Dark Breed (1996)

Dark Breed (1996)- * *1\2

Directed by: Richard Pepin

Starring: Jack Scalia, Cindy Ambuehl,  George “Buck” Flower, Sal Landi, and Jonathan Banks





“I’m NASA.”








Nick Saxon (Scalia) is an ex-Special Forces Vietnam veteran (of course), so when a crew of astronauts returns infected with an alien virus, naturally Saxon is the first person the government calls to stop the spread of these body-snatching interlopers (wonder where they got that idea...). So Saxon and his team are working on stopping the astro-nuts, who predated the diaper-wearing astro-nut from the news of a few years ago by many years. But it’s personal for Scalia, sorry, Saxon, because his buddy Joseph Shay (Banks) is one of the unfortunate astronauts taken over by an alien presence. Will Saxon don his Denim and Leather and come out victorious against the alien baddies?

Judging by the fact that most of the scenes are too dark to see, Dark Breed is indeed an apt title. Or maybe they could have called it Dark Screen. Which leads us to the schizophrenic nature of this movie. The sci-fi scenes are dark (as if we haven’t made that sufficiently clear yet), almost as if to hide their shame at making a sci-fi slog. 

But as for the action scenes, most of them are shot in daylight and are clearly and appropriately lit. That’s normally the way with PM, but maybe they were experimenting with the “moodier” feel of the day, which was ahead of its time, as many movies and TV shows are severely underlit today.  So if you’re interested in seeing PM experiment with darkness, here is certainly a place to check that out. But we can’t honestly say we’re on board with it this time. Thank goodness for the plentiful muzzle flashes and blow-ups, because they provide the only light in many scenes.

But the action is classic PM, with high-quality explosions, plenty of car stunts, and much gun-shooting. When it settles back into sci-fi territory, the movie inevitably slows down.  But we’re such PM fans, we had to see this movie, even though we don’t like sci-fi slogs. 

But scenes like the highway chase where Scalia is riding along the back of a truck on an upturned satellite dish are vintage PM and start to turn the movie back in good graces. The scene is reminiscent of PM classic Last Man Standing (1996) and easily could have appeared in that gem. Plus you can actually see the scene, so it stands out from a lot of the rest of the proceedings. But the movie as a whole is a sci-fi actioner, kind of in the vein of Peacemaker (1990). So if you liked that, you might like this.

Most of the dialogue consists of characters saying other characters’ names repeatedly, almost reaching Airplane! (1980) levels at times. Of course, that’s not when the aliens start making pig noises. Even though the aliens are supposed to be scary and malevolent, they sound like a mash up of Babe, Gordy and Arnold Ziffel in the midst of a slop fight. 

In other cast news Sal Landi, who has been in plenty of movies reviewed on this site, here plays “Zim” Zimmerman, also predating a certain news story. And fan favorite George “Buck” Flower even finds time to stop by in the midst of all the craziness. Tying it all together is Scalia, who looks like a stone statue carved of Treat Williams.

In the end, this movie is at war with itself. It’s sci-fi sloggery vs. tried-and-true action. If you don’t mind your action punctuated by literally dark, boring scenes (or if you genuinely like sci-fi, which is also a possibility), you might be able to extract some enjoyment from Dark Breed.

Comeuppance Review by: Ty and Brett

Savage Streets (1984)

Savage Streets (1984)- * * * *

Directed by: Danny Steinmann

Starring: Linda Blair, Robert Dryer, Linnea Quigley, Sal Landi, Rebecca Perle, Brian Frishman, and John Vernon













Brenda (Blair) is a tough, streetwise chick who loves nothing more than hanging out on the streets of Hollywood with her group of friends named The Satins (remember when friends used to do that?) - but her one soft spot is for her deaf/mute sister, Heather (Quigley). 

Trouble arises when a group of no-good street toughs called The Scars, who do nothing but annoy and harass everyone, cross paths with The Satins. Led by the sinister Jake (Dryer), he and his boys continually up the ante, until they go WAY too far, and Brenda, who was already on the edge and getting into catfights at school with the cheerleader Cindy (Perle), snaps and begins wearing black fingerless gloves. Suspended from school by Principal Underwood (Vernon), she is free to use her time to get her revenge against The Scars. Will she complete her mission? Find out today!

This movie is so, so great. Imagine if Foxes (1980) was an exploitative revenge movie. The awesomeness of the 80’s is cranked to 11, and the film seemingly makes no apologies for its unabashed, for lack of a better word, raunch. To the delight of viewers, political correctness is light years away, and everything from the dialogue on down has a wickedly entertaining power that is impossible to resist.  

Linda Blair has absolutely never been better - her level of sassiness is off the charts, and her exchanges with just about everybody give her some great lines - but her best on-screen partner is John Vernon, and their scenes together are priceless.

The fashions not just the Satins, but everyone wears are mind-boggling, and the music is perfect, especially the songs by John Farnham. You thought the songs he did for Rad (1986) were great, just check these out. Someone needs to do a CD reissue stat.  Whoever created the signs in the movie truly outdid themselves - “Doctors Hospital” and at the club MX there is a sign on the wall that simply reads “Rock and Roll”. You truly cannot beat that. 

Outside of a record store there are posters for Kiss, Def Leppard and Motley Crue, and it wouldn’t be a high school-set movie without a 42-year old student, this time it’s Cindy’s boyfriend Wes (Frishman). Or at least that’s how it seems.

We really have nothing negative to say about Savage Streets. If you love awesome things and fun times, you will love it. Not to mention 80’s nostalgia. The movie truly shows why revenge movies are among our favorites. It delivers exactly what you want, and then some. If there are any haters out there, don’t listen to them. Savage Streets is an out-and-out winner!

Comeuppance Review by: Brett and Ty

Also check out a write-up from our buddy, The Video Vacuum! 

Tough and Deadly (1995)

Tough and Deadly (1995)-* * *1\2

Directed by: Steve Cohen

Starring: Roddy Piper, Billy Blanks, Richard Norton, Sal Landi, Phil Morris, James Karen, and Lisa Stahl












Elmo Freech (Piper) is a rough-and-tumble Private Investigator and ex-cop who does things his way. He ends up teaming up with a mysterious man who has lost his memory, John Portland (Blanks). But Portland appears to be a trained fighter, and together the two men - who certainly don’t always see eye to eye - get deeper and deeper into a conspiracy that goes all the way to the top. They’re going to have to work together and fight to get to the truth. Can they do it?

Tough and Deadly is classic 90’s fun at its best. One of its main strengths is its healthy dose of humor. So many movies out there, DTV actioners included, take themselves so seriously - finally, here’s a movie with the guts to not take itself so seriously, but also has some killer stunts and fights, which are taken seriously. So it strikes a near-perfect balance of tongue-in-cheek, well, cheekiness, with some nice bone-crunching action. It’s a surprisingly rare mix, so our hats go off to the filmmakers on this win.

The movie really gives you what you want: on top of the humor, the stunts, fights, etc., it has a very good pace and nice energy. You can actually SEE what’s going on. Nothing is shrouded in shadow. Considering there’s a barfight AND a poolhall fight, as well as a (completely inexplicable) training sequence followed by a montage, Tough and Deadly truly has it all. 

Let’s not forget the Billy Blanks and Richard Norton fight, which gets the movie off to an engaging beginning. There’s also the classic “I want to listen to country!” “I want to listen to rap!” CD player confrontation between Freech and Portland. Just the names of the characters are insane - Elmo Freech, Winston Briggers (Karen), Trekkler, and Freech’s assistant Maureen Peek (Stahl). Yet, the great Richard Norton plays...Agent Norton. Does he feel cheated that he didn’t get a wacky name? At least he’s on board. That’s all that counts. 

Naturally, it all ends in the time-honored abandoned warehouse. Also Elmo Freech has a poster in his house that simply says “Pasta Sauce”. For his interior decoration skills alone, you should see Tough and Deadly.

It’s easy to see why Piper and Blanks teamed up again after Back In Action (1993). Piper’s charm and Blanks’ woodenness make an excellent combination. It’s sad that they didn’t team up on any more movies after this. But at least we have two. While debate continues to rage as to who -  John Portland or Elmo Freech - is Tough and who is Deadly - there’s certainly no shortage of face-punching action in this prime example of what the 90’s Direct-To-Video era could do.

Comeuppance Review by: Ty and Brett

Also check out write-ups by our buddies, DTVC and Cool Awesome Movies!

Sweet Revenge (1987)

 Sweet Revenge (1987)-* *1\2

Directed by: Mark Sobel

Starring: Ted Shackelford, Nancy Allen, Martin Landau, Sal Landi, Lotis Key, Stacy Adams, Michele Little, and Gina Gershon











Boone (Shackelford) is a smuggler of counterfeit perfume and an international adventurer. When a TV news reporter, Jillian Grey (Allen) starts following a story about girls abducted from L.A. and put into white slavery camps, it leads her to the diabolical mastermind Geoffrey Cicero (Landau). Grey and her young daughter are then kidnapped. Meanwhile, three friends, K.C. (Gershon), Tina (Adams) and Lee (Little) are expecting a modeling agent to meet with them. It turns out it’s two of Cicero’s top goons, Sonya (Key) and Gil (Landi). The three girls are also kidnapped. When the girls, Jillian, and Boone all end up crossing paths, they make an unlikely force and they all fight to escape the clutches of Cicero and his minions. Will they get SWEET REVENGE?

While mostly a TV actor, Sweet Revenge seems to be the only starring film role of one Theodore T. Shackelford III, who modestly just goes by “Ted”. While he’s supposed to be an Indiana Jones-type hero, his smug, glib one-liners (which were perfect for the 80’s, let’s not forget) do tend to undercut the audience’s faith in him as a powerful central hero. He’s more of a jokester, a goofball. But the movie as a whole has a cartoonish, comic-booky vibe, where opponents are easily knocked over by the slightest touch, and muzzle flashes look painted-on. Add some triumphant, A-Team-style music over it all, and you have some dumb, but not offensively bad, video store shelf-filler that only could have existed in the 80’s.

Not to be confused with Best Revenge (1984), One Man Out (1989), Cocaine Wars (1985), or a myriad other items of this type, you really have to be a fan of rediscovering movies otherwise left languishing on video store shelves to appreciate Sweet Revenge. It has a lot of the hallmarks we look for when it comes to 80’s action: the disco scene, at least one pinball machine, exploding huts, and an exploding helicopter. But the movie it resembles most is Catch the Heat (1987). The goofy tone is similar, the climax is almost exactly the same, and they each got one major star: Catch the Heat got Rod Steiger, this has Martin Landau.

It must have been fun for Nancy Allen and Gina Gershon to run around the Philippines shooting machine guns and such. When we’re first introduced to Allen’s character, it seems she’s going to be another in a long line of female reporters who don’t do much. Thankfully, she basically becomes a gun-toting hero, along with her unlikely compatriots, some L.A. girls and Ted Shackelford. Strangely, that description makes the movie sound better than it really is. But the movie was kind of ahead of its time with its look at human trafficking, and Martin Landau as Cicero has his own logo. If you live in a palace surrounded by goons, and you have flags bearing your own personal emblem hanging all over the place, you might as well have a neon sign reading “BADDIE!” also outside your house. But Cicero makes no bones about the fact that he’s evil. He sometimes comes out of his house, says nothing, then turns right around and goes back in. Such are his powers of intimidation.

Released on VHS by Media, Sweet Revenge is a lightweight offering in just about every sense of the word. The 79 minute running time reinforces that, and is certainly welcome. While not a must-buy, you could do a lot worse than Sweet Revenge.

Comeuppance Review by: Brett and Ty