Captive Rage (1988)

 

Captive Rage (1988)- * *1\2

Directed by: Cedric Sundstorm

Starring: Oliver Reed, Lisa Rinna, Claudia Udy, and Robert Vaughn

In the small South American town of Parador, the maniacal General Belmondo (Reed) rules the roost. When his son is arrested for dealing cocaine, Belmondo decides the best course of action is to kidnap a bunch of young women and hold them captive until his son is released from prison. What he - and his sidekick Chiga (Udy) - didn't count on was the resourcefulness, know-how, and, well CAPTIVE RAGE of Lucy Delacorte (Rinna). She and some of her female compatriots break out of their captivity and go on the run in the jungle. While Lucy's father Eduard (Vaughn) is trying to figure out what's going on, Lucy and her friends are busy shooting their way out of the situation. Will Lucy and the gang triumph over Belmondo and Chiga?


In much the same vein as Mankillers (1987), Toy Soldiers (1984), or perhaps Sweet Justice (1993) or Hired to Kill (1990), Captive Rage is another in a series of films made in the 80's and early 90's that featured women getting kidnapped and then fighting back. The Grenada incident was still fresh news in the public's mind back then, and, in true exploitation tradition, a spate of movies sought to capitalize on that.


While largely lackluster, Captive Rage has a couple of things going for it: Oliver Reed, who did this the same year as the similarly-titled Rage to Kill (1988 of course), is here in a similar role. He has a beard, sunglasses, and speaks in a ridiculous French (?) accent. Surely it was a nice paid vacation to go to South Africa and spend time with a bunch of ladies, including fan favorite Claudia Udy. Lisa Rinna also stands out as the leader of the girls. She was almost unrecognizable without those puffed-up lips she later became known for. Of course, Robert Vaughn is here, as he usually was around this time. His role is small. His hair is questionable.


Director Cedric Sundstrom, who action fans may know because of American Ninja 3 (1989), American Ninja 4 (1990), and Comeuppance Classic The Revenger (also 1990), delivers a mostly-mediocre movie that makes you wait for the majority of the blow-ups and guard-tower falls. There is gun-shooting throughout, though. But there are plenty of slow moments as well. On the whole, Captive Rage could have been tightened up, including having a shorter running time.


Of course, we don't mean to say it's all bad news of course. There is a classic Drug Deal Gone Wrong in a warehouse, a geologist that looks a lot like Christopher McDonald, and the highly politically-incorrect plot point that the girls have to continually shoot and kill the native population of the Paradorian jungle.


While Captive Rage remains video store shelf-filler, non-U.S. residents will want to take note of the fact that the film, under the alternate titles of Blood Ransom and Fair Trade are both cut. While we agree the movie should have been trimmed down for a leaner running time, they shouldn't have gotten rid of the sleaze. That's one of the only things Captive Rage has going for it.


In the end, despite a handful of bright spots, Captive Rage will probably only appeal to die-hards of this sort of thing.

Comeuppance Review by: Brett and Ty

Also check out a write-up from our buddy, The Video Vacuum! 

Hired To Kill (1990)

Hired To Kill (1990)- * * *

Directed by: Nico Mastorakis

Starring: Brian Thompson, Oliver Reed, Jose Ferrer, and George Kennedy






 Big thanks to frequent reader Venom for giving us a copy!





No one can say Frank Ryan (Thompson) isn’t awesome. As a badass mercenary, he plays by his own rules. But when Thomas (Kennedy) approaches the hulking brute with a new assignment, at first he’s wary. He must travel to the small country of Cypra and rescue a political prisoner named Rallis (Ferrer). But in order to do this, he must pretend to be a gay fashion designer and have a retinue of seven fashion models. Did you think there would be another way to get that job done? This initially chaps Ryan’s hide, as he’s an ultra-macho warrior who “doesn’t like working with women”. But these aren’t ordinary women, they’re all specially trained in the fighting arts. 

The only real obstacle standing in their way is the president of Cypra, one Michael Bartos (Reed) and his goons. Will Ryan and his lethal ladies be able to extract the prisoner and complete their mission? Find out today…

It was nice to see fan-favorite Brian Thompson as the main hero for once. He usually plays the baddie, and he deserves a starring role like this. He gets a great intro to his character, doing something to a ringing phone that we’ve all fantasized about doing at one time or another. 

But that’s about it for character development for Frank Ryan, all we need to know is that he’s a grizzled, tanktop-wearing, musclebound belligerent jackass/hero. But how could Thompson be a villain this time around, when the great Oliver Reed fills the role with aplomb? Sure, Reed’s absurd, bushy mustache makes him look like a cross between David Crosby and a walrus, but it’s all part of the fun. Hired to Kill isn’t that dissimilar from another “Oliver Reed hitting the skids” movie, Rage to Kill (1988). Maybe he demanded only to be in “…to Kill” movies to cap off his career.

Jose Ferrer doesn’t do that much, and George Kennedy wears some cool glasses. You’ve got to hand it to director Mastorakis. He can usually corral together a bunch of B-stars like this and create a product perfect for the VHS market of the day. Kennedy also worked with Mastorakis on Nightmare at Noon (1988), as you may remember. Essentially, Hired to Kill is a non-South America-set El Presidente movie, and of course Ryan has to assemble a team, and naturally there’s a training sequence. But those time-honored classic items are filled with babes. The scenario is reminiscent of Hell Squad (1986), but just call it the “Fem-spendables”.

So while there are plenty of talky bits in the middle, it all comes to a nice, Red Scorpion (1988)-like climax (Thompson even resembles Dolph at times), and there is some classic un-PC dialogue. Plus he sits down while shirtlessly shooting a machine gun and wearing sunglasses. Usually it’s some maniac standing and screaming while doing that. Thompson adds some casual cool to his murderous rage.

Featuring the song “Do It For the Money” by Thomas Marolda, which is very similar to Deion Sanders’ “Must Be the Money” of a few years later (could it be that “Neon Deion” is a fan of this movie?) Hired to Kill does get a little dull at times, but the stars, especially Thompson, and the eye candy, keep it afloat.

Comeuppance Review by: Brett and Ty

Also check out write-ups from our buddies, The Video Vacuum and Ninja Dixon!

Ransom (1977)

Ransom (1977)-* *

Directed by: Richard Compton

Starring: Oliver Reed, Stuart Whitman, Deborah Raffin, Paul Koslo, Jim Mitchum












Near Phoenix, Arizona, there’s a small town with the highest concentration of millionaires living there. When a psychopath in full Native American regalia (Koslo) sets up shop there and begins killing people with his bow and arrow, the townspeople soon realize he’s going to continue sniping people from long distances until he gets the millions of dollars he’s requesting.  So naturally Oliver Reed, Stuart Whitman and Jim Mitchum are called in to use their manliness to put an end to the madness. Will they succeed?

“Give me back my son!!!!!!”...is what you won’t be hearing in this tame, mediocre outing. Once again we’ve fallen prey to what we call “Lone Tiger Syndrome” - that being where we see a movie because of its stellar cast, and then are disappointed because many familiar B-movie names do not necessarily a good movie make. 

Fan favorite Jim Mitchum is decent as the cowboy Vietnam vet Tracker (great name) but he doesn’t get enough screen time to develop his character, a common problem in these “star-studded” affairs. We also love Oliver Reed, but, inexplicably, he resembles Jerry Lewis in the scenes where he wears sunglasses. A lot of his dialogue concerns his drink orders. We’ll leave it at that.

Stuart Whitman is always a professional, and Deborah Raffin of Death Wish 3 (1985) fame is onboard as the classic (and pretty cliche) female reporter. The standout character, once again, is Paul Koslo as the baddie. He strongly resembles Kurt Russell, and does a great job (not quite as great as his turn in The Annihilators 1985, but once again, he actually had screen time in that one).

While there are a handful of okay kill scenes and maybe a few chases (and one exploding helicopter), this movie is filled with, well...filler, and the whole outing is stodgy, kind of like The Hit Team (1971). The movie doesn’t fulfill the potential of the cast, and it’s just not exciting enough. 

The killer Indian should have had some goons, but perhaps the budget couldn’t allow for them because all the stars had to be paid first. Yet again we come back to the fact that there’s no one, singular character we care about. It’s all kind of a jumble with the multiple characters. Sure, Koslo tells his enemies they have to “pay the wind”, which is a precursor to Red Scorpion 2 (1994), but sadly the proceedings are slow and yawn-inducing.

As for the tape itself...no one sings the praises of Vestron more than we do, but they botched this one. It’s a horribly obvious pan-and-scan disgrace. They make it seem like the camera is resting on the seat of an exercise rowing machine that someone is tipping up, then tipping back. 

At least they used one of the more accurate of this movie’s many titles. Most of the others make it seem like it’s going to be a horror movie of some kind. If you do ever check this movie out, unfortunately we recommend NOT to view the Vestron tape.

Featuring the song “Victor’s Theme: Shoot Him” by none other than Roger McGuinn and Patrick Ferrell, Ransom leaves a lot to be desired. We’ve certainly seen a lot worse, but we wish the powerhouse cast would have done something more worthy of their talents.

Comeuppance Review by: Brett and Ty

The Revenger (1989)

The Revenger (1989)-* * *

Directed by: Cedric Sundstrom

Starring: Frank Zagarino, Oliver Reed, Jeff Celentaro, Nancy Mulford, and Arnold Vosloo













Mike Keller (Zagarino) lives to play smooth jazz on his sax. Interrupting his quest to achieve ultimate smoothitude, his buddy Mackie (Vosloo) shows up at one of his gigs one night and forces him at gunpoint to drive him and his supposed snuff/porno films and cash to criminal kingpin Jack Fisher (Reed). Though innocent, Keller serves jail time in the aftermath of this escapade. Once out of the slammer, he just wants to put back the broken pieces of his life with his loving wife Lisa (Mulford). But Fisher and his goons believe Keller still has the missing money, $500,000 to be exact. So Fisher kidnaps Lisa. Keller then calls upon his old Vietnam compatriot Harry (Celentano) to help him rescue her. Then they go on the run in the country for a while. Throwing caution to the wind, Keller blatantly disregards the fact that “Revenger” is not a real word, and summons all his best revengering skills for his revengering mission. Will he succeed?

The first thing you will see when you pop The Revenger into your VCR (or now DVD player) is a shirtless Frank Zagarino doing his workout routine. The intellectual levels of this film do not rise from here on out. This movie happens to be the second best Zags movie we’ve seen to date, the best being Striker (1987). Both are AIP releases. Could this be a coincidence? The Zagster never should have zigged from AIP. He clearly did his best work there, and the quality of his releases only went downhill from here. But this was released in the magic year of 1989, possibly the best and most fruitful year for video stores in the VHS era. So everyone was winning back then, and Zags and his comrades got swept along for the ride.

Arnold Vosloo is on hand, but for an unfortunately short amount of time. He barely warrants a credit, only appearing at the end of the end-credits listing. His 80’s coolguy sport coat with the rolled-up sleeves at least should have warranted a higher placing in the cast. Zagarino’s eyepatchioed war buddy strongly resembled Timothy Bottoms, and he even has a poster for the movie Zachariah (1971) on his wall. Of course there’s the obligatory Zags shower scene (ugh), and naturally, Keller is an “ex-Marine”. But now his buddies call him “The Saxman”. But we don’t care what anybody says: we love Oliver Reed, even in his “down on his luck” career phase. He provides more entertainment value when he’s just phoning it in than most actors do when they’re trying their best. And isn’t that what it’s all about? Sporting a ridiculous (fake?) walrus mustache that makes him look like Mario, Reed steals the movie from Zags, but that’s not saying much, anyone could steal a movie from a tree.

We don’t want to be hard on Reed -  as we said, we love him, and it’s not his fault this movie is so dumb. It’s not annoying, it’s just very, very stupid. Keep in mind the director is Cedric Sundstrom, the director of American Ninja 3: Blood Hunt (1989) and American Ninja 4: The Annihilation (1990), two of that series’ worst entries. Meathead John Pasternak is also in American Ninja 4, as well as American Ninja 2: The Confrontation (1987), so those bases are covered. He also has a great acid washed jean jacket.

AIP stalwart Steve McClintock turns in another exemplary song, “It’s Still Only Love”, and this song is by far one of the best aspects of this movie. This isn’t the first time one of McClintock’s songs has stolen a  movie. When is a CD of all his soundtrack songs going to come out?  Anyway, The Revenger is almost audience-insultingly stupid at times, but it’s not BAD, if that makes any sense. The only people who won’t like it are people too offended to get their hands dirty with dumb movies, and we presume those people don’t read this site. So if you’re not offended by a little out-and-out stupidity, don’t be afraid of The Revenger.

Comeuppance Review by: Brett and Ty

Skeleton Coast (1988)

Skeleton Coast (1988)-* *1\2

Directed by: John "Bud" Cardos

Starring: Ernest Borgnine, Robert Vaughn, Leon Isaac Kennedy, Arnold Vosloo, Herbert Lom, Daniel Greene, and Oliver Reed












When his son Michael, who is an undercover CIA operative, is kidnapped and imprisoned by the Angolan army, his father Col. Bill Smith (Borgnine) snaps into action and assembles a team of inter-racial mercenaries to travel deep into Africa to free his son. This team includes, but is not limited to: Smith himself, Blade (Vosloo), Toshiro (Kwong), Sam (Mulford), Chuck (Kennedy) and Rick (Greene). All have their specialties in the fighting arts. On the side of the baddies we have Col. Schneider (Vaughn), supposedly an East German with some interests in the Angolan army vs. the rebels, and Capt. Simpson (Reed), yet another character who has his own interests. Add to this mix Elia (Lom) and you have a desert/jungle adventure best suited to Saturday afternoon viewing.

Clearly, the only real reason to see this movie is its incredible cast. Our hometown hero Ernest Borgnine leads the pack with his engaging and always-upbeat performance. It really is a pleasure to see him shooting machine guns along with all the younger cast. We also always love to see Oliver Reed doing what he does best - yelling crazily - whether he technically has to be there or not. He plays a very similar character here as he does in Rage to Kill (1987). Robert Vaughn brings his distinct voice to the proceedings, and a fairly early performance by Arnold Vosloo completes the picture. Interestingly enough, he met and married co-star Nancy Mulford when they met on this film. See, Skeleton Coast really brings people together.

While the many stars on show will draw viewers in, and there is plenty of beautiful scenery and such, the movie is kind of flat and feels like filler at times. It also has some wacky musical stings that seem inappropriate. Really, this is just a star-studded Exploding Hut movie, and it’s also a bit overlong (probably to try to accommodate all the characters).

On the technical front, if you watch this on Netflix streaming, the colors are soft and faded. On the Nelson VHS, that is not the case. The movie looks a lot more normal, with sharper colors. If you opt to buy this movie, look for the Nelson VHS.

While the wonderfully jolly Ernest Borgnine is a personal hero, Skeleton Coast really is nothing overly good OR overly bad. It’s kind of somewhere in the middle. If you’re a fan of any of the stars involved, and you’re okay with that, do proceed.  If not, your time might be better spent elsewhere. If Skeleton Coast was The Expendables (2010) of its day, then Ernest Borgnine truly is the original Stallone.

Comeuppance Review by: Ty and Brett

Rage to Kill (1987)

Rage to Kill (1987)-* * *

Directed by: David Winters

Starring: James Ryan, Cameron Mitchell, and Oliver Reed














Evil General Edward Turner (Reed) and his army of thugs show up on the Caribbean island of St. Heron and stage a coup. They take over the island by force and set up shop in the local college, and the students there are held hostage. When war hero/race car driving man Blaine Striker (this is like the tenth movie we've reviewed where the hero is named Striker) (Ryan) hears about this, he snaps into action because his brother is on the island. He then leads the students in a revolution against the General and his men. With the help of plucky newspaper reporter Jennifer Baker(Maxine John) and the local, indigenous warriors led by Wally Arn (Henry Cele) and special agent Sgt. Miller (Mitchell), will this ragtag group of counter-revolutionaries save the island from tyranny?

When Oliver Reed shows up in a helicopter and starts opening fire on everyone and one of the first lines is a very convincingly-said "eat dirt you scumsucker", you know you are in for an awesome cinematic experience. It's not entirely clear exactly WHY Turner chooses to take over St. Heron, but we do know he's making missiles for the Russians. This film is topical and tropical as it recalls 80's concerns like the cold war and the Grenada incident. Of course, because this is a film dealing with the issues of the 80's, there are gratuitous scenes of aerobics.

Not to fear because "The President" is on the case. All he wants to do is "watch the world series" and he has a lot of funny advisers. They sit in a room which isn't very presidential and discuss things like "backdoor diplomacy". It has some pictures of past Presidents though. Kind of like how the "American Med students" we keep hearing about have an American flag in their dorm so you know they are American, despite the fact that some of them have accents from other parts of the world. The set decoration tells the story, I guess.

We wished there was more Oliver Reed, who probably figured that he could go nuts in this AIP production because...this is an AIP production. There is plenty of Cam Mitchell, which is a good thing. The guy that plays Striker's brother looks like a cross between fan favorites Mike Norris and Richard Norton. This is as close as we'll get to seeing them in a movie together. Interestingly, he even says the line, after beating up some baddies "Not bad, I learned that from a Chuck Norris movie". Usually, they mention Rambo in these movies.



While the idea of James Ryan leading a student force of kids who aren't used to carrying guns seems like a good idea, somehow the silly fight scenes, ridiculous, unnecessary torture scenes, mindless, shirtless shooting and cardboard nukes add to the downmarket feel.

A note about the music: the end credits feature an amazing ballad, "Do You Remember Love?", which is extremely catchy. Sure, it has little-to-nothing to do with the hijinx we just saw, but its power will be stuck in your head for days. The scenes in the native village include the upbeat reggae tune "Party Party Party" over and over and over again. That's a catchy one too. The beat is so infectious, we even see the infamous "Cam dance", i.e., Cameron Mitchell dancing.

Bearing a weird resemblance to recent superfilm The Expendables (2010), Rage to Kill is what you would expect of an AIP treatment of this type of material. A fun "beer" film, invite over some friends and Rage it up tonight!

Comeuppance Review by: Ty & Brett