Shogun's Ninja (1980)

Shogun's Ninja (1980)- * * *

Directed by: Noribumi Suzuki

Starring: Sonny Chiba, Hiroyuki Sanada, Asao Koike, and Etsuko Shihomi












Set starting in 1581 and going on, Shogun’s Ninja is the tale of Takamaru (Sanada), a member of the Momochi clan. He returns to his native Japan after a period of time in China, where it seems he spent the majority of his time studying Martial Arts. Once home, Takamaru reunites with his old buddies. 

But far from the peaceful return he had envisioned, he runs up against Hideyoshi (Koike), an evil warlord who wants to wipe out what remains of the Momochi clan so he can arrogantly assume even more power and land. His enforcer Shiranui (Chiba) is going to help make sure that happens. Of course, Hideyoshi also wants a cache of gold belonging to the Momochi clan (gold always comes in cache form, don’t’cha know) and the key to finding where it is lies on cleverly etched daggers. Meanwhile, Takamaru tries to rekindle a romantic relationship with Ai-Lian (Shihomi) - all the while utilizing his pals to fight through all the betrayals and get revenge and restore the Momochi clan. Will he do it? Find out today!

Shogun’s Ninja is an artifact well worth seeking out. It has an impeccable pedigree: produced by Toei, it stars Japanese cinema legends that even we ignorant Americans know and love: Henry Sanada, Sonny Chiba and Tetsuro Tanba. It’s directed by the legendary Noribumi Suzuki, a man with an amazing career in the Japanese film industry, and well-known to exploitation fans stateside for releases like Sex and Fury (1973), Convent of the Sacred Beast (1974) and the disturbing Beautiful Girl Hunter (1979). 

Fascinatingly, Shogun’s Ninja was his next movie after Beautiful Girl Hunter. Not only does that show the diversity and talent of Suzuki, but you can imagine that he would bring his own unique sensibility to whatever project he’s working on. Hence, Shogun’s Ninja is about as far from a dry historical slog or standard ninja slog as you can possibly get. It’s filled with stylish and interesting moments, and not just the violent bits.

And while this is a very well-directed period piece, with top-notch costumes and sets, it doesn’t skimp on the ninja action. It even has one of our favorite ninja things, the underground ninja. Suzuki brings his quirky vision to all aspects of the movie, including the action, so not only is there plenty of spinning, flipping, swordplay, nunchuks, and the like, but there’s some dancing and twirling in there as well. 

There is an interesting credit to watch out for: “Actions directed by Sonny Chiba” - not action. ACTIONS. So maybe he’s responsible for the dance moves. But there is some trapeze-like tightrope walking as well, and even Chiba couldn’t have been responsible for putting it in slow motion with a smooth jazz soundtrack over it. Probably one of the coolest aspects of Shogun’s Ninja is the soundtrack. Now we know that people, starting in the 16th Century, loved jazz funk. It may seem out of sorts, but it’s just so awesome. It’s innovations like this that set this movie apart, and keep Suzuki at the forefront of Japanese directors at this point in time.

Even a movie like this isn’t adverse to having genre mainstays like the Prerequisite Torture sequence and the training sequence. If you liked The Ninja Wars (1982) - a similar movie that also stars Sanada and Chiba - you’re going to want to check this out. 

There’s even a man named “Go Awazu” credited on the movie. He must be a lonely guy. In the U.S., Shogun’s Ninja was released by Media on VHS back in the day. In the DVD era, however, it has shamefully fallen into the clutches of the makers of those one-dollar gas station DVD’s. The movie deserves much, much better. A cleaned-up, widescreen, subtitled, high quality DVD would do wonders for this movie’s reputation. It truly deserves a better treatment than it has gotten. But that being said, if you happen to see it somewhere, pick it up. It’s definitely worth it.

Comeuppance Review by: Brett and Ty

Also check out a write-up from our buddy, 10k Bullets!

Battle Creek Brawl (1980)

Battle Creek Brawl (1980)- * * *

Directed by: Robert Clouse

Starring: Jackie Chan, Michel Quissi, Mako, H.B. Haggerty, Kristine DeBell, and Jose Ferrer 












 Set in the 1930’s, Battle Creek Brawl is the tale of one Jerry Kwan (Jackie), a young man who loves Martial Arts. When the classic gangsters of the day threaten his father’s restaurant, Jerry fights back, finally using his much-practiced skills. Head mobster Dominici (Ferrer) sees his abilities as a fighter and, using strongarm tactics like kidnapping and threats, forces him into participating in the “Battle Creek Brawl”, an event in Texas where the top fighters of the day go at each other in a big free-for-all. While he does have allies like Herbert (Mako) and his girlfriend Nancy (DeBell) on his side, it’s going to take all of Jerry’s tenacity to beat strongmen like Billy Kiss (Haggerty) who is known for his infamous “kiss of death”! Can Jerry do it? Find out today...

Battle Creek Brawl is an interesting spin on the Punchfighting genre. Not only is it set in the 30’s, with all the period garb and cars that would entail, but we also liked the idea of a town-wide Punchfighting event. The aptly-named Battle Creek, as a whole, comes together in the streets to watch the grown men pound on each other. So rather than take place in a dank cellar, it’s out in the open with the whole town watching. We thought that was a nice difference. The “forced to fight” plot we’ve seen many times before, most recently in...well...Forced To Fight (2011), but this came out an amazing 31 years before that, and of course features a young Jackie Chan in the lead, who you can’t help but love.

We’ve always been fans of Jackie, and while this is such an early American movie for him, his English would improve in later years, his humorous/acrobatic/highly enjoyable fighting style is on full display. Because the plot of the gangsters taking over the restaurant is so similar to fellow Golden Harvest production The Return of the Dragon (1972), it could honestly be said that Jackie was taking over the mantle of top Martial Arts star worldwide from Bruce Lee. Jackie’s rigorous training sequences are here as well, something he brought over from Asia. 

Jackie is backed up with some great co-stars: the ever-present fan-favorite Mako is on board, as is the cute Christine DeBell as Jackie’s girlfriend, and a young Larry Drake as well. And of course Jose Ferrer as the main baddie. But who could forget H.B. Haggerty as Billy Kiss? He has a black cape that says “KISS” in huge letters, and his finishing move is to make out with his burly male opponent. How much of that Gene Simmons borrowed from, we’ll never know. But the period setting and the way he looks must have influenced Van Damme for The Quest (1996). JCVD’s final villain looks very similar, and is even played by Michael Qissi! Coincidence?

Another difference between this and the much-later Forced To Fight is that this has clearly identifiable fighters with their own personalities and quirks. The FTF baddies are generic thugs. See that review for a further discussion on how Punchfighting opponents have gotten more generic over the years. 

The Lalo Schifrin music is typically excellent and raises the bar for the movie as a whole. Other highlights include the roller skating scene, and the fact that the crowd chants “Jer-ry! Jer-ry!” many years before Springer. Maybe they’ve been chanting for Jerry Kwan all along. 

In racism news, perhaps no other movie we’ve seen has had characters that say the word “chink” quite as many times, and by as many different characters, as Battle Creek Brawl. Maybe that was the only epithet they had back in the 30’s. It was during the depression and all. But the movie as a whole is lighthearted fun and it’s all done very well and professionally.

Finally after years of awful-quality VHS tapes, a widescreen DVD was released in 2004 by Fox. Pick this up, and get your Jerry Kwan on today.

Comeuppance Review by: Brett and Ty 

Challenge Of The Tiger (1980)

Challenge Of The Tiger (1980)- * * *1\2
AKA: Gymkata Killer

Directed by: Bruce Le

Starring: Bruce Le, Bolo Yeung, and Richard Harrison










When a super-secret new drug hits the market that will kill all the sperm in the male body, bad guys the world over want to get their hands on the formula so they can use it to take over the world. Unluckily for them, two of the best CIA agents in human history are prepared to go to any lengths to stop them: Huang Lung (Le), who, naturally, is a great Martial Arts master, and Richard Cannon (Harrison), who is the ultimate ladies man. 

But he’s going to have to put his rampant womanizing on hold so he can join Lung.  Traveling from Spain to Hong Kong to get justice and prevent the formula from getting into the wrong hands, can this odd couple do it?

We’re big fans of Ninja Strikes Back (1982), which is kind of like a companion film to Challenge of the Tiger, in the sense that they are both Dick Randall productions, both star Bruce Le, and are both clinically insane. 

While we happen to prefer NSB a little more, there’s plenty of pleasure to behold within COTT. You’ve got to love the 80’s, a time when if you weren’t an Asian gentleman with a Johnny Ramone haircut doing Martial Arts moves wearing tight flared jeans and a white sportcoat or Lacoste jacket, you just weren’t cool. By those standards, Bruce Le is the height of awesomeness, doing what he does best, and even co-directing the movie.

And lest we forget Richard Harrison stretching his acting chops as Richard Cannon. At least this movie is relatively coherent as opposed to his Godfrey Ho appearances. As the last word in suavitude, Cannon, inexplicably for a CIA agent, has a compound filled with topless chicks that do activities with him such as play tennis and go swimming. This guy puts Hugh Hefner to shame. Well, even more shame. 

Also in the cast is one Brad Harris, who plays a bodyguard named Leopard. He resembles The Stabilizer’s Peter O’Brian, and has some killer shades. Bolo Yeung is also on board, playing a character named Comrade Ban, but every time he’s addressed in the movie, it sounds like they’re calling him “Conrad Bain”. Wouldn’t Bolo acting as the father on Diff’rent Strokes be amazing? Now that really would be a different stroke. 

Also there’s some seemingly stolen footage of Jack Klugman and Jane Seymour thrown in. Klugman is seen talking to Bruce Le. What could they have been talking about? Even though he didn’t seem to be aware that he was being filmed, Klugman should have had a bigger role in Challenge of the Tiger.

The music is excellent, a winning kind of soul-funk that complements the onscreen action well. There are even unabashed ripoffs of Bobby Bloom’s “Montego Bay” and Isaac Hayes’ “Hung Up On My Baby”. The fact that there was no legal action that we know of is a testament to the freedom of the run-and-gun 80’s. The 80’s were just better than now. They just were. 

Anyone who thinks otherwise is wrong. Exhibit A in our court case: Challenge of the Tiger. (Exhibit B would be all the 80’s slasher movies). Richard Cannon’s lovin’ the ladies would probably be classified as “sex addiction” today. Need we go on?

This movie is just fun, funny enjoyable fun. Repetitive? Yes. Fun? Undoubtedly. Just check out the scene that gives TRUE meaning to the word “Bullfighting”. Seeing as the Mondo Macabro DVD is paired with the legendary Weng Weng vehicle For Your Height Only (1981), there’s no reason not to own this fine disc.

Comeuppance Review by: Ty and Brett

Contraband (1980)

Contraband (1980)- * * *1\2

Directed by: Lucio Fulci

Starring: Fabio Testi, Ivana Monti, Guido Alberti, and Marcel Bozzuffi












Luca Di Angelo (Testi) is a Naples-based cigarette smuggler. He and his smuggling buddies ride their speedboats up and down the Italian waterways to deliver the goods, but it’s never anything really harmful like drugs. Luca has a wife and young son, and doesn’t want to jeopardize their lives.  

Things turn deadly serious when a French drug kingpin, known as The Marsigliese (Bozzuffi) decides he wants to move into the Italian territory, with hard drugs and all. Being a sadistic torturer, he murders, tortures, disfigures or mutilates anyone who gets in his way. When his wife Adele (Monti) is kidnapped, the normally mild-mannered Luca goes on a rampage of revenge the likes of which Naples has never seen.  Will Luca get out alive?

While not, strictly speaking, a Poliziotteschi (because the role of the police is pretty limited and it’s not a procedural), director Fulci has crafted some kind of cross between the crime films prevalent at the time, and the gore films he is most known for these days. It’s all beautifully shot by cinematographer/master Sergio Salvati, and the make-up effects brilliantly done by artist/master Franco Di Girolamo and his team, and the music is stellar as well, done by the great Fabio Frizzi. These men and others help make Contraband a very well-made and entertaining movie. But it’s not for everyone. Anyone who reads this site will surely love it, but the level of violence is definitely over the top - in an awesome way, of course.

You have to transport yourself back to 1980 - while characters are playing Pong and going to the discotheque (while wearing some amazing clothing), they also are being subjected to what had to have been new heights (or depths, depending on your outlook) of blood, guts, and gore. 

Even today with our jaded and experienced eyes, it’s powerful - imagine what they thought back then? There’s other things that presage the oncoming 80’s as well, such as the sax on the soundtrack, a couple of blow-ups and fights, and a kid with the time-honored bowl haircut.

Fabio Testi is charismatic and likable, and he has a truly amazing fur coat at one point. Thankfully, Contraband was made long before political correctness. But besides all that, it’s just a good, solid movie, well-made on all fronts. Fulci was truly a maestro and this is one of the feathers in his cap. He was undoubtedly a man ahead of his time, yet firmly rooted in the traditions of the past. The way he marries the two is an example of his no-rules genius. Look for him in a tiny cameo at the very end of the movie as one of the shooters. 

The Blue Underground DVD is excellent, although it would have been nice to have an Italian track with subtitles, instead of a no-options dubbed version. But that’s a minor quibble, as this fine film is well worth owning.

Contraband is just great. If you haven’t already, we definitely recommend purchasing the DVD.

Comeuppance Review by: Brett and Ty

Also check out a write-up from our buddy, A Hero Never Dies!

The Octagon (1980)

The Octagon (1980)-* *1\2

Directed by: Eric Karson

Starring: Chuck Norris, Karen Carlson, Ernie Hudson, Richard Norton, Mike Norris, Gerald Okamura, Tadashi Yamashita,  John Barrett, John Fujioka, and Lee Van Cleef










Scott James (Chuck) is a man who looks spiffy on the outside (he wears a pretty sweet tuxedo) but seems to have a lot of turmoil on the inside. Not only is he constantly flashing back to his childhood and his initial Martial Arts training (the young Scott is played by Mike Norris), but the voices in his head are overpowering and seem to tell him important things. All this is going to come in handy when Scott James faces off against perhaps the ultimate foe: terrorist ninjas. Yes, terrorist ninjas. 

While protecting a woman named Justine (Carlson) from said TerNin’s - which he does with the help of mentor McCarn (Van Cleef) - he realizes the true depth of what he’s up against. The nefarious group trains in an octagon-shaped facility, and their organization is named...The Octagon. Will Scott James triumph over these squares? Find out today!

While The Octagon contains no cage fighting, or Punchfighting of any kind, it is in fact a reasonable Chuck movie. It’s not bad, but it’s not great either. By today’s standards, the pace might be too slow for some viewers, and at 104 minutes it’s certainly on the long side. But what else would you expect from director Karson, who later was responsible for Van Damme dud Black Eagle (1988)? But the cast perhaps makes up for it. Besides the aforementioned Norrises, and of course the legendary Lee Van Cleef, we have Tadashi Yamashita of Sword of Heaven (1985) fame, whose hair steals his own performance out from under him. 

The great Gerald Okamura has a brief role as a member of The Octagon, as does John Fujioka, and John Barrett does stunts as well as a small role. There’s even a young Ernie Hudson on board as a fighter. As is usual for a Chuck movie, Aaron Norris was stunt coordinator, and besides doing stunts, Richard Norton has a nice appearance as a baddie who gets in a fight with Chuck.

Norton’s hair and mustache combo look awesome, and his blonde bowl haircut is so bright, it actually lights an entire dark scene all on its own. But back to Chuck, this movie definitely belongs to the era in his acting career where his performances were noticeably, obviously wooden. Or, WoodChuck for short. But beyond the fact that this is a WoodChuck movie, at least you can hear his thoughts, which is enlightening. There’s a passing mention that Scott James was a Vietnam vet, and the baddies’ training camp is seems like a dry run for the later American Ninja (1985) - which would also reunite Norton, Yamashita and Fujioka.

The Octagon is competently-made early-80’s Chuck, but better was yet to come.

Comeuppance Review by: Brett and Ty

The Exterminator (1980)

The Exterminator (1980)-* * * *

Directed by: James Glickenhaus

Starring: Robert Ginty, Steve James, Dennis Boutsikaris, Christopher George,  Ned Eisenberg, David Lipman and Samantha Eggar












 Best friends John Eastland (Ginty) and Michael Jefferson (James) survived the horrors of the Vietnam war together. Michael even saved John’s life. After the war, both men work at a packing plant in New York City’s South Bronx. One day, Michael is assaulted and put in the hospital by a gang called The Ghetto Ghouls. Eastland then begins his quest for revenge in the seediest parts of the city - and in his attempt to clean up the streets he becomes vigilante hero The Exterminator. 

Everyone from street punks to child molesters to upper-class mobsters become the target of The Exterminator’s retribution. He becomes so effective, he attracts the attention of Detective James Dalton (George), a man who wants to find and stop him. Even the CIA is interested in stopping Eastland. Will they catch him - or will Eastland live to flamethrow another day?

Yes! We here at Comeuppance Reviews HQ LOVE The Exterminator. As you can tell from the name of our site, we have a special fondness for revenge movies, and they don’t come much better than this. Movies of this type, from this place and time have a special fascination, and The Exterminator does not disappoint one iota. Everything from its killer opening set in Vietnam all the way through to the end, this movie delivers the goods in spades.

James Glickenhaus is a quality filmmaker, and we’re fans of his work. We also recommend The Soldier (1982) and Shakedown (1988), but this is the money movie. There’s more sensitivity and intelligence behind The Exterminator than most people give it credit for. There are subtle comments about Vietnam vets and their treatment once they came home, and the shoddy Jimmy Carter presidency if you care to look for them. Plotwise there is plenty of subtext and parallels - all of which add to the texture and interest of this fine film. 

It’s rare that a movie can entertain and please an audience on an intellectual and a visceral level. But The Exterminator achieves this rare feat. While the movie does have elements from Taxi Driver (1976) and Death Wish (1974), Glickenhaus brings this style into the gritty 80’s, with fantastic results. 

According to the DVD commentary, he shuts down critics that wrote off this movie as a Death Wish knockoff by saying he didn’t see Death Wish before filming. Glickenhaus has plenty of other interesting comments, such as when he says that Joseph Bottoms, brother of Timothy, almost played Eastland, or when he says he imagines First Blood (1982) as the ideal continuation of the Eastland story, not so much Exterminator 2 (1984).

Speaking of the DVD, Synapse knocks it out of the park with its excellent DVD/Blu-Ray combo pack. While I’d seen the film before on VHS, it was like I was watching it for the first time here. It looks amazing and you have to go on Amazon and buy this right now.

Being fans of stunts and stuntmen, we appreciated how in the end credits, it showed specifically which stuntman did what stunt. You don’t see that very often. As for the more recognizable stars, it’s great to see two fan favorites, Robert Ginty and Steve James together. 

They have great chemistry and really seem like friends. The Christopher George-Samantha Eggar plot is interesting because it slyly implies that Dalton is not exactly rushing to stop Eastland, he’s doing it rather leisurely because he secretly approves of  what he’s doing, but he has to keep up appearances. There’s actually a lot of sly moments, such as the use of the song “Disco Inferno” by the Trammps, among others. Anyone who watches Law & Order will recognize Dennis Boutsikaris and Ned Eisenberg who often play lawyers, as well as David Lipman, who often plays a judge on the show.

In the 42nd street scenes you can see the famous Lyric theater, where Glickenhaus says The Exterminator played to sold-out houses for 24 hours at a stretch. The Lyric is also featured in Shakedown, where the movie marquee is showing The Soldier, and The Exterminator. 

So Glickenhaus has some history there. We love seeing 42nd street and the movie marquees of the time, and you can see theaters playing Beyond The Door (1974), Cauldron Of Death (1973), and the O.J. Simpson vehicle Firepower (1979). It truly was a time when O.J. Simpson was simply an athlete/actor, and the World Trade Center was still standing in all its glory. There’s a gigantic nostalgia factor at work here, and it just shows we need The Exterminator now more than ever.

The Exterminator simply rocks and is a must-see. Go Eastland!

Comeuppance Review by: Brett and Ty

Also check out reviews by our buddies, Tars Tarkas and The Video Vacuum!

Dragon and The Cobra (1980)

 Dragon and The Cobra (1980)-*

AKA: Fist Of Fear, Touch Of Death

Directed by: Matthew Mallinson

Starring: Fred Williamson, Bruce Lee, Ron Van Clief, Bill Louie, and Adolph Caesar











A big fighting tournament is taking place at Madison Square Garden. Many fighters are showing off their various skills. Why is this going on, you ask? It’s because everyone is trying to find the “possible successor to Bruce Lee”. Not the actual successor, the POSSIBLE successor. The event is MC’d by a man with a name that has interesting historical connotations, Adolph Caesar. In the audience for no particular reason (though we’re happy he’s on board) is Fred Williamson. As the fights in the ring go on, we’re treated to a variety of clips from a myriad of different sources, trying to recreate the life of Bruce Lee, and people that knew him talking about him (and, not so subtly, talking TO him using horrendous editing). Is this film a crass cash-in exploiting the greatness of Bruce Lee and insulting his memory for a quick buck? Find out today!

This movie is a crass cash-in exploiting the greatness of Bruce Lee and insulting his memory for a quick buck. Hopefully this saves you some time. Now, this isn’t really a movie per se, as it’s not linear, and is cobbled together footage from a patchwork of sources, with a few new bits filmed to try to glue it all together. All the old footage, which appears to have been re-dubbed, is boring and painful to sit through. The newly-filmed footage isn’t without some merits, however flimsy...

There are some cool NYC locations of the day which we always love seeing, and we even see some movie marquees that are playing Apocalypse Now (1979), Animal House (1978) and 10 (1979). Fred Williamson brings his charisma but he’s obviously confused as to why he’s there so he’s on autopilot. But even The Hammer on autopilot is more entertaining than most actors. There seems to be an inexplicable running gag where people keep thinking he’s Harry Belafonte. Why this is, no one can say. A funky score also underlines these scenes.

But women jogging in the park and being accosted by street toughs and then being saved by one of Bruce’s pretenders to the throne seems to be the sole bit of creative thought put into this trainwreck of a movie. Bill Louie plays “Kato #2”. That’s right, a guy dressed as Bruce’s character, with the name “Kato #2”. As mind-numbingly stupid as that is, Louie gets a pass because he was in one of our favorite movies, the awesome Death Promise (1977). So all is forgiven. In these “saving the joggers” scenes, Ron Van Clief actually shines as well. You gotta love that winning smile. But though this movie technically (by default) has Bruce Lee, Fred Williamson and Ron Van Clief, they’ve got some stiff competition in Fred the Flying Fat Man.

Ah, Fred the Flying Fat Man. He had such dreams. We’d love to be privy to his thoughts. How a morbidly obese vagrant with sleep apnea and diabetes could think he could genuinely become the new Bruce Lee is beyond comprehension. Yes, this is real. If anyone out there has any information on said Flying Fat Man, do leave a comment today.

But the big question here (especially when characters are talking to stills and spliced-together footage) is: WHO DID THEY THINK THEY WERE FOOLING? True Bruce fans aren’t going to accept this tripe. Casual moviegoers won’t care. So what was the audience here?

Naturally, the Fred Williamson stuff is the best here, and after suffering through the footage of Bruce’s “biography”, we were screaming for Adolph Caesar and his famous voice to come back and save us all.

So while there are a few decent moments in this plotless exercise, most of it is an endurance test that would test hardened bad movie lovers. If only they made an entirely new movie with Williamson, Van Clief and Louie, then we’d have something here. As it stands now, we really don’t.

Comeuppance Review by: Brett and Ty

Also check out a review by our buddy, The Video Vacuum!

Supersonic Man (1980)

Supersonic Man (1980)-* * *1\2

Directed by: Juan Piquer Simon

Starring: Jose Louis Ayesteran, Antonio Cantafora, Diana Polakov, Jose Caffarel, and Cameron Mitchell





"What kind of Tomfoolery is this?"








Supersonic Man (Ayesteran) has been sent from his home planet somewhere far away in space to save Earth. A sinister baddie, Dr. Gulik (Mitchell), is developing a weapon that could destroy the planet. To help him, Gulik kidnaps scientist Dr. Morgan (Caffarel) but Morgan refuses to cooperate, and they get into philosophical discussions of the nature of good and evil. Meanwhile, Morgan’s daughter Patricia (Polakov) gets into a relationship with Paul (Cantafora)...but who is Paul really? Throughout many travails - from goons with ray guns to a very slow-moving, flamethrowing robot, only one man can properly save the day...SUPERSONIC MAN!

Being fans of director Simon, based on his Pieces (1982) and Slugs (1988), as well as being dedicated Cam Mitchell fans, we were excited when we came across a VHS copy (on the under-appreciated Star Classics label) of Supersonic Man at our local Goodwill store. We were not disappointed, as Supersonic Man is a hilarious treat of a movie. We feel sorry for anyone who cannot appreciate unintended genius like this. Obviously this is “inspired” by the 1978 Superman movie - everything from the main theme of the soundtrack, to the very humorous “flying” scenes, to the relationship aspect - but without even a fraction of the budget of that Hollywood picture. But lack of funds didn’t stop Simon, as this wildly wacky adventure proves.

As for the aforementioned fan favorite, Cam Mitchell, he wears a killer bad-guy outfit as he takes on the role best described as a Mr. Big, Dr. Evil, or Dr. Claw-type of villain. Unfortunately, it doesn’t seem to be Cam’s own voice in the dubbing. But in the back-and-forth between Cam’s character, Gulik, and the scientist, Morgan, Gulik continually calls him “old man” and makes cracks about his age. This is quite funny because it’s not like Cam is some young punk teenager. He’s likely older than the other guy! And that barely scratches the surface of the utter absurdity of Supersonic Man.

There’s also a bit of Star Wars (1977), as Supersonic Man must say the phrase “may the force of the galaxy be with me” in order to activate his powers. Plus, in the movie, he’s simply “Supersonic”, no “Man”. There’s even some pre-politically correct humor involving the town drunk. We can’t possibly go through all the wonderfully silly moments, you’ll just have to experience this gem of comic-booky, childish fun for yourself. You’ll more than likely have a blast watching this movie with your friends.

Also check our buddy John Baxter's review at Knifed In Venice! 

Comeuppance Review by: Ty and Brett

Stunt Rock (1980)

Stunt Rock (1980)-* * * *

Directed by: Brian Trenchard-Smith

Starring: Grant Page, Monique van de Ven, Phil Hartman, and the band Sorcery



"Death Wish At 120 Decibels!"








Grant Page is our personal hero. An Australian stuntman known for his unbelievably dangerous stunt work, here he gets his own movie so he can display his charm to the audience as well. Director Brian Trenchard-Smith fashioned an innovative cross between a documentary, a fictional film and a concert film, and its ahead-of-its-time (even today) nature ensures pure entertainment that will appeal to any generation.  What’s so cool about Stunt Rock, besides the stunts and music, is that the filmmakers were smart enough not to weigh it down with an involved plot. There’s really no time for that, it has to be packed full with stunts and the music of the L.A. rock band Sorcery.

What happens is, Grant comes to Los Angeles to work on a new TV show starring Monique van de Ven, called Undercover Girl. Interestingly, her smarmy agent is played by Richard Blackburn, the director of the great Lemora: A Child’s Tale of the Supernatural (1973). The director of the show is played by Ron Raley, whose student film at UCLA was photographed by none other than Jim Morrison of The Doors fame when Morrison, Raley and Blackburn were at UCLA film school together. A very early appearance by Phil Hartman as the assistant director passes in a flash. Anyway, Grant ends up in a relationship with a magazine reporter (Margaret Gerard, wife of Trenchard-Smith) who is doing an article on stunt men. Meanwhile, Grant’s cousin is in the stage show for Sorcery, who re-enact cosmic battles between good and evil featuring wizards and demons while the band crank out their rockin’ tunes.

 This hugely entertaining film is just too awesome for words. The great Trenchard-Smith blasted out a tour-de-force of music and action - a majority of the movie is footage of Page’s death-defying stunts while Sorcery music blares on the soundtrack. Page’s insane, awe-inspiring work is so eye-popping, Trenchard-Smith puts it on split screens because one screen just isn’t enough!

The movie also has plenty of humor, as evidenced by the masked keyboard player with the funny voice (Doug Loch). Pure fun, the simplicity of the execution, married with the powerful combination of the music and the action, guarantees Stunt Rock the status of cinematic masterpiece. Trenchard-Smith described this gem as “a love letter to stuntmen in general and Grant Page in particular”, and that love comes through in spades, and the overall upbeat, positive vibe is totally winning.

Much of that has to do with the presence, music and magic tricks of Sorcery. If the filmmakers had gone with Foreigner or Van Halen (two other potential choices), it just would not have been the same, and Stunt Rock would have been an entirely different experience.

If you don’t like Stunt Rock, please seek psychiatric help immediately. You are a danger to the community.

NOTE: A lot of the information in this review came from the excellent Code Red 2-DVD set. Buy it right now.

Comeuppance Review by: Ty and Brett

Revenge Of The Bushido Blade (1980)

Revenge Of The Bushido Blade (1980)-* *1\2

AKA: The Last Reunion, Ninja Nightmare

Directed by: Jay Wertz

Starring: Leo Fong, Hal Bokar, Cameron Mitchell, Phillip Baker Hall, Stack Pierce, and Joe Mari Avellana













During the Japanese occupation of the Philippines in 1945 (starting exactly like previous Fong vehicle Murder in the Orient, 1974), a group of American soldiers invade the home of Japanese general Matsuda. The soldiers proceed to rape and murder his wife, and eventually kill him as well. A massacre ensues. Sadly, their young son witnessed all the horror. Then we are told it is March 27, 1978 in San Francisco. The boy from that terrible day in the forties is now a grown man, and he has been obsessed with getting revenge on the soldiers that did this to his mom and dad. He has plenty of haunting memories from that time. When Matsuda (Fong) sees that the 33rd reunion of the 75th Rangers is occurring in Manila, Matsuda goes as well, where he attempts to pick the soldiers off one by one who killed his family, making it, for them, The Last Reunion.

The Last Reunion, as it was originally and perhaps more appropriately known (but undoubtedly retitled because it was not exploitative enough), is a fairly serious drive-in style drama, but with a structure not unlike a slasher film. A lone man is picking people off one by one, yes, but here the characters and scenarios have a little more substance and flesh to them than usual.

Among the group of soldiers, the mainstay Cameron Mitchell portrays Lt. Sam Hacker, the most sympathetic of the bunch. As we will see later in Rage to Kill (1987), he gets a chance to dance. The other sympathetic soldier is Frank Washington, played by Stack Pierce. They primarily have to deal with the belligerent, angry, annoying and unlikable Steadman (Bokar). Bokar does a great job because you hate him so much. Famous, respected actor Philip Baker Hall shows up as Sills, the guilt-ridden alcoholic in a pretty early, mustachioed role. In fact, all the men seem to want to do is get hammered, but Matsuda puts a serious wrinkle in their plans.

I know it's an oversimplification, but one thing I personally found distasteful in this film was that the bad guys are American Soldiers. They are portrayed not as heroes, but as amoral rapists and murderers. Not cool. Even after their atrocity, one of the soldiers says "Sorry, Kid", as if they ran over his bike with their car or something. But on a much, much lighter note, when Matsuda decides he is going to get revenge (and later as well, during the "film set" scene), rather than say something that explains his feelings, or explains something, he simply screams "Bushidoooooooo!!! Bushidooooooo!!!!" Man that's funny. You have to see it. Fong really comes alive.

A highlight of the movie are its many musical acts, especially an outfit called the D'Hi Octave Band. They are a Filipino, female-fronted disco act that has matching outfits. They even play at a club called "Disco". Their scene is a film highlight, and fits in perfectly with the seventies feel of the movie.

By today's standards a bit slow, Revenge of the Bushido Blade is a quality production of its kind that is well worth watching.

Comeuppance Review by Brett and Ty