no, there was too much mush clogging things up. So it’s all very middle-of-the-road, as way too many Chuck movies are, as things didn’t start to pick up for him until later in his career.

Comeuppance Review by: Brett and Ty

Also check out a write-up by our buddy, The Video Vacuum! 

End Game (2005)

End Game (2005) -* * *

Directed By: Andy Cheng

Starring: Cuba Gooding Jr., James Woods, Angie Harmon, Anne Archer, Peter Greene, Todd Jensen, Sarah Ann Schultz, Brian Presley, Jack Scalia, and Burt Reynolds









End Game is one of the biggest Direct-To-Video movies of the year. Like Edison Force (2006) The Big White (2005), and Grilled (2006), it shows that any movie with an all-star cast and good premise can go DTV.

The plot: The president has been assassinated. Secret Service Agent Alex Thomas (Gooding Jr.) feels responsible. He starts to fall into a deep depression. When reporter Kate Crawford (Harmon) realizes that there's a conspiracy about the killing, she enlists Thomas's help. When they start to dig deeper, The assassins start to target them and all witnesses. Can they escape?



This movie was slated to have a theatrical release, so the action scenes are 100 times better than your usual Seagal\fast cut crud.


While Burt Reynolds looks like a Madame Tussaud's wax statue of Burt Reynolds, and that is somewhat distracting, the rest of the cast, including Todd Jensen, put in their usual professionalism. Woods and Reynolds have a good confrontation in the beginning. The only problem with the movie is the ending, I won't spoil it, but I will say they don't stop while they're ahead.
Overall, End Game is one of the best straight to video movies I've seen in a long while and if you like Cuba Gooding Jr. Or Woods, definitely check it out.


Comeuppance Review by: Ty