Circle Of Fear (1992)

 

Circle Of Fear (1992)- * * *

 Directed by: Clark Henderson 

Starring: Patrick Dollaghan, Wesley Pfenning, Joey Aresco, Joe Mari Avellana, Marilyn Bautista, Paul Holmes, Candy Courtier, and Vernon Wells 

Tom Price (Dollaghan) is a certified toughguy who apparently used to work as an enforcer for the mob. After surviving all the chaos that occurred at the end of the Vietnam War, all he wants to do now is shirtlessly lounge around at his Newport Beach, California home. But he's forced to go rogue when he travels to the Philippines to investigate the death of his brother Charlie (Holmes), which, obviously, happened under very shady circumstances.


On top of that, Charlie's daughter Jocelyn (Courtier) has been kidnapped by drug-dealing thugs. The Mr. Big at the top of this ladder of criminality is Allan Bainbridge (Wells), and his number two is the gangster Joey Conti (Aresco). As Tom Price powers through Manila, taking down Bainbridge's illicit businesses and dodging their baddies as he gets closer and closer to the truth, they get more and more angry. Price also runs into underworld characters such as Miyamoto (Avellana) and Elena (Bautista) - but will Tom Price ever escape this CIRCLE OF FEAR?


Patrick Dollaghan - at least here in his role as Tom Price - looks like he could be Michael Douglas's brother. I mean, he really looks like he could be a member of the Douglas family. He also has some Asher Brauner-esque qualities. Oddly enough, he resembles his Circle of Fear co-star Vernon G. Wells, so when they're on screen together it's almost impossible to tell who's who. It's a bit like Harris Yulin and Art Garfunkel in Short Fuse (1986), or David "Shark" Fralick and Frank Zagarino in Project Eliminator (1991). 

Thankfully, Dollaghan and Wells have distinctive voices. If Dollaghan didn't have that Douglas-esque rasp that sounds like at any moment he's going to say, "Greed is good", and Wells didn't have his Australian accent, it would be terribly confusing for the viewers.


Circle of Fear is a step above - but very similar to - the type of actioners Cirio Santiago was pumping out at the time. It's filled with many absurd and very entertaining action sequences, and the music by Jeff Mar keeps things rolling along. A lot of cues don't exactly match the action, but that's part of the fun.

Dollaghan, with his classy mullet and "I'm a long-lost Douglas brother" ways manages to carry the movie and keep eyeballs on the screen. One minute he's fighting Hector the punk (who wears a Beethoven jacket, has an orange mohawk, and carries a boombox next to his ear blasting hip-hop), and the next minute he's at a cockfight, the venue for which has at least three tiers of seating. They must have been very popular.

While it seems that no one really mentions Circle of Fear - apparently it's an undiscovered gem - it had a major studio release on VHS by MGM. It has one of those great, overblown plot descriptions on the back of the box, even saying that it features "mind-bending plot twists". Hmmm...well, we'll let you experience that for yourself, but you should see Circle of Fear. It's a lot of fun.

The official release year for the film is 1992. While watching it, we noticed that it seemed very 80's and we were not surprised to see a copyright date of 1988 after the end credits. That would also explain the Smash Hits-style pictures of Pet Shop Boys and Cyndi Lauper on Jocelyn’s walls. 1988 is the year director Clark Henderson directed Saigon Commandos, so maybe there's a rights issue at play here? Nevertheless, it appears Circle of Fear, despite its studio backing, didn't get a very wide release into video stores at the time.


Besides the Jeff Mar soundtrack, there are many very catchy songs included as well, each seemingly more catchy than the last. Our two favorites were "Can't Get Away" by Kristina Nichols and "One Step Closer" by Billy Martin. The former is very much in the mold of the theme song for Silk (1986), so what's not to love there?

In the end, we do recommend Circle of Fear. It delivers the goods on the 80's action front and there are plenty of positives on display. Seek it out if you can.

Comeuppance Review by: Brett and Ty

Wheels Of Fire (1985)

Wheels Of Fire (1985)- * * *

Directed by: Cirio H. Santiago

Starring: Gary Watkins, Lynda Wiesmeier, Joe Mari Avellana, Steve Parvin, Laura Banks, Linda Grovenor, and Jack S. Daniels

In, you guessed it, a post-apocalyptic future, a man named Max…er, sorry, I mean Trace (Watkins) drives around in a souped-up car that drives fast. His sister Arlie (Wiesmeier, not to be confused with noted Army man-turned-actor R. Lee Ermey) is in a relationship with Scott Baio lookalike Bo (Parvin), and there’s not much to do for entertainment except watch tournament fights to the death and drive around aimlessly.

All that changes when Arlie is kidnapped by baddies Scourge (Avellana) and Scag (Daniels). Now with a renewed sense of purpose and a mission to carry out, Trace travels the badlands meeting and/or fighting both human and Morlock alike in his quest to rescue Arlie. Along the way he picks up some allies in the form of warrior woman Stinger (Banks) and more subdued woman Spike (Grovenor) but truly Trace’s best weapons are his flamethrower and his stellar jumping abilities. Best notify your next of kin, as this WHEELS OF FIRE shall contain things that explode!

The fact that Mad Max came out in 1979 was fortuitous for low-budget movie producers. The burgeoning home video market was just about to really take over and become ubiquitous. That gave filmmakers a few years to produce countless knockoffs, rip-offs, clones, and carbon copies. Of course, they range in quality. Some are good, others are mediocre, and some are just bad, like any other kind of movie. Thankfully, Wheels of Fire (AKA Desert Warrior, AKA Vindicator, not to be confused with the Canadian Vindicator that came out the following year) is one of the better ones. It’s still very hard to top the Italian ones, but our old buddy Cirio comes darn close.

Wheels of Fire is well-shot, with really good use made of the Philippine locations. Of course, it delivers everything else you expect of post-ap’s, including shooting, blow-ups, car chases, fights, rampant nudity, amusing dialogue, and cars with crazy crap glued to them. The fact that Trace’s main weapon is a flamethrower is also pretty cool and different. Sure, it’s all fairly brainless, but what did you expect? At least it’s from the 80’s and it’s all pretty redolent of that golden, magical time. 

This also completes our Jack S. Daniels collection. Upon the viewing of this movie, we’ve officially seen and reviewed all five of the films he’s appeared in. He’s a charismatic guy who is fun to watch on screen. He’s one of our favorite character actors, and he should have been in more stuff, but we’re happy with what he did do. 

As for our main star, Gary Watkins, he should have done more as well; he had a lot of potential as an action star but the market was pretty flooded at that time. Even though the filmmakers – from his clothing to his hair – tried to make him look like Mel Gibson, he still managed to put his own stamp on things.

While Cirio went back to the post-apocalyptic well with Dune Warriors (1990), Raiders of the Sun (1992) – which starred Richard Norton but contains footage from Wheels of Fire (including Jack S. Daniels and Henry Strzalkowski footage, among other Philippines-set movie regulars that was ported over into the new, interpolated material) – and a supposed abomination called Water Wars (2014), Cirio’s last credited work which Jim Wynorski took over and contains footage from all three of the above-mentioned post-ap’s, best to stick with Cirio’s first and best of the three, Wheels of Fire. 

While there isn’t a ton of substance on show here, on balance Wheels of Fire is not bad and is pretty entertaining. It retains that “VHS vibe” and manages to be a better and more worthwhile watch than a lot of its post-apocalyptic competitors.

Comeuppance Review by: Brett and Ty

Bloodfist 2050 (2005)

Bloodfist 2050 (2005)- *

Directed by: Cirio H. Santiago

Starring: Matt Mullins, Glen Meadows, Beverly Lynn, and Joe Mari Avellana

Plot: See Dragon Fire (1993). Or, better yet, see Bloodfist (1989).


Okay, okay, we won’t be as lazy as Roger Corman and we’ll do our job. Sometime in 2050, Los Angeles is still a hellhole. (It was a hellhole in 2032 in Dragon Fire). Alex Danko (Mullins) travels to L.A. to get to the truth about his murdered brother. In order to get closer to the underground Punchfighting circuit where his brother fought, he gets a trainer and begins fighting in “The Pit” himself. After many bouts, which honestly don’t have much to do with his slain brother, he finally figures out the nefarious plan. But will it be too late?

Despite what you might, understandably, be thinking, this is not the 2,050th sequel to Bloodfist. It’s only the ninth installment in the series. Noticeably, the great Don “The Dragon” Wilson is nowhere in sight. Perhaps he cottoned on to the fact that this is as junky as all get-out and has a downmarket and cheap look to it.

It all opens with some stock footage from Dune Warriors (1990) and there is some attempt at marrying this with the 2005-shot footage. Some of it looks sped-up, as do some of the fight scenes. It’s also highly likely that there are repeated and/or stock shots of crowds as they cheer on the fighters. Edited in to all of this are the Corman specialty, stripping scenes. Between the stock footage, recycled footage, sped-up footage, and stripping footage – and keep in mind this movie is (mercifully) only about 75 minutes, we as viewers aren’t left with a whole heck of a lot.

Plotwise, Bloodfist 2050 is the same movie as Dragon Fire. It is a lower-rent version of Dragon Fire. Think about that for a second. When you’re a lower-rent version of Dragon Fire, there is a definite problem. Yes, it’s post-apocalyptic for no discernible reason. Yes, it’s a Punchfighter. Yes, all the exact same plot points are covered. But the question is: why? Instead of Dominick LaBanca, now we have Matt Mullins in the lead role. It’s clear he can do Martial Arts – but the attempt to do Hong Kong-style heavily choreographed, heavily stylized, fast fight scenes come off as humorous because they’re unnecessarily acrobatic for the cheapjack overall vibe.

Also, Mullins looks like a skinnier Freddie Prinze, Jr. but with Obama-styled ears. To make matters worse, his buddy in the movie, Randy (Meadows) looks exactly like him. At least the buddy role in Dragon Fire was filled by a dude who looked nothing like the main dude. Here they’re practically twins. Philippines movie mainstay Joe Mari Avellana did his best as the ring announcer and he resembles Johnny Depp here, strangely enough. The elderly assistant from Dragon Fire is nowhere to be seen. Just another example of how Dragon Fire is better (we never thought we would ever say that…)

Honestly, this is not Cirio’s finest hour. He let us off the hook somewhat because the movie is so short, but the whole outing is amazingly dumb and unnecessary. Does Corman think so little of us as viewers that he can just regurgitate the same movie again and again, and we’ll just consume this stuff and thank him for it? It would have been nice if we, the loyal viewers of this type of material, were given a little more credit. But, oh well, they can’t all be Stick Fighter (1994), I suppose. 

Bloodfist 2050 is a stain on the series as a whole, and only worthy if you are a completist of Punchfighters, a completist of the Bloodfist series, or you want to watch something short that’s so dumb it’s almost funny. Or you want to do an A-B comparison with Dragon Fire. Otherwise, it’s probably best to avoid this one, which shouldn’t be too tough.

Comeuppance Review by: Brett and Ty 

Fighting Mad (1978)

Fighting Mad (1978)- * * * 

AKA: Death Force

Directed by: Cirio H. Santiago

Starring: James Iglehart, Carmen Argenziano, Joe Mari Avellana, Joonee Gamboa,  Jayne Kennedy, and Leon Isaac Kennedy










Doug Russell (Iglehart), McGee (Kennedy), and Morelli (Argenziano) are Vietnam buddies. They’re on a boat headed home after finally completing their service - and stealing a cache of gold. The duplicitous McGee and Morelli stab Russell and throw him overboard. Instead of dying in a watery grave, he washes up on a remote island inhabited by two Japanese soldiers (played by Gamboa and Avellana) who have been living there since World War II. 

The two soldiers nurse Russell back to health, and also train him in Japanese Karate and swordsmanship. When he finally makes it back home to L.A., he has a new set of skills to use on his attackers. And he’s going to need them, because McGee is attempting to move in on Russell’s wife, Maria (Jayne Kennedy). 

All Russell wants to do is reunite with his wife and young son, but McGee and Morelli are making it hard for him, as while he was stranded on the island, the two men moved up in the L.A. underworld. Now they control many things, including the club scene, where they have Maria, a singer, blacklisted from performing. That’s clearly the last straw, and Doug Russell becomes FIGHTING MAD!

Hard to believe, but this is the twentieth Cirio movie we’ve seen. So we’re pretty familiar with his style, and Fighting Mad stands as a solid, snappy entry in his canon. It seems to have a faster pace than some of his other works, and the editing style reinforces that, with no scene ever going on too long. The parallel plotlines of Russell on the island doing his extensive training/what’s going on at the home front, and eventually the two coming together, made for entertaining viewing. 

There’s some nice humor to leaven things out, and plenty of 70’s style that is extremely visually appealing. Soft focus Jayne Kennedy mixed with giant, boatlike cars reinforce this feeling. As does the scene where Kennedy walks by the famous Rainbow club, and we see that Savoy Brown is playing with Baby, with Man performing a week later. Born Losers (1967) is on a cinema marquee, Fonzie is on the cover of People magazine, and haircuts were only 2 dollars. What a time.

Leon Isaac Kennedy (not to be confused with Lawrence Hilton Jacobs or Philip Michael Thomas) plays a good charismatic slickster, and how could you not love his great outfits? Iglehart also shines, along with his non-Japanese compatriots, in the Hell In the Pacific (1968)-inspired plotline. 

The scene in the barbershop is also a movie highlight, and all his sword work does indeed pay off later, with multiple “fan favorite deaths” following his training. They do indeed get some classic comeuppance! The final showdown between Kennedy and Iglehart features another favorite cliche, the “talking baddie”, who continuously says the hero’s name as he’s trying to bait him to fight. So Fighting Mad contains enough elements in its 90 or so minutes to certainly entertain.

A great example of Drive-In action, we can definitely recommend Fighting Mad.

Comeuppance Review by: Brett and Ty

Also check out a write-up from our buddy, The Video Vacuum!

Firecracker (1981)

Firecracker (1981)- * * *1\2

Directed by: Cirio H. Santiago

Starring: Jillian Kesner, Darby Hinton, Joe Mari Avellana, Ken Metcalfe, and Vic Diaz









Susanne Carter (Kesner) is a beautiful female Martial Arts instructor (we’re informed multiple times that she’s a sixth-degree black belt) who travels alone to the Philippines in search of her missing sister. While on her quest, she runs afoul of a man named Chuck (Hinton) who not only fights in Karate tournaments himself, but is also involved in a variety of illegal doings with a man named Grip (Diaz). 

While Susanne has to navigate this treacherous world, she also finds time to enhance her Martial Arts studies, learning the Philippine art of stick fighting, known as Arnis - they even made a whole movie about it called Sticks of Death (1986). Will Susanne’s beauty and brawn combination lead her to find her sister and win the day? Find out today!

Jillian Kesner, of Operation Cobra (1997) fame was an ideal choice for the heroine of Firecracker: she’s attractive, athletic, and was not only game for the many fight scenes, but also the Cirio standby of  the nearly-nude girl fighting multiple attackers. It’s one of the standout scenes in the movie, as it would be again in the future for Silk 2 (1989) and Angelfist (1993). 

Firecracker is classic Cirio. It has a thin plot about a woman trying to find her missing sister, there are plenty of shots of the beautiful Philippine countryside and other local cultural things, plenty of fight scenes, and a lot of 70’s.early 80’s fashions on display. Plus at an audience-considerate 77 minutes, it never overstays its welcome.

Darby Hinton, who plays Chuck (did they try to get Chuck Norris for this role, fail to do so, then hope nobody would notice?) steals the (fashion) show with his multiple stylish outfits, not to mention his resemblance to basketball great Larry Bird. But it was a different time - a time when audiences would dress up nicely and go to a supper club to watch Martial Arts displays while they eat dinner by candlelight. 

A time when seemingly-random barfights could break out at a moment’s notice, a time when Jillian Kesner could step in and save us all with her newly-acquired Arnis skills. Has the world really gotten better since then? Clearly not.

With contributions by Philippine film legends Vic Diaz and Joe Mari Avellana, and a very cool main musical theme by Nonong Buencamino, Firecracker is an enjoyable gem that mixes two hot genres of the day: Martial Arts and exploitation. Now that it’s on DVD with the three-movie “Lethal Ladies” collection, there’s really no excuse not to check it out.

Comeuppance Review by: Ty and Brett

Also check out write-ups from our buddies, The Video Vacuum and The Action Elite! 

Demonstone (1990)

Demonstone (1990)- * * *

AKA: Deathstone

Directed by: Andrew Prowse

Starring: R. Lee Ermey, Jan-Michael Vincent, Nancy Everhard, Joonee Gamboa, Joe Mari Avellana, and Pat Skipper











Col. Joe Haines (Ermey) and Andy Buck (Jan-Michael Vincent, who we call JMV) are Marines going around Manila trying to get to the bottom of a mysterious series of murders. The authorities are blaming one of their fellow Marines, Tony McKee (Skipper), but Haines and Buck aren’t so sure. Soon, reporter Sharon Gale (Everhard) is involved in unraveling the puzzling case. 

Meanwhile there is civil unrest with plenty of protesters objecting to the American presence in their country. A local senator and baddie with the less-than-frightening name of Belfardo (Gamboa) is trying to manipulate things for his own ends - and what of the ancient curse of the Demonstone? Could that be the cause of all the misery? Find out if you dare...

You might be thinking right now, “Demonstone? Isn’t that a horror movie?” - and that is reasonable enough to think, but Demonstone is actually an action movie. Granted, there are some horror elements and the whole thing plays out like a cross between Saigon Commandos (1988) and Soultaker (1990) with a bit of Braddock: Missing In Action III (1988) thrown in for good measure. There’s the prerequisite barfight and constant machine gun shooting. 

But JMV and R. Lee Ermey make a great team. While JMV’s dialogue seems a bit slurry this time around, his own hair picks up the slack. It looks cool, and gets progressively cooler in every scene. Truth be told, both his and Everhard’s hair look exactly the same. You wouldn’t be able to tell them apart if you saw them from the upper forehead up.

As for Ermey, he plays a...wait for it...tough-talking Marine Colonel! Hey, better to be typecast than not cast at all. We’re actually big Ermey fans, and he does a great job. He’s as intimidating as usual here, until a shot of him walking with JMV reveals him wearing some highly ridiculous shorts. Then we felt less intimidated. 

Interestingly, the great Brian Trenchard-Smith is credited as a producer on Demonstone, and he featured Ermey prominently in the previous year’s The Siege of Firebase Gloria (1989). Perhaps he was so impressed with him, he opted to use him again in this project. The editor on ‘Firebase was director Prowse, who also directed Driving Force (1989). While Prowse did a good job, we can’t help but wonder what the result would have been if Trenchard-Smith (who is one of our favorites) was in the director’s chair.

We appreciated that the movie was shot in - and also took place in - the Philippines. They didn’t try to pretend it was somewhere else. And actors like Gamboa and Avellana that we often see help liven things up. 

Surprisingly, Vic Diaz was not around for this one. In some of the protesting scenes, there are signs that say “Yankee Go Home”, among others with questionable English. You gotta love it. Maybe whoever wrote the signs also wrote the script, because there is plenty of funny dialogue on display, which actually is one of the strongest points of Demonstone. Where else will you hear someone angrily call someone else a “corndog” as an insult?

While Demonstone would have been stronger if there was a specific, central villain and JMV and Ermey were cops busting heads to get to him, it’s still worthwhile, especially if you’ve enjoyed the other horror/sci-fi/action hybrids of Fries Entertainment such as Peacemaker (1990) and Steel and Lace (1991).

Comeuppance Review by: Brett and Ty

Silk (1986)

Silk (1986)- * * *

Directed by: Cirio H. Santiago

Starring: Cec Verrell, Bill McLaughlin, Joe Mari Avellana and Nick Nicholson












Jenny “Silk” Sleighton (Verrell) is a tough, fearless cop on the Honolulu, Hawaii police force. She stops at nothing to get her man. Whether it’s foiling drug deals, stopping smuggling operations or breaking up cockfights, baddies on every island from Niihau to Kaunakakai to Kahoolawe to the Alenuihaha channel are facing her wrath. When she’s kidnapped by arch super-villain Austin (Shilton), she’s going to need help from her compatriots...but who can she really trust? Find out today!

Silk gets off to a very silly start, with cop movie/TV show cliches galore (someone really needs to invent a word that means “a cliche but with no negative connotation; in fact, you want and even need to see this cliche”. No such word exists in English that we’re aware of. If you have any ideas, please leave a comment today). 

Cec Verrell as Silk is amazing. She’s a beautiful woman in that classically 80’s style, with a smoky bedroom voice, and she always has her hair slicked back and is wearing designer clothes. But no one ever questions why one of the models from behind Robert Palmer in the “Addicted To Love” video is now a cop. (Not literally as far as we know, but it very well could be). The fact that this absurdity is never once brought up makes watching Silk a delight.

The fact that Silk is a woman doesn’t change all the myriad cliches one bit. But we’re just happy this Cirio movie isn’t yet another jungle slog. Plus it has all the Philippines-based B-actors we know and love at this point: Nick Nicholson plays another heavy, Mike Monty is on board again, as is Willie Williams, Jose Mari Avellana, Henry Strzalkowski, and naturally, Vic Diaz. 

The extras in the movie are great too, and the dubbing ties it all together. The guitar-based soundtrack by Willie Cruz keeps the energy up, and there is a truly excellent title song which sounds like if Pat Benatar joined Jem and the Holograms. In a true travesty, we do not know who performs this memorable tune. If anyone out there knows, do tell.

Styles were so cool back then, even teddy bears had sunglasses and mustaches. But besides that, we’re always on the lookout for when video stores pop up in movies, and in Silk, we see one in a mall. There’s even a poster for Ark Of the Sun God (1984), the Margheriti movie, which can be clearly seen. 

In the end, Silk is an enjoyable (probably) one-time watch, because nothing in it really sticks to the ribs. We would like to see more Cec Verrell as Silk, but by the time of Silk 2 (1989) (yes, there’s a Silk two), apparently she’d had enough and was replaced by Monique Gabrielle. She never came back to reprise the role like Sean Connery. But for video-store action with a strong and interesting female presence, it’s certainly worth a view.

Comeuppance Review by: Brett and Ty

Also check out write-ups from our buddies, Lost Video Archive and Cool Target!

Saigon Commandos (1988)

Saigon Commandos (1988)-* *

Directed by: Clark Henderson

Starring: Richard Young, P.J. Soles, Joonee Gamboa, Willie Williams, Pen Medina and Joe Mari Avellana













A murderer known as the “Hollow Point Killer” is running around the streets of Saigon in 1970. Sgt. Mark Stryker (Young) is a member of the 716th MP Battalion, and he and his fellow MP’s are tasked with stopping the seemingly-senseless killings. Along for the ride is AP reporter Jean Lassiter (Soles). As all of this is going on, there is political revolution in the streets. A group called The Association For Good Government (which seems to be a pretty reasonable name) is headed by the revolutionary Tri (Gamboa). However, Tri just happens to be in cahoots with the evil drug lord/gangster Quy (Medina). Why would they try to make the USA look bad and pin the murders on an American? Why would they depend on each other for their own ends? All questions will be answered by the SAIGON COMMANDOS...

By this point in our movie-watching careers, we’ve probably spent more time watching Vietnam movies than some active-duty soldiers actually spent in Vietnam. But this one is a little different as it’s not strictly a jungle slog, it’s more a story about the MP’s and their police work, on the city streets of Saigon. So in that sense it’s a different take on the subject matter. However, Saigon Commandos still comes out as a standard-issue Corman ‘Nam movie that easily could have been directed by Cirio Santiago.

Even though Richard Young was in the far-superior Final Mission (1984), and of course the movie at hand today, we still don’t know what he looks like. Such are his undistinguished features and lack of personality. But he does team up with his great Final Mission co-star Jack S. Daniels. Also onboard is mainstay Joe Mari Avellana (who co-wrote Final Mission), Willie Williams (again of Final Mission, as well as Savage Justice), as well as Cris Aguilar and Louie Del Castillo, who both have been in plenty of movies of this type. On the other hand, it’s nice to see P.J. Soles, who doesn’t often appear in this style of  film, but we felt wasn’t used to her full potential here, playing the cliched reporter role. Unfortunately, we’re a long way from “Always On My Mind”.

The movie has unnecessary narration, but still lacks character development. The action on show is pretty minimal, there are some standard machine-gun shooting scenes and a few chases. This is nothing a better pace and less talking, not to mention more (and better) action scenes wouldn’t solve. Plus the main hero needs to be stronger, and the main villain needs to be more delineated as well. Those are major sins in an action movie. Putting a few rockin’ guitar solos behind what action there is, while welcome, can’t paint over the movie’s deeper deficiencies. So as it stands now, Saigon Commandos is not engaging and falls under the heading of “Box Art Is Better Than The Movie”. (Thank you to Jack J from When The Vietnam Raged In The Philippines for the box art below)

As far as this being yet another movie where the hero is named “Stryker”, we thought that would be a recipe for success. Sadly, it was a disappointment. But we had an idea for a movie called “SuperStryker” (or maybe “Striker” with an I, we haven’t decided yet), where all the action stars who have ever portrayed a character named “Stryker” get together and raise hell in the jungle. We imagine it would star Wings Hauser, Richard Norton, Richard Young, and maybe even Frank Zagarino. (Sure, no one actually called him “Striker” in “Striker”, but hey, he's clearly Striker in all of our hearts. Plus we’ll get that little kid from Hostage who uttered the immortal line “Mommy, where’s Striker?”). Don’t you wish your name was Stryker?

As far as the political scenes, people have homemade banners that say “Our country is a sewer”. This doesn’t exactly help people who read the sign know what they WANT, but they do seem to love statements of fact concerning their destitute situation. The plotline closely follows the “El Presidente” model we’ve discussed many times. But instead of a South America-set actioner, this might be the first Asian “El Presidente” we’ve yet come across. But there is a band in the movie called the “Eurasia Band” who do covers of “House of the Rising Sun” and “Midnight Special”, so that’s a bridge between cultures.

Released by the great Media label, sadly, despite all it has going for it, Saigon Commandos was a letdown.

Comeuppance Review by Brett and Ty

Blackbelt II: Fatal Force (1993)

Blackbelt II (1993)-* *
AKA: Spyder

Directed by: Joe Mari Avellena and Kevin Trent

Starring: Blake Bahner, Henry Strzalkowski, Vic Diaz, Paul Holme, Louie Del Castillo, and John Dulaney










Brad Spyder (Bahner) is an L.A. cop with an attitude problem. He must travel to Hawaii to investigate the death of a partner. His “punch first and ask questions later and then punch them again” style means he encounters resistance from the local cops, led by Akida (Diaz). There’s also some nonsensical mumbo-jumbo about Vietnam and POW’s that was only put in because of the piecemeal patchwork that this is...

Technically speaking, we’re not entirely sure this is even a movie. By any rational standard, editing, splicing, and re-ordering film footage doesn’t necessarily make a film, much less a coherent piece of entertainment. The editors here get an A for effort, as they try desperately to make disparate footage fit together, but it’s like trying to join two puzzle pieces together that clearly don’t fit.

Going from L.A. to Hawaii to Vietnam, to a Vietnam that’s supposed to be Hawaii, we get some narration about Vietnam, then some urban cop action with Bahner, then it reverts back to an Exploding Hut jungle movie, and on and on. There’s zero character development along the way, so you cannot become invested at all in what’s going on. Rather than introduce the slightest bit of character for Brad Spyder (aside from his awesome name), the movie just jumps into an overly-long, protracted punching sequence on top of a building. Then there’s the amazingly cliched Irish police chief O’Donnel (Dulaney) - actually a lot of this movie could be a parody.

Bahner yells all his lines, and resembles Andrew Dice Clay (who had a brief action movie career of his own). Presumably Roger Corman felt he could put out this mishmash as some sort of “sequel” to the Don the Dragon movie Blackbelt (1992), seeing as it follows the formula of being 80 minutes and having at least Bahner’s credit also include his kickboxing title underneath it. Firstly, Bahner is no Don the Dragon, but perhaps he’s not supposed to be. 

Corman caught lightning in a bottle with one action star, and he tried again and basically failed. Secondly, releasing this hodgepodge to the public is actually insulting to our intelligence. Did he, or anyone else, not think we would notice all the glaring Frankenstein-like parts to this?

Blackbelt 2 could have used another B-movie name in the cast (aside from the ubiquitous Vic Diaz), or a rockin’ song, or a scintilla of coherence or cohesion - anything except falling back on references to the First Blood series, which it does. But on the bright side it does have a rich businessman named Roderick Pendleton (Holme) and a character named Weasel (Louie Del Castillo), whose hair and mustache out-Oates-es Oates. His entire film career consists of this, the “movie” Spyder, from which the footage for this was taken, and Saigon Commandos (1988). Now that’s a career to be proud of. 

Now might also be an opportune time to mention that there’s always an annoying character named Squid, Spud, Baby, Weasel, or what-have-you. Feel free to write a comment if you can think of another example.

Seeing as this footage (is it really a movie?) consists of nothing, you can’t help but regard it as a waste of time. Sad really, as the name Brad Spyder deserves more.

Comeuppance Review by: Brett and Ty

Deathfight (1994)

Deathfight (1994)-* *1\2

Directed by: Anthony Maharaj

Starring:  Richard Norton, Chuck Jeffreys, Tetchie Agbayani, Cris Aguilar, Joe Mari Avellana, Franco Guerrero, Karen Moncrieff, and Ron Vreeken









 While in Bangkok on business, young Jack Dameron’s (Norton) parents are brutally gunned down. He is then raised by Papa Fung (Avellana) along with Fung’s son, now Dameron’s “step brother”, Chiang (Guerrero). All the while, Dameron immersed himself in the ways of martial arts.

Now, in the present day, Dameron is poised to take control of the lucrative family business, Bangkok Mercantile. He has a successful wife (Moncrieff) who is a lawyer, and things are looking up. But Chiang is an evil, corrupt man who, rather than climb the corporate ladder like his step brother, felt more at home staging illegal underground Deathfights. While the audience for these matches enthusiastically holds their cash in their hands, punchfighting isn’t enough for Chiang. He wants the corporate control as well. So he frames Jack for murder. Jack spends some time in prison, befriending Wiley (Strzalkowski). Once out of jail, Jack is on a search for the truth - but it’s going to involve putting his lifetime of martial arts training to use.

Here we have another Maharaj/Norton vehicle, and judging from the VHS box art, they were trying to make Richard Norton a more noticeable name for video store patrons perusing the shelves. While he certainly deserves it, he somehow never reached the level of the Seagals and Van Dammes in America. 

For Norton’s character, Dameron, shirtlessness is a way of life. His shirt, gratuitously or not, is either off or coming off, and there’s even some pre-Transporter (2002) shirtfighting. Rather than Guerrero’s character Chiang being the real nemesis to Dameron, it is in fact Chuck Jeffreys as I-Ron. Sure, his voice sounds dubbed and his hairstyle is ridiculous,  but the fight between Norton and Jeffreys is by far the high point of the film.

Deathfight needed a bit more energy, and actually it could have used some more punchfighting. Interestingly enough, Chiang calls it “Shoot Boxing”. This as opposed to Shootfighting. I know, it all gets very confusing. That’s why everyone should call it punchfighting. That would make all our lives easier. But there are other action bits as well, such as the classic barfights and fruit-cart style car chases. There’s a shootout at the end with a unique shot of a baddie falling out a building, seen from a unique point of view. That was noteworthy.

The movie is filled with “just bubbling under the radar” names such as Cris Aguilar from Savage Justice (1988), Raw Target (1995), some Bloodfist movies and Blood Ring (1991), Strzalkowski, also from Savage Justice and Raw Target, appeared in the other Norton vehicle Raiders Of The Sun (1992), and Ron Vreeken as Manson, who appears some kind of cut-rate Matthias Hues, was in Norton’s Under the Gun (1995), as well as Hurricane Smith (1992). Avellana and Guerrero are well known to B-movie fans, having been in countless productions, Filipino and otherwise.

Deathfight is so-so in most departments, but the presence of Richard Norton raises the watchability level considerably, and the fights, especially the Norton/Jeffreys brawl, raise it further.

Comeuppance Review by: Brett and Ty

Bloodfist II (1990)

Bloodfist II (1990)-* * *

Directed by: Andy Blumenthal

Starring: Don "The Dragon" Wilson, Rina Reyes, Joe Mari Avellana, Maurice Smith, Richard Hill, Ned Hourani and Cris Aguilar












Jake Raye is back, and in kickboxing-related trouble once again! Since the last Bloodfist film, Jake became a legit kickboxer, in state-sanctioned bouts with boxing gloves, etc., and put his punchfighting past behind him. When he accidentally kills his opponent in the ring, he vows never to fight again. After about two years have passed, Jake has hit the skids. His apartment is in disarray and he’s not in shape.  One day, he gets a call from his friend, a Black man inexplicably named Vinny Petrello (Smith), who lures him back to Manila once again. 

Once back on his old stomping grounds, Jake and a bunch of other fighters are kidnapped and spirited away by boat to the private island home of sinister kickboxing fan Su (Avellana). He forces the men to take part in an “illegal high stakes tournament” - death fights, or as Su calls them, “gladiator fights”. But Su’s men have an unfair advantage. He pumps them full of a special steroid that makes them impervious to pain. So the good fighters don’t know what they’re up against. Luckily, the plucky Jake Raye and love interest Mariella (Reyes) get to the bottom of it. Will Jake live to see another sequel?

For those that don’t know, only the first two Bloodfist films are truly sequels. The Dragon plays Jake Raye in the first two films only. The other 897 Bloodfist movies are basically separate entities but renamed under the Bloodfist banner because presumably Roger Corman felt fans would rather see an eighth sequel to something, whether it’s truly a sequel or not, than a new movie with an original title. Interesting logic.

Nevertheless, the first half of Bloodfist 2 is very similar to the original film - the same locales are used and some of the situations seem oddly familiar. But once the fighters are on the boat to Su’s house, things change. The movie somehow becomes dumber, yet more fast paced, even though a huge block of time is spent in one room as the fighters fight. Yet it never becomes a slog. That was pretty impressive.  It was here that the film developed its own, more original personality.  And of course, the film ends with a big, final brawl.

Avellana is back as the bad guy, but not the same one from the first movie. And the rankings of the fighters/actors are back in the credits, but the movie outdoes itself in introducing these men to the audience, as Su names them all, and their titles/rankings in the movie as well. In the order Su introduces them, they are: John Jones (Warring), Manny Rivera (Samson), Bobby Rose (Hill), Ernest Santana (Rogers), Tobo Castanerra (Del Rosario), and Sal Taylor (Baker), the last of which sports a spiffy shirt throughout the entirety of his screen time. Additionally, Ned Hourani and Cris Aguilar return from the first movie, but in different roles. Don The Dragon gives his delightfully wooden delivery we all know and love.

Bloodfist 2 is more of a typical punchfighter, but the action and humor elements are ramped up more, and the plot is tamped down to a minimum. Since all Bloodfist movies apparently had to be 85 minutes, the filmmakers decided to try a new structure, at least for the second half of the film.

If you watched the first Bloodfist movie and wished it had MORE punchfighting, as well as more silliness, this, the only true sequel, is the movie for you.

NOTE: in the end credits, Wes Craven and Stephen Tobolowsky are listed as “advisors”. If anyone knows how Craven or Tobolowsky advised this movie, please write in today.

Comeuppance Review by: Ty and Brett

Bloodfist (1989)

Bloodfist (1989)-* * *

Directed by: Terence H. Winkless

Starring: Don "The Dragon" Wilson, Joe Mari Avellana, Rob Kamen, Cris Aguilar, Marilyn Bautista, and Billy Blanks











Jake Raye (Wilson) is an L.A. area kickboxing instructor. A lot of his time is spent regaling elementary school kids with tales of his missing kidney, which he generously gave to his beloved brother, who is also a fighter. When it is discovered that Jake’s brother has been killed because of shady dealings involving not taking a dive in underground punchfighting deathmatches, Jake goes to Manila to investigate.

Now a man lost in a strange land, he meets up with Kwong (Avellana), a wise old trainer. Kwong informs him of The Red Fist, a secret fighting society that holds the said deathmatches, called Ta Chang.  They hold yearly tournaments, that, according to Kwong, have “no rounds, no rules, no referees and no points”. Despite his kidney ailments, Jake must enter the tournament in order to get answers about his brother’s killer. So Kwong trains him, and Baby (Shaner), the “wacky” fighter, helps him out as well. There’s also the love interest, Baby’s sister Nancy (Bowman), and the token “mini-boss” fighter Black Rose (Blanks). Will Jake Raye kick and punch his way to the truth?

Hey, everyone has their own methods of getting answers. Columbo has questions, and Jake Raye has roundhouse kicks. Produced by Roger Corman, there, inexplicably, are nine Bloodfist movies. Only the first two have any connection to each other as The Dragon returns in the sequel as Jake Raye. But apparently this series has legs, whether the supposed sequels were in-name only or not. Looking through our local video store, we always noticed Bloodfist, mainly because of the title. We thought it was kind of silly, as if action movie makers have a list of prescribed words they must use to make a title. The list may go as follows:

Blood
Kick
Punch
Cage
Fist
Fight/Fighter
Death
Rage
Terminal
Extreme
Force
Impact
Maximum
Best
Match
Sport

We are announcing two new action movies to go into production: “Bloodpunch”, "Death Cage" and  “KickPuncher” (Which is also the name of the Robocop parody on "Community"). If you have any more words to add to this tentative list, please write in and leave a comment today.

Back to the Bloodfist, The Dragon is always watchable, and you like him as Jake, the good-natured fighter. Vic Diaz, who has been in every Filipino movie ever made, plays the policeman who hands Jake his brother’s ashes in a vase. I guess they cremate first and ask questions later. Joe Mari Avellana, a familiar face around these parts, is perfect as the wise elder who puts Jake through his rigorous training. A movie like this wouldn’t be complete without training sequences. Lastly there’s Billy Blanks in an early role just bein’ Billy. (Just Bein’ Billy should the name for an upcoming sitcom featuring Blanks).

 

The big selling point of Bloodfist is its use of actual fighters, and their official titles and/or ranks appear on screen along with their names in the credits. This was just as important as who they are. While harsher  reviewers might call this nothing more than a Corman knockoff of Kickboxer (1989) or Bloodsport (1988), cooler heads should prevail and realize most DTV punchfighting product is all cut from pretty much the same cloth. Some are better than others. Bloodfist might not be the absolute best of the bunch, but it’s nowhere near the worst. It’s a fairly early entry into the punchfighting sweepstakes, and some sort of attempt was made to make it entertaining, what with the actual plot developments/twists, etc.

For its classic (or near-classic) status alone, Bloodfist is worth seeking out.

Comeuppance Review by: Brett and Ty

Revenge Of The Bushido Blade (1980)

Revenge Of The Bushido Blade (1980)-* *1\2

AKA: The Last Reunion, Ninja Nightmare

Directed by: Jay Wertz

Starring: Leo Fong, Hal Bokar, Cameron Mitchell, Phillip Baker Hall, Stack Pierce, and Joe Mari Avellana













During the Japanese occupation of the Philippines in 1945 (starting exactly like previous Fong vehicle Murder in the Orient, 1974), a group of American soldiers invade the home of Japanese general Matsuda. The soldiers proceed to rape and murder his wife, and eventually kill him as well. A massacre ensues. Sadly, their young son witnessed all the horror. Then we are told it is March 27, 1978 in San Francisco. The boy from that terrible day in the forties is now a grown man, and he has been obsessed with getting revenge on the soldiers that did this to his mom and dad. He has plenty of haunting memories from that time. When Matsuda (Fong) sees that the 33rd reunion of the 75th Rangers is occurring in Manila, Matsuda goes as well, where he attempts to pick the soldiers off one by one who killed his family, making it, for them, The Last Reunion.

The Last Reunion, as it was originally and perhaps more appropriately known (but undoubtedly retitled because it was not exploitative enough), is a fairly serious drive-in style drama, but with a structure not unlike a slasher film. A lone man is picking people off one by one, yes, but here the characters and scenarios have a little more substance and flesh to them than usual.

Among the group of soldiers, the mainstay Cameron Mitchell portrays Lt. Sam Hacker, the most sympathetic of the bunch. As we will see later in Rage to Kill (1987), he gets a chance to dance. The other sympathetic soldier is Frank Washington, played by Stack Pierce. They primarily have to deal with the belligerent, angry, annoying and unlikable Steadman (Bokar). Bokar does a great job because you hate him so much. Famous, respected actor Philip Baker Hall shows up as Sills, the guilt-ridden alcoholic in a pretty early, mustachioed role. In fact, all the men seem to want to do is get hammered, but Matsuda puts a serious wrinkle in their plans.

I know it's an oversimplification, but one thing I personally found distasteful in this film was that the bad guys are American Soldiers. They are portrayed not as heroes, but as amoral rapists and murderers. Not cool. Even after their atrocity, one of the soldiers says "Sorry, Kid", as if they ran over his bike with their car or something. But on a much, much lighter note, when Matsuda decides he is going to get revenge (and later as well, during the "film set" scene), rather than say something that explains his feelings, or explains something, he simply screams "Bushidoooooooo!!! Bushidooooooo!!!!" Man that's funny. You have to see it. Fong really comes alive.

A highlight of the movie are its many musical acts, especially an outfit called the D'Hi Octave Band. They are a Filipino, female-fronted disco act that has matching outfits. They even play at a club called "Disco". Their scene is a film highlight, and fits in perfectly with the seventies feel of the movie.

By today's standards a bit slow, Revenge of the Bushido Blade is a quality production of its kind that is well worth watching.

Comeuppance Review by Brett and Ty

Field Of Fire (1991)

Field Of Fire (1991)-* *

AKA: Battle Gear

Directed by: Cirio H. Santiago

Starring: David Carradine, Joe Mari Avellana, Henry Strzalkowski, and Eb Lottimer









It seems our friend (at least he seems like our friend after spending this much time with him) Cirio H. Santiago can't leave the jungles of Vietnam. So many of his movies are romps in the jungle. Here we go again.

When Wilson (Jim Moss) AKA Ironhand, is stranded in the dense jungles of 'Nam, General Simmons (Carradine) (NOT "General Corman" as he is listed in some sources...remember Counter Measures (1999) and "Zach Silver"?) and his aide Willy send in yet another elite team to rescue the lost and nervous soldier. Meanwhile, the VC is closing in and they lose their radio communication. They have to get to the Laos border to a special meet point. Will they make it?

Unfortunately, Field of Fire AKA Battle Gear retreads a lot of the same ground we've seen before. It's not BAD per se, but it's pretty mediocre. For most of the movie, Carradine barks orders in one room. He does leave that room eventually, and it's a great moment. He also wears a funny Hawaiian shirt. Interesting.

There's also a lot of Vietnam slang. Characters mainly talk about LURPS and their Sandy's while Jolly Greens chase their Ironhand. I know, I'm confused too.

The leader of the jungle group is Duncan (Lottimer), or "Dunc" for short. I believe he was cast because he resembles Bruce Springsteen. Plus he has an interesting name. Then there's Jefe, a token man who speaks Spanish. He uses his language to confuse the enemy. Senator is played by Scott Utley. It's not one of the better 'Nam handles we've heard. Jimmy T is Don Barnes, the African-American who yells loudly while shooting his machine gun. Hawk is Henry Strzalkowski (a man who has been in a lot of DTV action movies but isn't a prominent name). Captain Phat (Avellana) is the evil baddie. Avellana also has a long and storied history as an actor/director in the DTV world.

Also, when the VC talks, there are WAY too many subtitles on the screen. We're pretty sure they're not saying all that stuff. Someone grunts and there's a paragraph.

You'd think a movie with this pedigree would be better. Field of Fire is generic Vietnam stuff with all the standard moments and no surprises and nothing memorable.

You could do worse, but this is pretty bland. For better Cirio, check out Final Mission (1984) or The Devastator (1985).

Comeuppance Review by: Ty and Brett

Fist of Glory (1991)

Fist of Glory (1991)-* *1\2

Directed by: Joe Mari Avellana

Starring: Dale "Apollo" Cook







"Welcome To The Apocalypse."





In this period piece set towards the end of the Vietnam war, Jake "Johnny" Reynolds (Cook) and his team are deep in the jungle fighting the VC in an unauthorized mission. During some generic Vietnam action that lasts over thirty minutes but somehow manages to completely sidestep anything resembling character development, there are constant firefights and explosions. Grass and dirt continually blow up, and it makes Eye Of the Eagle III (1989), Crossfire (1988) and Firehawk (1993) seem like episodes of Masterpiece Theatre. It gets quite brain-numbing.

Three months later, while on some temporary R&R, Jake decides to hit the town in Vietnam. He realizes his buddy "Mad Dog" Lee has been brainwashed, hooked on heroin and forced to fight in underground punchfighting matches, dubbed "Saigon's Awesome Arena of Blood". There are no rules and you must fight to the death. Concerned for his friend, Jake infiltrates the operation. He even hires a foreign trainer to help him. After nursing Lee back to health, they set out for revenge against the entire town.

In Apollo's first-ever movie role, he's as wooden and surly as ever. He has a funny haircut, and, like American Kickboxer 2 (1993), wears a pink shirt. Maybe it's in his contract.

The film boasts some decent stunts, and when the VC are shot they are a bit "flippier" than usual. They spin around a few extra times in this one. One soldier is even blown up and flies through the air in a sitting position. Just imagine Magik's immortal "sit-down dance" from Body Rock. (1984) Sure, there are constant blow-ups, but for what? Fist of Glory could have used a bit more character development and a few less unnecessary explosions. The punchfighting is a bit weak compared to some of the others in the meathead genre. However, in one match, the man Jake is fighting has "secret chilis". He has some hot peppers in a corner of the ring, and when Jake isn't looking, he eats them and then spits in his face. That was pretty novel.

In one of the battle scenes, only for a few seconds, we see a POV of Lee's machine gun. It seems it is attached to the camera. It is like a first-person shooter, which was very different in 1991. It also doesn't wear out its welcome. We enjoyed that.

Fist of Glory (whatever that means, the title doesn't make much sense) is fairly interesting because it is a hybrid Vietnam/Punchfighter, and because it is the first appearance of Dale "Apollo" Cook.


Comeuppance Review by: Brett & Ty

Fatal Mission (1990)

Fatal Mission (1990)-* * *

AKA: Enemy

Directed by: George Rowe

Starring: Peter Fonda, Tia Carrere, James Mitchum, Joe Mari Avellana, and Mako












Fatal Mission or "Enemy" is a well-made Vietnam drama. Peter Fonda plays a special ops soldier who assassinates a Vietnam leader. He escapes into the jungle and meets Mai (Carrere). She is a spy. At first they are enemies, but they figure out they need to stay together to survive.



The only problem in the movie is the ending. It's a little abrupt. There's a hint of a conspiracy in the plot, but it doesn't get mentioned until the last half of the movie.

Besides that, it's worth watching for the performances and action sequences.

Comeuppance review by: Ty