Blood Chase (1991)

 

Blood Chase (1991)- * * *

Directed by: Teddy Page 

Starring: Andrew Stevens, Karen Sheperd, John Light, Tony Chang, and Mike Monty

Eddie Nichols (Light) is the lead goon in a tight-knit group of baddies. Five years after committing a payroll heist, they're still looking for a man named Ross Anderson (Monty), because they believe he has stashed away the money. Unfortunately for Ross's daughter Cheryl (Sheperd), the goons have trained their sights on her, believing she knows the whereabouts of the cash. As a police officer highly trained in Martial Arts, she has no trouble fending off the baddies. But, for extra security, she involves her husband John (Stevens), and the two of them join forces to fight the thugs and get to the truth, step by step, about her father's whereabouts. Whether it's dealing with family lineage, or beating up bad guys, will this be the ultimate BLOOD CHASE?



You know you're in for a treat when during the opening heist sequence, the baddies are stealing bags of money with the words "U.S. Government Property" painted on them. Said bags wouldn't be out of place in a McDonald's commercial as they're stolen by the Hamburglar.



You've gotta love Teddy Page. He knows how to open a movie with a bang. Blood Chase is remarkably consistent throughout, and is a lot of fun to watch. To have Karen Sheperd and Andrew Stevens fighting alongside one another was a great choice, and the pairing works very well. Thankfully, Page doesn't skimp on the punching, kicking, shooting, and blow-ups.



Blood Chase has all the faces we know and love from these Philippines-set actioners, such as Jim Moss, David Light, Jerry Beyer, Mike Monty, Nick Nicholson, Eric Hahn, Henry Strzalkowski, and others. During this period of time, these men must have been consistently working in the Philippines film industry, and it's like a stock company of familiar faces that fans of the genre have grown to know and love. The addition of Shepard and Stevens only sweetens the deal.



You know the main baddie is evil because he yells at a waiter about his navy bean soup at the Pink Patio restaurant. He also has a classic evil laugh. There is a lot of funny/silly dialogue that is amusingly dubbed. The fight scenes are energetically done, which is amped up even more when the film is sped up slightly, giving it a Hong Kong-type feel. That's further reinforced with the character of David Hung (Chang), a very mysterious individual who helps out Cheryl and John in their quest.



Also, when something dramatic happens, there is a dun-dun-dun! musical sting on the soundtrack. You know it's not a revelation, just a dramatic moment, because the third note goes down instead of up. In yet another movie highlight, when John and Cheryl seek help from a police captain named Brad Murdoch, he has quite possibly the biggest nameplate on his desk that we've ever seen. He really wants visitors to his office to know that he is Brad Murdoch.


Blood Chase is recommended overall, but especially to fans of Philippines-set action outings, Karen Sheperd, Andrew Stevens, and anyone who enjoys navy bean soup.

Comeuppance Review by: Brett and Ty

Trigon Fire (1989)

Trigon Fire (1989)- * *1\2

Directed by: Teddy Page

Starring: Sam Jones, Eddie Jadali, David Light, Anthony East, Jerry Beyer, Mike Monty, and Blueberry as Sandra










The Trigon is a superweapon developed by several world powers and it has the capability of massive destruction. It's in three (hence the "tri") parts, and all three parts are needed for it to work, so everyone is after those parts, which are collectively called The Trigon Factor. After Abdul Hassik (Eddie Jadali) of the Palestinian Liberation Front steals part of the Trigon, he then sells it to international terrorist Cyrian McCoy (East).

CIA operative William Shield (Light) is tasked with taking down McCoy and his goons. Unfortunately, an American doctor, James Ford (Jones), is swept up in all this intrigue thanks to a classic case of mistaken identity. As are his wife and daughter. Teaming up with a man named Manuel (Beyer), the two men fight the baddies the best they can, but it's not going to be easy with something as big as the Trigon at stake. What will happen to Dr. James Ford?

You know that any movie featuring the credit "And Introducing Blueberry as Sandra Powers" is going to be one that's sure to pique the public's curiosity. However, Trigon Fire is more in the mid-range of Teddy Page's directorial output. It's certainly not bad, but it doesn't reach the heights of a Phantom Soldiers (1989). To be fair, what can? There seems to be more of an emphasis on intrigue this time around. The exploding huts take a secondary role to that. Maybe this is Mr. Page's more "mature" work. 

If you watch a lot of these Philippines-set actioners, you'll recognize plenty of the hallmarks of the genre: machine-gun shooting, green backdrops, loud, screaming dialogue, and the presence of such people as Mike Monty. While Monty is your classic evil general, giving the outing an "El Presidente"-type vibe, we see that Manuel is more than just your average cabbie.

David Light has an impressive resume that consists of almost exclusively appearing in Philippine action. He looks like the guy from Sparks, so of course he was cast in the action hero role. A movie highlight appears when he comes to face off against the baddies on his motorcycle. He's wearing a leather outfit with huge aviator sunglasses and the shot is from below, so he looks extra-heroic.


While we've seen plenty of guard-tower falls in our time, we have yet to see someone tumble slowly down the steps of said guard tower. Well, until now, of course. It's less of a violent spectacle, more of a slow-motion "oops!"

Fan favorite Sam Jones seems to be hilariously miscast as a confused doctor. That's one of the things that makes the film so fun overall. Sure, he gets in on the action, but it appears a decision was made to make David Light the main action hero. Maybe Jones was put here just so they could market the film as Under the Gun 2. Of course it has nothing to do with the original...was the first Under the Gun such a huge hit in The Philippines that that title was warranted? It appears the answer was yes.

If you watch the end credits, you might be surprised to find that these people were involved: Kurt Russell, Spike Lee, Wallace Shawn, John Hurt, Christopher Hitchens, Harvey Fierstein, and Don King, as well as theater luminaries Neil Simon, Sam Shepard, Joe Orton, Peter Shaffer, Arthur Miller, and, most hilariously of all, Stephen Sondheim!

It was very generous of these people to lend their time to Teddy Page. Clearly they recognized the artistic merit of Trigon Fire. I've heard of "off Broadway" but this is ridiculous! I heard yet another alternate title for the film was going to be "Trigon Fierstein".

There's always something wacky going on in the exploding-hut genre and this just proves why they're continually worth seeking out.

While it wasn't released in the U.S. or U.K., Trigon Fire may be worth seeking out for completists of this sort of thing. It doesn't rank towards the top of the heap, but certainly a viewing on YouTube will provide 85 minutes of entertainment.

Comeuppance Review by: Brett and Ty

Blood Hands (1990)

Blood Hands (1990)- * * *

Directed by: Teddy Page

Starring: Sean Donahue, Ned Hourani, Jim Gaines, Nick Nicholson, and Christine Landson

A gang of aging ne’er-do-wells decide to get drunk and cause a ruckus at the grocery store. In the midst of their raucous tomfoolery, a fight ensues and the owner of the store dies. The guys, who are, apparently, known in the world of kickboxing, then drive over to fellow kickboxer Steve Callahan (Donahue)’s house. The lead baddie, James Clavell (Hourani) – who evidently is not the author of Shogun – begins assaulting Edward Callahan (Nicholson) and his wife while Steve is off training. This event ends in tragedy. When Steve and his girlfriend Tracy (Landson) come home, they see what the gang of MAP’s (Middle-Aged Punks) did and Steve is understandably upset.

Steve’s only clue is a medallion given to kickboxing champs in the area, so he goes it alone on his quest for justice after the main investigator on the case is himself attacked by the MAP’s. Even Steve’s beloved coach, Mr. Gale – who is a dead ringer for Freddy Mercury – isn’t safe from the gang’s rampage. With revenge on his mind and BLOOD on his HANDS, Steve Callahan must snap into action. With his fists and his feet as his only weaponry, will Steve beat the baddies and win the day? Find out today!

In the U.S., Blood Hands is one of the rarest Teddy Page movies, so we were lucky to see it. It does indeed have that Page-esque silly charm and is certainly entertaining. It’s pretty impressive how they were able to make a 90-minute movie of people punching and kicking each other (that’s what takes up most of the running time). Thankfully, the noises the punch/kick hits make are enjoyable enough in their own right. It’s impossible to describe the sound, but needless to say that in real life a fist or a foot striking another human being doesn’t sound like Mario bumping a box with a question mark on it with his head. 

So there’s lots of action, a great training sequence towards the end, and a cast of Philippines-shot movie regulars such as Jim Gaines, Nick Nicholson, and Ned Hourani, who here is inexplicably credited as Nead Hourani. That’s right, NEAD. Could that a typo? In any event, the star of the show is, of course, Sean Donahue, our old buddy from Parole Violators (1994). His classic acting and fighting styles are on display, and you have to love his energy and determination. 

Known in Germany as KICKBOX TERMINATOR, which is a fantastic title, Blood Hands is indeed rare but any fans of Teddy Page, Sean Donahue, lots of punching and kicking, and/or silliness are encouraged to check it out.

Comeuppance Review by: Brett and Ty

Crime Stopper (1990)

Crime Stopper (1990)- * * *1\2

AKA: Lethal Killing Machine

Directed by: Teddy Page

Starring: Rom Kristoff, Jim Gaines and Ned Hourani











An evil South American dictator named Ortega runs a “drug camp” and former Vietnam buddies Ray “Smithy” Smith (Gaines) and Mark Mitchell (Rom) are called in by the government to shut it down permanently…using any means necessary. After Mitchell is captured and imprisoned by Ortega’s goons, Smith goes undercover in the drug camp to break him out. Once the men are reunited, no force on earth can stop them. But they’re going to have to be careful – Ortega then captures Mitchell’s sister Carol and now the mission of the two warriors has to alter to rescue her from the clutches of the sinister and nefarious Ortega. Will the mission succeed?


Crime Stopper (AKA Lethal Killing Machine) is an amazingly fun cocktail of wackiness and non-stop violence that only could have arisen in the Philippines in the early 90’s. We have been Teddy Page fans for a long time, and only now have we discovered that this is one of his best and most all-around entertaining outings. It’s also one of the all-time best “30% New Footage!” movies we’ve ever seen, putting most of Godfrey Ho’s catalog to shame, as Crime Stopper has recycled Rom footage from his other outings such as Blackfire (1985) and Double Edge (1986). Does any of it make sense? No. Do we care? No. Would we have it any other way? Of course not!


First there are some unknown men shooting at each other and chasing each other. Then some different guys are beating the snot out of each other in a kickboxing match (one of which is Ned Hourani). Then more unknown men shoot at them with machine guns. Then a car blows up. Then a grammatically-questionable title card appears on screen to explain (?) what we just saw. Then there are some more blow-ups. Then some tanks enter the picture, and some more unknown guys are fighting a war. The viewer doesn’t know who is who. There is no explanation for anything at all. That’s when you surrender and go with the flow. Once you submit to the nonsensical charm of Crime Stopper, you will have a fantastic time. We can just about guarantee it. All you have to do is throw logic out the window and embrace the absurdity of it all.

Mitchell is the White Guy and Smith is the Black Guy. Mitchell’s code name is Cobra. Smith’s code name is Black Mamba. That probably wouldn’t happen today. But maybe the Cobra code name makes sense because the filmmakers continually want to make the viewer think of Rom Kristoff as some sort of second coming of Stallone. Have you seen the poster for Double Edge? That should explain things. Even the title, Crime Stopper, seems to be a reference to Marion Cobretti’s obsession with crime statistics. Even though the movie has nothing whatsoever to do with stopping street crime, they went with that anyway. 

Just Jim Gaines walking down the street is an entertaining thing to watch in this movie because he looks cool, and you know something awesome is about to happen. He wears a T-shirt that says “Normal is Boring”, and when it comes to Crime Stopper, it couldn’t be more apropos. As far as the voices coming out of the characters’ mouths, there’s a lot of silly dubbing by silly men with silly voices. That alone is worth seeing. Or, more appropriately, hearing. Speaking of great stuff you hear, the score by Patrick Wales is terrific and deserves a CD/vinyl reissue. Hey, if they could do it for Striker (1988), they really should do it for this too. 

All in all, Crime Stopper is a movie right up our alley. It’s a non-stop parade of violence and nonsense. It’s fun, entertaining, and short. It makes no rational sense whatsoever, but something is always happening because the movie moves along at a fast clip. What’s not to love? Recommended.

Comeuppance Review by: Brett and Ty 

Commander 3 (1986)

Commander 3 (1986)- * *1\2

AKA: War Without End



Directed by: Teddy Page


Starring: Robert Marius, Jim Gaines, Mike Monty and Nick Nicholson












It’s 1982 in Cambodia. Captain Ted Wilson (Marius), and his fellow soldier Lt. Garvey (Gaines), among others, are test-flying a technologically-advanced airplane named the Wild Weasel. Their platoon (or perhaps their mission?) is named Lickin’ Chicken. We repeat: Lickin’ Chicken. When things go wrong and the plane goes down, Wilson and Garvey manage to escape into the jungle – but is it the KGB who caused the plane crash? Or could it be someone else? The two soldiers find locals named Nooin and Nam, and they head off on a perilous mission to find answers. Of course, this involves almost non-stop machine-gun shooting and exploding huts. What will be the ultimate fate of Lickin’ Chicken?



Director Teddy Page takes us on yet another jungle excursion with all the shooting, blow-ups, and guard-tower falls you’d expect to see. While the movie does have a handful of cool moments sprinkled throughout, including a chain of well-timed consecutive exploding huts, it’s all a bit too mediocre for our liking. The movie isn’t bad at all, and fans of jungle-set exploding hutters who can’t get enough of that sort of thing could certainly check it out on Amazon Prime. It’s competently made, but it’s just not our favorite Teddy Page – which is, of course, Phantom Soldiers (1989).



Maybe it’s unfair to compare everything Page does to that gem, because he’s done a lot of other fine work as well, but this time he had a lot of people backing him up that are mainstays of the Philippines-shot action world – stars Marius and Gaines featured almost exclusively in these types of movies. Fan favorite Nick Nicholson looks great this time around as the shady, bearded KGB agent. Mike Monty, as Dr. Meehan, wears a rumpled sky-blue suit, which is a plus, but on the negative side we don’t think it was his voice doing the dubbing. Of course, when the movie goes from the jungle action to the military offices, there is not only a picture of Reagan on the wall (as normal), but also a framed Reagan pic on the desk. The rotary-dial red phone featured in the movie must be used to call him directly.



Now let’s talk about the Cambodian elephant in the room. While the movie is known as War Without End, it’s also called Commander 3. As readers of the site know, the original Commander (1988) is one of our favorites, and perhaps the best “explosion” movie of all time. How could a Commander 3 possibly measure up? Well, sadly, Craig Alan is nowhere in sight. Commander was an Italian production and Commander 3 isn’t. While we have nothing against Robert Marius, it appears Commander 3 is an in-name-only sequel, and the two movies have little, if anything, to do with each other. This supposed sequel doesn’t approach the majesty of the original, so if you haven’t seen either of them, make sure you see the first one first. 

Commander 3 is not the worst exploding hutter we've seen, nor is it the best. It does feature a cool ending where Marius is brandishing a hand-held missile launcher in one hand and a machine gun in the other and is blowing up everything in sight. For those that can't get enough of the jungle genre, we'd say check it out, but for everyone else, perhaps not. 

Comeuppance Review by: Brett and Ty 

Final Reprisal (1988)

Final Reprisal (1988)- * * *

Directed by: Teddy Page

Starring: Gary Daniels, Protacio Dee, Glazia Herradura, and Jim Gaines

In the heat of battle during the Vietnam War, Sgt. David Callahan (Daniels) along with old buddy and fellow soldier Charles Murphy (Gaines), among other members of an elite squad, stage a daring attack on the home of Vietnamese Captain Tran Van Phu (Dee). Things go horribly wrong when Van Phu’s young daughter Mai (Herradura) is senselessly murdered during the raid. Vowing revenge, Van Phu gets his wish when, five years later and now working as a trainer for the Thai military, Callahan has a family of his own. When they are mercilessly slaughtered, Callahan gets really mad and teams back up with Murphy so he can, at long last, get his FINAL REPRISAL. However, it won’t be all cut and dry, as some mysteries from the past begin to resurface…

Here we have some prime early Gary Daniels in only his second-ever film role – and it delivers the goods! Director Teddy Page rarely disappoints (here he’s credited as Tedd Hemingway; note the second “d” in Tedd), and the Page-Daniels alliance – working in the great year of 1988 and in a prime location, the Philippines – is indeed a recipe for success. Daniels’s skill and athleticism as a Martial Artist is on full display, and he’s as likable as ever. This is remarkable as he maintained these qualities throughout his career. He’s teamed up with Jim Gaines, who has had an amazing career of his own: Besides Final Reprisal, he was in Cop Game, Mannigan’s Force, Strike Commando 2, Jungle Rats, Robowar, and the rare Daniels debut The Secret of King Mahis Island – and that was just 1988!

Daniels and Gaines have a definite Crockett and Tubbs thing going on here. Miami Vice was super-hot at the time, and the clothes the two of them wear are a dead giveaway. Interestingly, Daniels’s first-ever screen credit was as “Male Stripper” in an episode of ‘Vice called Walk-Alone in ’86. Only two short years later, he was living the dream as a white-suited Crockett-esque lead. And while James “Sonny” Crockett was a Vietnam vet, Miami Vice didn’t feature Crockett mowing down baddies with a machine gun, going through “revenge training”, enduring the Prerequisite Torture as well as a torture montage. ‘Reprisal also contains killer fight scenes, as well as the classic guard tower falls and exploding huts.

While our heroes are most definitely fighting the commies, Final Reprisal offers an unusually sympathetic look at the other side of the coin. You feel bad for Van Phu and his daughter. This gives the movie a dimension you don’t often see. As a whole, Final Reprisal is a lot better and more entertaining than the much more well-known Missing in Action (1984). The whole outing starts with a bang and the viewer remains satisfied. It’s hard to ask for much more than that. Plus, we get a lot of the silenced-gun “pew” sound effect. This is to be distinguished from the “pew pew!” laser effect. A short, curt “pew” indicates a shooting done on the sly. We get a feast of them here, if there are any fans of that out there.

Puzzlingly, Final Reprisal never received a U.S. VHS release (and, as of this writing, has no U.S. DVD or Blu-Ray editions). This is a real shame, as it could have been a video store-era classic, and it could have raised the name recognition of Gary Daniels back then. It would have been perfect for video store shelves of the day. Thankfully, it does exist, and fans of Gary Daniels and/or 80’s action have a winner on their hands with Final Reprisal.

Comeuppance Review by: Ty and Brett 

Blackfire (1985)

Blackfire (1985)- * * *

Directed by: Teddy Page

Starring: Romano Kristoff, Jim Gaines and Chantal Mansfield










Sgt. Frank Johnson (Kristoff) isn’t simply Sgt. Frank Johnson, Vietnam War soldier.  Oh no, he’s so much more than that. You see, he had ninja training as a child. In spite of, or, perhaps, because of his proficiency in the deadly arts, Johnson is “marked for termination” by his military higher-ups. While war buddy Jim Anderson (Gaines) and computer technician Nancy (Mansfield) do their best to help Johnson with his plight and troubled ways, Johnson is kidnapped and, of course, tortured by a league of eyepatchioed/non-eyepatchioed baddies. 

Naturally, this makes him mad and after submitting to the torture for a surprising amount of time, his ninja training finally kicks in and he goes on a revenge mission. To sum up, we should probably just quote the great YouTube uploader Atomic Cyborg’s description of the film: “Rambo-Ninja Rom Kristoff Takes Revenge!” That pretty much sums it up, really.

Director Teddy Page and producer K.Y. Lim strike again with Blackfire, a sort of mashing-together of two 80’s action staples, the Ninja Boom and the Rambo knockoff. The results are reasonably successful, but not quite as awesome as the potential is there to fulfill. Romano “Rom” Kristoff (or Ron Kristoff as he’s billed here) is the Stallone/Dudikoff/Sho Kosugi-style hero, to the point where we inevitably called him “Rombo”. One of the characters even makes the obligatory Rambo reference, putting the whole outing into a context the viewer already has.

The movie gets off to a bang - literally - much like Page’s Fireback (1983), Blood Debts (1985) and especially Phantom Soldiers (1987) - you gotta hand it to the guy, he really knows how to start a movie. Men in army fatigues screaming while shooting machine guns, huts exploding, guard tower falls, grenade throws, neck snaps and strategic use of slo-mo, all among the leafy green foliage kick off the movie and we were impressed, no matter how many times we may have seen these things before. But the icing on the machete was Rom’s “super crossbow” - a badass crossbow with some sort of missile as the projectile.

Inevitably, though, things slowed down after this impressive opening. As much as we love 80’s computers with their green one-color text, watching the Nancy character work on one for such a long time dragged the movie down. Then we have the time-honored barfight, and then the (overly-extended) Prerequisite Torture. All the “bullet” points are thus hit. There’s even a WYC (White Yelling Chief), and Rom has a classic black “revenge outfit” that he dons before the aforementioned final mission. It all adds up to some standard namsplotation but with a healthy handful of standout moments. It’s like diluting your Metamucil in water. There should have been less water.

However, there is a lot of comical dubbing, including very funny dubbed grunting and yelling. But these are men of action and not words - or at least, that’s what Sgt. Jim (Gaines, who co-wrote the movie) tries to turn the soldiers into, but as drill sergeant, he has his work cut out for him, with a cadre of pudgy recruits who look like they spend more time cultivating their mustaches than their muscles.

Much like how Sgt. Blackfire Johnson (that’s his code name, by the by), listens to a regional variant on Cyndi Lauper’s “She-bop” when he wants to collect his thoughts and ponder his situation, and then does a triumphant snapping of his fingers when he comes to a realization, the viewer will also have a realization - that this jungle outing could’ve been better. That’s not to say it doesn’t have its moments, especially the beginning, but it’s easy to see why this never had a U.S. VHS or DVD release. Sure, we would have appreciated it, but video labels might have deemed it unnecessary. Thank goodness for YouTube, where, as of the time of this writing, you can view the movie and decide for yourself.

Comeuppance Review by: Brett and Ty 

Fist Of Steel (1992)

Fist Of Steel (1992)- * * *

Directed by: Teddy Page

Starring: Dale "Apollo" Cook, Cynthia Khan, Nick Nicholson, Cris Aguilar, Ned Hourani, Mike Monty, Greg Douglas, and Don Nakaya Neilsen













In a post-apocalyptic desert landscape, a fighter named Amp (Cook) has to fight and, well...fight some more. Teaming up with a woman named Wild (Khan), Amp realizes he can put his pugilistic skills to use in Punchfighting tournaments in order to win some water (which is as good as currency in our coming future). The diabolical arch-baddie of the future is a man named Mainframe (Douglas). Once Amp fights his way through all the contenders, Mainframe is the final nemesis, and Amp has special reasons for wanting to defeat him - he was imprisoned, beaten and even crucified by him and his goons.  The miniboss is played by Don Nakaya Neilsen. Will Amp and Wild reign supreme?

Much like Blood Ring (1991), Fist of Steel is a Davian International production, released by AIP, directed by Teddy Page, and starring Dale “Apollo” Cook. They had quite a thing going for a while. Unlike Blood Ring, this is set in a sparse desert environment, and perhaps could have been titled Desert Kickboxer. It even has enough “sand-fighting” to compete with The Ultimate Game (2001).

Of course, Fist of Steel is filled with ‘facepalm’ dialogue, brain-cell-depleting pretexts for fights, and very silly costumes. As we all recognize, whoever survives after the bomb drops will be wearing hubcaps and broken smoke detectors on their chests. But isn’t that why we watch these movies in the first place? Would we expect anything less? Sure, what we’re watching, technically speaking, is “dumb”, but we all knew that going in, and it all contributed to making the video store era great.

Speaking of dumb, Dale “Apollo” Cook may not be a master thespian, but he does a great “dumb face”. If something dumb is going on, you can count on an authentic reaction from Cook. We kid because we love. We’ve seen every available Cook movie and we remain fans. His Martial Arts abilities are why we’re here, after all. It was a genius move to pair him with Cynthia Khan, who fans of Hong Kong action will know. Her presence is vital to the movie and keeps things rolling along. The same could be said for fan favorite Nick Nicholson, who plays a druggie fight promoter. He wears a silver shower cap and matching shorts. He got a respectable amount of screen time, which is a good thing, and we’re guessing the film was shot in the Philippines, because his fellow stock company - Cris Aguilar, Ned Hourani, and Mike Monty also make brief appearances.

While there is a ton of Punchfighting on display, use of nunchuks is also prominent. It’s likely that if this ever got a UK VHS or DVD release (we don’t think it has, but correct us if we’re wrong), it would be cut there, because they hate nunchuks. They even hate nunchuks if they’re made out of sausage links, as the BBFC proved when they cut Teenage Mutant Ninja Turtles. All that being said, there is some dialogue too, as previously alluded to, but why talk when you can grunt? That seems to be the overriding ethos. Hence, there are plenty of unintentional ‘laffs’. Like if someone says something to Apollo, and his response is “UUUUuuurrrggghhhhh!!!”, it’s hard not to respond to that with some chuckles.

Fist of Steel is one of the more watchable post-apocalyptic movies we’ve reviewed, thanks mainly to the cast and the non-stop beat-em-ups. If that appeals to you, do seek it out.

Comeuppance Review by: Ty and Brett 

Blood Debts (1985)

Blood Debts (1985)-* * *

Directed by: Teddy Page

Starring: Richard Harrison, Ann Milhench, Catherine Miles, Willie Williams, Jim Gaines and Mike Monty












Mark Collins (Harrison) is a Vietnam vet whose daughter, Sarah  (Miles), and her fiance, are both shot dead by thugs.  Taking matters into his own hands, he searches all over the Philippines to find and execute the culprits. But while he was carrying out his revenge missions, he was being watched by two mysterious figures, Peter (Gaines) and Bill (Monty). They like his style so much, they hire him to kill some more criminals. They even team him up with a former mob hitwoman named Liza (Milhench). You’d think Collins would be in hog heaven, now being paid to do what he loves best. But all is not as it seems, and after some twists and turns, we truly see who has to pay up on the BLOOD DEBTS...

This movie kicks off with what might be one of the best openings ever. We certainly won’t spoil it for you, but it sets the scene perfectly. But then, why wouldn’t it - this is a gem from fan-favorite director Teddy Page, a man known for killer openings. He directed Phantom Soldiers (1987) after all. But here he reunites with his Fireback (1983) stars Harrison and Milhench and the results are silly fun at its best. His use of slow motion, seemingly one of his trademarks, is on full display here.

Funny dubbing, classic clothing, funky music, and that timeless Filipino sense of incoherence reign, and these are all the things that make a great time in front of the old VCR. The movie is clearly inspired by Death Wish (1974) but it takes the formula in some interesting directions. Plus, Harrison’s wardrobe, the staple of which seems to be “track suit with no shirt”, can best be described as the “Casual Bronson”. After all, you want to be flexible and comfortable if you’re tracking down and killing large numbers of people. Harrison is credited with being a co-writer of the movie, I wonder if any of that was in the script? And did we mention the dubbing?

It was nice seeing Harrison in a non-ninja role, and there’s even a scene at a liquor store called “Harrison house of wine”. Is that just a coincidence? His foil, Ann Milhench, is beautiful as Liza, pronounced “Leeza”, apparently pre-dating the meteoric rise of talk show host Leeza Gibbons. Milhench has only been in six movies, and we’ve seen four of them (this and the aforementioned Fireback, plus Nine Deaths of the Ninja (1985) and the awful Sloane (1986). ) 1985 was a great year for her, as she did half her career in that golden year. It should also be mentioned that Willie Williams has a small role as Julius, Collins’ informant and confidante.

You’ve just got to love Continental Video for releasing this. Just for the two wacky on-screen title cards seen in the movie, it’s worth seeing. For the sillier side of the revenge drama, do check out Blood Debts.

Comeuppance Review by: Brett and Ty

Fireback (1983)

Fireback (1983)-* *1\2

Directed by: Teddy Page

Starring: Richard Harrison, Ann Milhench, Jim Gaines, and Mike Monty












Jack Kaplan (Harrison) was a weapons specialist in Vietnam who invented the most awesome gun ever - a gigantic combination grenade launcher/bazooka/missile launcher that’s loaded with other surprises and goodies.  One day he’s showing off his prize possession, and the next he is imprisoned in a P.O.W. camp. When he is released, he finds his beloved wife Diane (Milhench) has been kidnapped. For the remainder of the film’s running time, Jack runs around from place to place beating people up, and avoiding grievous bodily harm by many baddies, while trying to find the whereabouts of his wife. Additionally, the police are after him, and Jack must avoid them as well. The Police Chief (Monty)  - (that‘s his credited name in the film) is spearheading that operation. Will Jack find his wife, and while being shot at every day, will he...FIRE BACK?

A Teddy Page movie shot in the Philippines, starring Richard Harrison and Mike Monty...if you rent or buy FIREBACK, you know what you’re in for: exploding huts and guard towers, oceans of mindless shooting, hilariously hilarious dubbing, and a ton of absurdity. This time around, the exploding hut scenario is married to a revenge plot, so that was a cool twist.  Ann Milhench, who plays Jack’s wife, was in the horrendous Sloane (1984), as well as Nine Deaths of the Ninja (1985). Who knew?

As far as Jack’s super-gun, displayed prominently on the box art, it’s like one of those toys you might have had as a kid - that combination of guns that they would never make today. But at least it’s actually in the movie, however brief. Also as part of Jack’s revenge, he makes a souped-up car version of his old weapon (if that makes any sense). And watch out for the bad guy with the golden claw, as well as Harrison dressing up as a ninja for no explainable reason. I guess he can’t get enough of doing that. But the relative immaturity of Fireback is one of its more endearing qualities.

The many flashbacks and the “lost love” scenario, among other off-kilter elements, give Fireback a somewhat Italian feel, although no Italians were involved. The score is so booming and loud, it gets grating at times, and the dubbing, while entertaining in its own right, contains those voices you’ve heard many times before. Also, after the climax, there is a very stupid and unnecessary on-screen addendum telling us what happened to Jack Kaplan. Why they thought to add this, no one can say. Although Jack’s post-Fireback adventures are still a mystery to us all, so it didn’t even really help.

If you can’t get enough Filipino insanity, Fireback will fit the bill.

Comeuppance Review by: Brett and Ty

Phantom Soldiers (1987)

Phantom Soldiers (1987)-* * * *

Directed by: Teddy Page

Starring: Max Thayer, Jack Yates, Corwin Sperry, Jim Gaines, David Light, Richard King, and Mike Monty

A big thank you to Sutekh from Explosive Action for providing us a copy! Here is a link to his review.




***500th Review***




During the Vietnam war, Green Beret Lt. Michael Custer (Sperry) and some of his fellow soldiers go MIA. Custer’s brother, Texas Ranger Dan Custer (Thayer) wants answers, so he travels to the border of North Vietnam. What the Custer brothers don’t know, is that they’re up against the Phantom Soldiers - terrifying, seemingly invincible, remorseless killing machines. They wear gas masks with weird protrusions and have heavy arms. They kill, destroy and explode everything in their path, and no one is safe. Can the Custers, or the entire U.S. Army for that matter, stop them? And where did they come from? What do they want? The secrets of the mysterious Phantom Soldiers will be revealed...




This is the ultimate Exploding Hut movie. You think you’ve seen exploding huts before? You ain’t seen nothin’ yet. Phantom Soldiers is a feast of massive explosions, constant shooting, guard tower falls and countless deaths. The opening sequence alone is mesmerizing and must be seen. Director Teddy Page was surely in a state of grace when he executed this brilliant sequence.

While the opening sequence is definitely a movie highlight, there’s still plenty of awesomeness on show for the rest of the film. Max Thayer, who must have it written into his contract that he won’t appear in a movie unless thousands of people die - remember this is the guy from No Dead Heroes (1986) - plays a Texas good ole boy with plenty of Dan Rather-style down-home expressions. Interestingly, Phantom Soldiers marries the over-the-top violence with an interesting concept, as well as subtle comments on war. That keeps it from becoming the mindless shooting we always see. Just a dash of originality goes a long way. You won’t forget the Phantom Soldiers.





A true cult rarity, Phantom Soldiers never received a VHS release in America, and as of this writing, has also not received a DVD release. More people stateside should know about this movie. People should have been talking about it since the 80’s, but it never entered our consciousness because in this country, it’s as “MIA” as Mike Custer.




Speaking of which, Sperry as Mike Custer resembles Sgt. Slaughter. No one really talks about Sgt. Slaughter anymore, which is a shame, and, seeing as how this movie is filled to the brim with 80’s awesomeness, the legendary wrestler was surely an influence. 

The funny acting/dialogue/dubbing we’ve come to love in these Philippines-shot productions is clearly on display, along with the ever-present high-quality blow-ups. The choice to name our heroes “Custer” has some interesting historical connotations - was this done on purpose? (Side Note: Hal Moore, the Vietnam hero immortalized in the film We Were Soldiers, headed up the First Battalion of the Seventh Cavalry, the same as George Armstrong Custer).




Nonstop action, ultra-violent in a Wardogs (1986) sort of way, and just plain badass in every manner imaginable, make sure you see Phantom Soldiers.
Comeuppance Review by: Brett and Ty

Blood Ring (1991)

 Blood Ring (1991)-* * *

Directed by: Teddy Page

Starring: Dale "Apollo" Cook, Andrea Lamatsch, Don Nakaya Neilsen, Cris Aguilar, and Nick Nicholson









 

 Max Rivers (Cook) is an underground kickboxer with a drinking problem. His former girlfriend Susan (Lamatsch) is now with fellow kick-fighter Philip (Tartalia). When evil gangsters kidnap (or possibly kill) Philip, Susan runs back to her former love, Max, for help. Unfortunately, Max doesn’t realize the caliber of what he’s getting himself into, as this army of punks is led by the sinister fighter Don Carlio (Neilsen).

Caught and imprisoned by Carlio, they force Max to fight for them in order to save Susan. Upon escaping their clutches, Max and Susan head out to the woods so Max can train for the final battle with Carlio. Will love and kickboxing prowess conquer all?

Released by AIP but produced by Davian International, the company behind the majority of Dale “Apollo” Cook’s career, “Blood Ring” was directed by the infamous Teddy Page. Besides Cook, it also features Nick Nicholson, a man fast becoming a familiar face around the Comeuppance Reviews headquarters for his bad guy roles. Cook continues his penchant for pink and/or purple tank tops and shorts, while the cute Lamatsch has an extremely thick German accent which is never explained plot-wise. Neilsen isn’t much in the acting department but you can tell he’s a fighter in real life because his moves are well-executed. The plot all comes to a head with one of the bloodiest final fights in recent memory in a barbed wire ring and there’s even a pre-Mike Tyson ear bite.

Max has some stupid one-liners, the “punch” sound effects sound like some dude hitting a snare drum, and the plot is pretty minimal. Additionally, seeing as there are many kicks and punches to the crotch in the film, it seems like they spent more energy on the genital trauma than on the storyline. Nevertheless, there are some cool camera moves and some good energy overall. There’s also some decent humor, such as the big opponent with the executioner’s mask that yells continuously, and the fact that it really seems like the main bad guy's name is “Garulio”. When we found out it was not, in fact, “Garulio”, we were disappointed. But on the bright side, that name is now usable for someone else...

All told, Blood Ring is a decently entertaining movie that gets better as it goes along.

Comeuppance Review by: Brett and Ty