Circle Of Fear (1992)

 

Circle Of Fear (1992)- * * *

 Directed by: Clark Henderson 

Starring: Patrick Dollaghan, Wesley Pfenning, Joey Aresco, Joe Mari Avellana, Marilyn Bautista, Paul Holmes, Candy Courtier, and Vernon Wells 

Tom Price (Dollaghan) is a certified toughguy who apparently used to work as an enforcer for the mob. After surviving all the chaos that occurred at the end of the Vietnam War, all he wants to do now is shirtlessly lounge around at his Newport Beach, California home. But he's forced to go rogue when he travels to the Philippines to investigate the death of his brother Charlie (Holmes), which, obviously, happened under very shady circumstances.


On top of that, Charlie's daughter Jocelyn (Courtier) has been kidnapped by drug-dealing thugs. The Mr. Big at the top of this ladder of criminality is Allan Bainbridge (Wells), and his number two is the gangster Joey Conti (Aresco). As Tom Price powers through Manila, taking down Bainbridge's illicit businesses and dodging their baddies as he gets closer and closer to the truth, they get more and more angry. Price also runs into underworld characters such as Miyamoto (Avellana) and Elena (Bautista) - but will Tom Price ever escape this CIRCLE OF FEAR?


Patrick Dollaghan - at least here in his role as Tom Price - looks like he could be Michael Douglas's brother. I mean, he really looks like he could be a member of the Douglas family. He also has some Asher Brauner-esque qualities. Oddly enough, he resembles his Circle of Fear co-star Vernon G. Wells, so when they're on screen together it's almost impossible to tell who's who. It's a bit like Harris Yulin and Art Garfunkel in Short Fuse (1986), or David "Shark" Fralick and Frank Zagarino in Project Eliminator (1991). 

Thankfully, Dollaghan and Wells have distinctive voices. If Dollaghan didn't have that Douglas-esque rasp that sounds like at any moment he's going to say, "Greed is good", and Wells didn't have his Australian accent, it would be terribly confusing for the viewers.


Circle of Fear is a step above - but very similar to - the type of actioners Cirio Santiago was pumping out at the time. It's filled with many absurd and very entertaining action sequences, and the music by Jeff Mar keeps things rolling along. A lot of cues don't exactly match the action, but that's part of the fun.

Dollaghan, with his classy mullet and "I'm a long-lost Douglas brother" ways manages to carry the movie and keep eyeballs on the screen. One minute he's fighting Hector the punk (who wears a Beethoven jacket, has an orange mohawk, and carries a boombox next to his ear blasting hip-hop), and the next minute he's at a cockfight, the venue for which has at least three tiers of seating. They must have been very popular.

While it seems that no one really mentions Circle of Fear - apparently it's an undiscovered gem - it had a major studio release on VHS by MGM. It has one of those great, overblown plot descriptions on the back of the box, even saying that it features "mind-bending plot twists". Hmmm...well, we'll let you experience that for yourself, but you should see Circle of Fear. It's a lot of fun.

The official release year for the film is 1992. While watching it, we noticed that it seemed very 80's and we were not surprised to see a copyright date of 1988 after the end credits. That would also explain the Smash Hits-style pictures of Pet Shop Boys and Cyndi Lauper on Jocelyn’s walls. 1988 is the year director Clark Henderson directed Saigon Commandos, so maybe there's a rights issue at play here? Nevertheless, it appears Circle of Fear, despite its studio backing, didn't get a very wide release into video stores at the time.


Besides the Jeff Mar soundtrack, there are many very catchy songs included as well, each seemingly more catchy than the last. Our two favorites were "Can't Get Away" by Kristina Nichols and "One Step Closer" by Billy Martin. The former is very much in the mold of the theme song for Silk (1986), so what's not to love there?

In the end, we do recommend Circle of Fear. It delivers the goods on the 80's action front and there are plenty of positives on display. Seek it out if you can.

Comeuppance Review by: Brett and Ty

The Butcher (2009)

The Butcher (2009)- * * *

Directed by: Jesse V. Johnson

Starring: Eric Roberts, Jerry Trimble, Robert Davi, Keith David, Bokeem Woodbine, Irina Bjorklund, Vernon Wells, Geoffrey Lewis, and Michael Ironside







Merle "The Butcher" Hench is one cool dude. He's an ex-boxer, has a pair of golden guns, and he drives a 1969 Dodge Charger. His temperament is very even and he doesn't yell. He also has a gambling problem. As an enforcer for Irish mobster Murdoch (Davi), he is highly skilled in "the science of violence", as someone tells him. However, Merle's luck begins to change when he wins money from both Chinatown Pete (Woodbine), and Larry Cobb (David).

Meanwhile, thinking that Merle is "over the hill", he is set up as the patsy for a multi-million-dollar heist on a group of other gangsters. While Hench does end up with some of the money, and plans to use it to run off into the sunset with diner waitress Jackie (Bjorklund), he can't help but shake the fact that he needs to get revenge for the fact that Murdoch and his boys betrayed his long-time loyalty to them. So, risking it all - including a potentially brighter future with Jackie - The Butcher gambles one last time...for his life.

There's a lot to recommend about The Butcher. The style of it is fairly downbeat and a bit unorthodox, with some interesting flashbacks. It seems influenced by the "L.A. Noir" of the past. It's a fantastic showcase for fan favorite Eric Roberts as well, as he not only gets to ponder on the existential side of things, he also does some Eric Roberts-Fu on the baddies, and he shoots a whole heck of a lot of them as well. 

Director Johnson is almost venerable towards Roberts and gives him the starring role he deserves. There are a lot of other interesting character moments as well - Davi doing an Irish accent, instead of the expected Italian one, was a surprise treat. Woodbine and David as The Butcher's gambling cronies added a lot. The great Geoffrey Lewis as Naylor, the pawnshop owner, stood out. Although he only appears in the silent flashbacks, Vernon G. Wells is hiding in there as well. And this has to be one of the best-ever performances in Jerry Trimble's career.

The cast is strong and the main idea behind the film is simple but effective. We've seen a good amount of Johnson's films at this point, and he really seems to understand action and what the fans want. He's one of the very few directors out there that really seem completely dedicated to the action genre. 

While The Butcher is far from a thrill a minute - it's deliberately paced and takes time to build up a head of steam - Johnson seems to be showing the fact that you can combine action violence and quasi-film noir without a hitch. When the action does come, it's explosive. It's all the more impactful because of the character moments that surround it. Johnson does his best to eschew cardboard characterizations. 

We applaud everything about the film, with the exception of one little caveat. It's too long. At almost two full hours, we couldn't help but think that if it was trimmed down to 90 minutes or so, it could have worked better. Yes, we realize we just contradicted ourselves a bit - it takes time to build up character moments, so how can we say we love those moments and then want to cut them - but surely a few trims here and there just to get things down to a reasonable running time couldn't hurt.

Perhaps interestingly, the working title for the Van Damme film 6 Bullets (2012) was The Butcher. They must have realized that this The Butcher predated it, then they changed it. Then they got Joe Flanigan. As all movies should.

The Butcher is a solid film all around with a lot of good points and highlights. Its mix of thoughtfulness in with the violence was appreciated. There are interesting faces, as well as ideas, and the cast is excellent. The only thorn in the movie's side is that it's too long. So, as that's not a complete dealbreaker, we say check it out.

Comeuppance Review by: Brett and Ty

The Perfect Weapon (2016)

The Perfect Weapon (2016)- * * *

Directed by: Titus Paar

Starring: Johnny Messner, Sasha Jackson, Richard Tyson, Vernon Wells, and Steven Seagal

Axon Rey, code-named "Condor" (Messner), is a hitman who lets his silencer-laden guns do the talking. (Mostly what they say is "pew pew"). In the year 2029, we all live in a dystopian future controlled by The State. There is an underground freedom movement trying to disrupt the all-consuming central powers of our evil government. 

That's why The Controller (Tyson) runs Condor and tells him who to mercilessly kill. Haunted by memories of his lost love Nina (Jackson), Condor begins to question his life and his missions, which leads him down a road of no return. Naturally, the evil dictator is Steven Seagal as "The Director". What will become of Condor, and his status as THE PERFECT WEAPON?

Wait. Isn't there already a movie called The Perfect Weapon, starring a certain Jeff Speakman? You would think makers of action movies would know this, and pick a different title. How quickly have they forgotten "No Gun. No Knife. No Equal"? Anyway, get ready for Hitman (2007) meets Blade Runner (1982), DTV-style, with a sprinkling of Seagal added into the mix. 

After the near-countless production company logos that precede the film, we see a future where, in true Blade Runner style, giant electronic faces of Steven Seagal are illuminated on skyscrapers as he watches us all. This is not a future I want to be in.



Messner as Axon Rey, AKA Condor - not to be confused with Comdor from The Silencers (1996) - is strongly reminiscent of Mark Strong. At least he's a tough-guy hero and not a fey millennial as we've been seeing lately. Of course, there is the Prerequisite Torture of the hero, along with all the gun-shooting and beat-em-up action. 


Most importantly, though, he talks to his home personal assistant, which is a crystal/plastic pyramid like the one Evie talks to on Out of This World. While, on the whole, there is perhaps a bit too much of the romance subplot, which slows things down, we see why the filmmakers went that route. There's an actual reason but we won't give it away.



It was nice to see fan favorite Vernon G. Wells, but it was a missed opportunity to have him be in the cliched torturer role. He should have done something more interesting, like maybe punch Seagal in the face. Our old buddy Seagal isn't in the movie much overall, but it does seem that he has a strong southern accent in the beginning, but completely loses it at the end. He only does minimal Martial Arts, and it's at the final battle. He wears loose-fitting black robes. We'll just leave it at that.



The Perfect Weapon is in no sense original, but it is made well, especially for the budget. It's better than a lot of other DTV product out there, but once again there is an over-reliance on CGI when there needn't have been any at all. It's not overly long, which is more for the win column.



It won't change your life, but there are certainly worse ways to spend your time. 

Comeuppance Review by: Ty and Brett 

Also check out write-ups from our buddy, DTVC! and The Video Vacuum!

Shadows In Paradise (2010)

Shadows In Paradise (2010)- * *

Directed by: J. Stephen Maunder

Starring: Mark Dacascos, Sofya Skya, Tom Sizemore, Danny Trejo, Bruce Boxleitner, Vernon Wells, Steven Bauer, Andrew Divoff, and Armand Assante

Max Forrester (Dacascos) is fighting in Iraq alongside Sasha Villanoff (Skya). As a fellow soldier and Max’s girlfriend, he feels especially inclined to protect her from the baddies all around her. Max is put to the test when Sasha disappears. He tracks her to a place called Paradise Island, found somewhere in the middle east. 

During the course of their perilous journey, they uncover an illegal arms-smuggling ring run by some corrupt soldiers called Shadow Company. Since Shadow Company is on PARADISE Island, that explains the title of the movie. Meanwhile, Col. Bunker (Sizemore) and Captain Dyer (Boxleitner) are at odds because of the activities of Captain John Santos, who goes by the code name of “Ghost” (Assante). 

Could he have something to do with the arms smuggling? Or could it be Matador (Trejo), Stronach (Divoff), General Ruth (Wells), or Agent Stubbs (Bauer)? While we desperately want to invest some intrigue into all of this, we really just wanted to highlight all the names involved here. Will the hot middle eastern sun eradicate all the SHADOWS IN PARADISE? And who else will be eradicated?

Shadows In Paradise is such a textbook example of what we call the Lone Tiger Effect (for those who don’t know, it’s when a movie features a bunch of the B-Movie names we all know and love – so we think the movie itself is going to be good – but it turns out to not be so hot) that we should really consider changing it to the Shadows In Paradise Effect. Yes, all our favorite people are present and accounted for but…at what cost? In other words, while it was enjoyable to see all our cinematic buddies all together in one film, we were disappointed at the final result. Which makes things all the more disappointing.


That being said, this movie is just too darn silly to really hate. While the overall feel is one of those modern-day DTV “Seal Team” movies (i.e. junky and none too involving), and the muzzle flashes on the guns are roughly on par with the ones in Hangfire (1991) (i.e. really stupid and fake looking), once you see Tom Sizemore’s “acting”, you want to say to the movie, in a loving and forgiving tone, “I can’t stay mad at you…”


Is it any wonder, then, that with the incoherent mumblings of Armand Assante, layered with the incoherent ramblings of Tom Sizemore, that the movie as a whole is, well…incoherent? Thankfully, Sofya Skya is on board, but Assassins Run (2013) offers up a better example of what she can do. She does sing the theme song, “Don’t Break My Heart”, but with its 90’s Lilith Fair vibe, even that indicates she is capable of better. She should have followed the example of Natalie Burn and done more of a rocker.

There’s a bunch of beat-ups and shooting, and even some light prerequisite torture, but what else would you expect from director Maunder, whose only other directorial credits are Tiger Claws II (1996) and Tiger Claws III (2000)? Trejo, Bauer, Wells, and Divoff – enough to carry a movie in their own right – have glorified cameos. We believe Bruce Boxleitner was here, but it could have been Barry Bostwick. We’re still not sure. 

In the end, Shadows In Paradise is a lightweight and unfortunate example of a modern-day DTV actioner. While we were happy to see all the great cast members, to say they weren’t all used to their full potential is an understatement. It’s all pretty disposable. Bring us back to the 80’s any day.

Comeuppance Review by: Brett and Ty

Commando (1985)

Commando (1985)- * * * *

Directed by: Mark L. Lester

Starring: Arnold Schwarzenegger, Vernon G. Wells, Rae Dawn Chong, Alyssa Milano, Bill Duke, David Patrick Kelly, and Dan Hedaya

When the awesomely-named John Matrix (Arnie) retires from a life of globe-trotting Special Ops commando work, all he wants to do is spend time with his beloved daughter Jenny (Milano). Instead of feeding the local deer and eating unknown sandwiches, Matrix’s past comes back to haunt him: the diabolical Arius (Hedaya) uses a team of mercenaries, including Matrix’s former associate, now evil, Bennett (Wells), as well as Sully (Kelly) and Cooke (Duke), among others, to force Matrix to depose a South American dictator so Arius can step in and make himself El Presidente. They’ve kidnapped Jenny and are forcing Matrix to do the job. Rather than submit to their demands, Matrix uses his considerable skills to turn the tables on the baddies and rescue his daughter. Along the way, he teams up with an unlikely partner, an innocent bystander to all the chaos named Cindy (Chong). John Matrix will prove himself to be the ultimate COMMANDO as he executes his ultimate mission: rescue Jenny! Will he do it? Well, you probably already know…

Perhaps the pinnacle of the 80’s action boom, the great and mighty Commando is everything an action movie should be…and more! It’s a completely entertaining, winning, engrossing, fun spectacle that features non-stop over the top action and hilarious one-liners from Schwarzenegger. Heck, this movie practically invented the “action movie one-liner” that we all take for granted today. However, it must be said the Arnie used two of them in The Terminator (1984) as well, but hey, there’s plenty to go around. Director Lester even reportedly counts this as his favorite of his own movies, which isn’t at all surprising. If I directed it, it would be my favorite too. (One supposes Hitman’s Run wouldn’t give Commando much of a run for the top position, but Lester also directed the excellent Showdown In Little Tokyo, so that must be a strong #2 in his eyes).

Commando is a vivid evocation of the 80’s rise of Arnie and the action movie in general. It was a great time in movies when if the filmmakers had to make a plot choice between either something logical, or something manly/muscular/action-oriented happening on screen, logic was chucked to the side because it’s far less important. Mr. Schwarzenegger remains charming as ever here, whether he’s reading Creem magazine and opining about Boy George, or shooting/blowing up/knifing/chopping/slicing/impaling people or getting into car chases or other death-defying stunts. James Horner’s score should also be singled out for mention, as it alternates between synth stabs during the action scenes, and the time-honored 80’s sax elsewhere. It’s really the perfect score and fits the movie well.

Kudos also go to the writers and director Lester for ensuring that this did not turn into an El Presidente Slog, as we call them, which it easily could have. Yet more props go to the excellent (and extensive) stunt performers on the film. As mentioned earlier, Schwarzenegger doesn’t have to carry the whole movie on his back like so many logs or phone booths. A top-notch cast is assembled around him to ensure quality all around. Someone should ask Alyssa Milano today what she thinks about Commando. There’s even a Rambo-style “Trautman” character that doesn’t get much screen time, perhaps because he’s not as important as all the Arnie action.

It should go without saying, but the cinematography is crystal-clear as well and you can see everything perfectly (unlike the movies of today). So when you see Arnie blowing up Jeeps with a rocket launcher, you really see Arnie blowing up Jeeps with a rocket launcher. It’s all a ton of fun, with a rich vein of humor throughout. The whole outing, seen from today’s perspective, harkens back to a time when you really got your money’s worth from your movie theater ticket. As a slam-bang, total-entertainment spectacle, you walk away feeling satisfied. Perhaps even uplifted, as Power Station’s “We Fight For Love” pumps on the soundtrack as the credits roll.

The thing is, if you DON’T like Commando, that might be a sign that you need psychological help. Symptoms of NLC (Not Liking Commando) should be listed in the DSM-V Manual of Mental Disorders. If you ever find yourself not liking this movie at any time, for any reason, please consult a medical professional. Commando rules!

NOTE: When buying the movie, seek out the 2007 American DVD. It’s the director’s cut and contains more violence. 

Comeuppance Review by: Brett and Ty 

The Bad Pack (1997)

The Bad Pack (1997)- *1\2

Directed by: Brent Huff

Starring: Robert Davi, Ralf Moeller, Jeep Swenson, Brent Huff, Sven-Ole Thorsen, Roddy Piper, Larry B. Scott, Shawn Huff, Marshall R. Teague, and Vernon G. Wells










In the dusty border town of Los Robles, Texas, an evil white supremacist group led by Lamont Sperry (Teague) and his loyal henchman Sven (Ole-Thorsen) set up shop. I guess if you hate Mexican people, you go to the source, right? 

Well, two brothers decide the only way the destitute community can rid themselves of the baddies is by checking the ads in the back of Soldier of Fortune magazine, and hiring some mercenaries to kill them all. They take a train to L.A. and meet with a man named Biker (Wells), but he refuses their offer. Eventually they find the right man for the job: a one-man fighting force named McQue (Davi). What follows is classic “Assembling a Team” as McQue goes and finds people with special, individualized skills for the mission: Dash Simms (Piper) is the driver, Remi Sykes (Shawn Huff) is the sniper assassin, Kurt (Moeller) is the muscle, etc. This newly-christened (but never actually said out loud) BAD PACK is promised millions of dollars from the cache of the evildoers if they succeed...but will they?

The Bad Pack is a disappointment. With a galaxy of B-Movie stars on display and Brent Huff both in front of and behind the camera, you’d think it would be a no-brainer to make an awesome action classic. Not so much. But they did get the ‘no brain’ part right, as the movie is very, very dumb. It’s filled with stultifyingly stupid dialogue that drags down the whole project. Also, it needed more action. Saving all the action for the big climax is a no-no. Seeing as this is a supposed action movie, you should really have action DURING the movie. Doesn’t Brent Huff, of all people, know that?

There’s something sanitized about it - what little action scenes exist throughout the movie are quick and bloodless, and there’s minimal bad language and no nudity. It’s almost an action movie for the whole family. 

While it was great to see fan favorite Robert Davi in a lead role like this - especially when he’s foiling robbers at a diner with his canefighting skills or popping extended, unnecessary wheelies on his bright green motorbike, we wish the movie overall was of a better caliber and better suited to his skills. And because the whole outing is pure 90’s (of the pay-channel and back-shelf-of -the-video-store variety), there are not one but two scenes of Punchfighting: one with Battle Creek Brawl’s mega-meathead Jeep Swenson (R.I.P.) and Ralf Moeller, and another with Brent Huff and some other guy. Presumably these were the scenes meant to tide us over until the finale.

Marshall Teague, as the main baddie, looks a lot like George Lucas in this movie. And that’s in the scenes when he doesn’t look like Kenny Rogers. This really brought to the silver screen what George Lucas is probably like in real life. Yet another character we didn’t mention thus far, Jeremy Britt (Scott) plays a Black nerd (Blerd?) whose only function in The Bad Pack is that he owns a laptop. He claims to be the guy who “gets them the information”, as if the other members of the team don’t have access to the internet. But it was the golden age of Urkel, so, that decision makes sense.

But that leads us to two terms we coined - first is the Lone Tiger effect, when you think a movie is going to be good because of a stellar cast, but instead it’s a mess because there are TOO many characters and no one gets enough time in the sun. That’s The Bad Pack. 

Also it’s a Lacktion movie: a supposed action outing that lacks action. That’s The Bad Pack as well. Add to that some annoying characters and some light bathroom humor, and our good will is falling precipitously. And it’s all such a waste. The potential is CLEARLY there for a better movie, but it falls flat. Roddy Piper as a DRIVER who only marginally participates in the (of course) final warehouse fight? Are you kidding me? But on the bright side, Ralf Moeller stole his scenes and is quite good in it, as is Shawn Huff (that would be Mrs. Brent Huff).

Sadly, audiences who watch The Bad Pack are Huffing the fumes of the glory of the past work of the participants.

Comeuppance Review by: Brett and Ty

Also check out a write-up from our buddy, DTVC! 

T-Force (1994)

T-Force (1994)- * * *1\2

Directed by: Richard Pepin

Starring: Jack Scalia, Deron McBee, Evan Lurie, Jennifer MacDonald, Martin E. Brooks, Bobby Johnston, Erin Gray, and Vernon Wells












At some point in the future, a scientist named Dr. Gant (Brooks) creates “Cybernauts”, robots with very human characteristics used for law enforcement. Adam (Lurie), Zeus (Malibu, or McBee, or perhaps Malibu McBee), Mandragora (MacDonald) and Cain (Johnston) are bulletproof, never miss when they’re shooting their guns, and have super-strength, among other superlative characteristics. 

However, when they’re told the program that created them is going to be shut down, their “self-preservation” instinct kicks in. Zeus, Mandragora and Adam then proceed to go on a robot rampage. But Cain separates himself from the murderous bunch. He ends up teaming up with Lt. Jack Floyd (Scalia), a man who initially hates robots but eventually warms to Cain when Mayor Pendleton (Gray) ensures they have to work together as partners. Can anyone – or anything – stop these super-strong, deadly and emotionless killbots? Find out today!

T-Force is an excellent example of what PM does best. It delivers the goods – it provides tons of viewing enjoyment, and totally fulfills what this sort of movie should be. Of course, the “T” in T-Force is short for Terminal, going along with what can only be described as the “Terminal” craze of movie titlings in the 90’s. Terminal Force would have been a cool title, but shortening it to T-Force is even cooler. It starts with an amazing intro where the Cybernauts are posing in front of explosions, and we’re treated to many more blow-ups where that came from.

Casting Malibu and Evan Lurie as robots was a stroke of genius, and these robo-meatheads (or MeatBots if you prefer), of course, have long hair. Why long, lion-like manes (and in the case of Cain, a propensity for wearing tight jeans) was part of the intentional design of the Cybernauts remains unexplained. 

But in addition to the plentiful shooting, blow-ups and fights, there are actually ideas and concepts embedded herein that make you think. No, seriously. The screenwriters must have been reading their Socrates, because there are some Crito-like meditations on the nature of law and society. Not to mention humanity. So, there are more real explosions – and ideas – in the final third of T-Force than in the past 20 years of Hollywood pap combined.

Playing the archetypal American man that the audience can identify with (he even has an all-American car, a 1977 Cadillac he names Ol’ Betsy) Jack Scalia is at his absolute best here. Endowing Jack Floyd with a lot of energy, not to mention groany one-liners, he provides nice counterpoint to the robotic action. This blows away his performance in Dark Breed (1996). I think we can safely say this is Classic Scalia. But giving him a run for his money is the guy who plays Alderman Peter (we think his name is Sean Moran). He gives everyone a run for their money, including two meatheads exchanging quasi-Shakespearan-style dialogue. Malibu and Lurie together is almost too much meathead for one movie, but at least T-Force reconstitutes the meat into something a little different this time.

So in classic 90’s fashion we have tons of mindless killings and blow-ups, dialogue that’s silly when it’s not intellectual, exploding helicopters (and everything else), sax on the soundtrack, and of course the 90’s-future-movie staple, VR. It’s hard to ask for more, and the confluence of classic elements puts this ahead of the pack. PM delivers yet again, with a winner that is indeed T-Forceful.

Comeuppance Review by: Brett and Ty

Also check out write-ups from our buddies, Exploding Helicopter and The Unknown Movies!

Stranglehold (1994)

Stranglehold (1994)- * * *

Directed by: Cirio H. Santiago

Starring: Jerry Trimble, Jillian McWhirter, and Vernon G. Wells













When Ohio congresswoman Helen Filmore (McWhirter) and her staff fly to Kuala Lumpur, Malaysia, to visit Chemco, a new chemical weapons facility, all hell breaks loose when terrorist Richter (Wells) and his goons commandeer the place and take Filmore and her staff hostage. Luckily, she has a badass bodyguard with an attitude, Ryan Cooper (Trimble). Cooper singlehandedly must take down the baddies and save Filmore. But with Richter’s goons at every turn, can he do it? Find out today!

Stranglehold is yet another addition to the 90’s “DieHardInA” sub-genre that we’ve covered extensively on this site. Lethal Tender, Deadly Outbreak, Crackerjack and many others populated video stores with scenarios oddly reminiscent of the Bruce Willis film. 

Thankfully, our main hero this time around is the inimitable Jerry Trimble, who looks like Sean Penn in a bout of ‘Roid Rage. (Interestingly, he resembles Penn when he’s wearing his suit. When he changes to fatigues - he only has two outfits in the movie - he looks more like Emilio Estevez. Go figure). Nevertheless, Trimble has a great voice, and it sounds a lot like Reb Brown’s. It’s highly enjoyable to watch him fight baddies and shoot one-liners. And more baddies. To quote the tagline: “Bare hands. Fast feet. Short temper. Ryan Cooper needs no weapon”. That’s all you need to know, really.

Besides Trimble and his ponytail, and his utterance of lines such as “Maybe a diet sandwich?” to a portly compatriot (we think Trimble may have unwittingly invented something awesome here. But we suspect he does a lot of things unwittingly), there are some other B-movie greats onboard. Jillian McWhirter, who we knew from Beyond the Call of Duty (1992) and the great PM movies Last Man Standing (1995) and Rage (1995) is good as the congresswoman. 

And we always love to see Vernon G. Wells, and here he puts in a wonderfully hammy performance as the bad guy with the prerequisite German name. And because it’s a Cirio movie under the Corman auspices, the running time is only 73 minutes! So it’s easy to fit this one into your movie-watching schedule.

The shooting and kicking in an industrial scenario, exploding things, not the least of which is at least one helicopter, and the keyboard-based soundtrack will feel nicely familiar to action fans and it gives the movie an 80’s feel. On the whole, we enjoyed Stranglehold, because there’s nothing NOT to enjoy. It delivers action goods in a compact package, and we applaud that.

Comeuppance Review by: Ty and Brett

Also check out a write-up by our buddy, DTVC!

Last Man Standing (1987)

Last Man Standing (1987)-* * *

AKA: Circle Man

Directed by: Damian Lee

Starring: Vernon Wells, Franco Columbu, Sonja Belliveau, Michael Copeman, Peter Dempster, Real Andrews, Kim Coates, and William Sanderson









Roo Marcus (Wells) is a down-and-out guy with a troubled past who was recently released from a mental institution, where he suffered through inhumane conditions and shock therapy. Going back to the only thing he really knows, he begins Punchfighting in brutal, bare-knuckle “circle fights” run by Napoleon (Copeman). He tries once again to leave the Punchfighting life behind, working at a gym run by his buddy Casper (Sanderson). He even develops a relationship with local tomboy Charlie (Sonja Belliveau). But due to circumstances beyond his control, he gets sucked back into Punchfighting, having to contend with musclebound maniac Cannon (Dempster), and quick, charismatic, Muhammad Ali-like Razor (Andrews). Will Roo ever find the peace in life he seeks?

Last Man Standing (not to be confused with the Wincott movie - or any other movie - with the same name) was a pleasant surprise. While it contains no shortage of bare-knuckle Punchfighting, if you took out all, or most, of the circle fights, it could stand on its own as a serious and even tender drama. That’s surely the sign of a quality Punchfighter. 

Vernon Wells gives a wonderfully sensitive and nuanced performance as Roo. You really care about him. We were only familiar with his work in Nam Angels (1989), American Eagle (1989) and of course Commando (1985). We didn’t know he could actually ACT. While he was excellent in the role, we also thought Richard Norton could have played Roo. Balancing out the introspective Roo was his friend Batty, played by Franco Columbu. He gives a crazy, unhinged performance and he really lives up to his character’s name.

We were a little wary going in to this movie, as we haven’t had great luck with Damian Lee movies in the past. But we’re glad we went forward, as this, his first movie as director, is his best we’ve seen to date. Lee wrote and produced Busted Up (1986) and Thunderground (1989) but did not direct them. Last Man Standing has a similar vibe and will remind you of those. While Lee would return to Punchfighting later in his career with Fatal Combat (1997) (with Wincott, funnily enough), and make movies that range from funny (Abraxas, 1990) to just plain awful (Agent Red, 2000), if you’re not familiar with his work, here would be a great place to start (and possibly end).

The circle fights, and the crowds that surround them, will remind you of the video for the Scorpions’ “Rock You Like A Hurricane”. But it predates UFC’s “The Octagon” by many years, and as far as cage fighting movies go, this is probably rivaled only by...well...Cage (1989). And possibly Cage 2 (1994). But beyond the cage, it has other fighting innovations we’d never seen before, such as when two burly meatheads oil each other up (with actual black oil), tie a rope to each other’s arms, and get into a rickety rowboat in a lake and then have at it. You can’t make this stuff up. Or maybe you can. But how did they?

William Sanderson is always great, Damian Lee appears as the pre-Bumfights Bumfighter Sully, and Kim Coates has a cameo, but Real Andrews is keepin’ it Real as Razor. While we’d seen him before in the aforementioned Busted Up, as well as Red Scorpion 2 (1994), and the Billy Blanks vehicles Expect No Mercy (1995) and Balance of Power (1996), here he gives a noteworthy performance, and you’ll love his rapping abilities.

Last Man Standing as a whole, like Wells’ performance, is human and street-level. To be brutally honest, the movie does feel somewhat low-rent, but to put a positive spin on that, we could just say it’s gritty. If you’re a fan of the Punchfighting genre, definitely check this one out.

Also check out a review by our buddy, Cool Target!

Comeuppance Review by: Ty and Brett

Nam Angels (1989)

Nam Angels (1989)-* * *

Directed by: Cirio H. Santiago

Starring: Brad Johnson, Rick Dean, and Vernon G. Wells 











During the Vietnam war, Lt. Calhoun’s (Johnson) men are taken prisoner by a tribal group run by “A mysterious white man” who is also a “round-eye”, named, oddly, Chard (Wells). The top brass considers the trapped men “expendable” but Johnson does the only logical thing: he recruits four Hell’s Angels for a five-day mission and bribes them with millions of dollars of gold dust hidden in the hills of ‘Nam. All they have to do is help Calhoun rescue his men. The ‘Angels reluctantly agree, and there is some trouble and strife along the way, but a badass from West Texas who fights with a lasso and sawed-off shotgun (that would be Calhoun), teaming up with some tough biker dudes is going to be a double-team that will prove tough to beat. Will Calhoun’s gamble work?

At first, this Cirio movie seems to be yet another Vietnam/jungle slog that seems very familiar. But once the bikers come into the equation, things change for the better and you realize that you should be giving the filmmakers points for originality. It was only natural: take two exploitation genres - the (Vietnam) War movie and the Biker movie, and simply find a way to mash them together and make it work. Thankfully, it does, and Roger Corman can put this one in his win column.

Brad Johnson looks like a young Tom Berenger, but this isn’t exactly Platoon (1986). Vernon G. Wells is properly evil, especially with his ponytail. Amidst the classic barfights and “pew-pew!” shooting scenes, at least on the Corman-released DVD we saw, we noticed some odd editing. It looked like the opening credits and perhaps some other scenes were re-edited for this DVD release. We can’t confirm this, and it’s doubtful they cut out anything good, but it would be interesting to see a different print.

If you read our Operation Warzone (1988) review, you’ll remember how we discussed that movie’s highly inappropriate soundtrack, with 80’s synthesizers blaring in ‘Nam. Well, Nam Angels falls into that same trap. But if you’re looking for logic, why are you watching this movie in the first place?  There are a lot of nonsensical things going on here, from the plot itself to the John Milton quote at the end. But bikers poppin’ wheelies in the jungles of ‘Nam is cool enough to make up for it.

Nam Angels is worth checking out.

Comeuppance Review by: Brett and Ty

American Eagle (1989)

American Eagle (1989)-* * *

Directed by: Robert J. Smawley

Starring: Asher Brauner, Robert F. Lyons and Vernon G. Wells





"Take Cover, The Eagle Flies Again!"

"When You're The Best In The Business, There Are Only Two Choices...Win Or Die."

 



Max "The Eagle" Shane (Brauner) is a surly mercenary with a mullet. He goes around the world to hellholes like Angola and Nicaragua cleaning up problems - with bullets. He's a Vietnam vet, and his fellow Vietnam buddy Johnny Burke (Wells) is now a high-powered bad guy who runs drugs, guns ("war is a very profitable business") and is involved in kidnapping. He also hates Shane because of an incident that occurred back in 'Nam. So Burke kidnaps Rudy's sister Angela (Baker) and a bunch of other fashion models, and Shane goes on a mission with his friend Rudy (Lyons) to the Ivory Coast in Africa to stop the bad guys and end the conspiracy.

Asher Brauner makes quite the hero. All he does is smoke, drink and eat meat. He even asks Rudy at one point "Got any bacon?" This proves to be his catch phrase. It truly rivals "I'll be back". He loves sports and wears plenty of jerseys and caps. Interestingly, he seems a bit confused a lot of the time and says plenty of malapropisms. When someone says "news travels fast", instead of saying "what news?" (he's trying to get info), he says "how fast?" And when another character is dead silent, saying nothing, Shane says "I'll be the judge of that". Huh?

He makes a lot of funny faces and has a cool jacket. He looks like a cross between Nick Nolte, Stallone, Michael Madsen and David Hasselhoff. He gets into a grenade/knife fight. By that I mean he holds a grenade and his enemy holds a knife and they fight. We've never seen that before, I don't think. Pretty original.

Shane's partner Rudy basically IS Bob Eubanks. He looks so much like him. He and Shane are the original odd couple, as Eubanks, I mean Rudy is a health nut that exercises and drinks power-shakes made of fruit. But they work well together as they discuss sports as they torture a bad guy for information. If you've ever wanted to see Bob Eubanks shoot a machine gun and kill people, this is the movie for you. Notably, there are some pop culture references and even waterboarding in American Eagle. How ahead of its time. Asher is a visionary I tell you.

Normally we don't go into nerdy stuff like this, but you have to watch out for something really funny at an hour and seven minutes into the movie. There is the single most OBVIOUS dummy you've ever seen. It's laugh out loud funny. It's like something from a sketch on Conan.

Ending with a stirring, moving, tearjerking title song by Lionel Petersen, American Eagle is stupid (in a good way) action fun.

SPECIAL NOTE: The back of the DVD from Platinum disc is hilariously over the top and also riddled with errors. Firstly, the pictures shown are NOT from this movie, but the other Asher movie on Platinum, Merchants of War (1990). According to the person who wrote the back, "Asher Brauner wrote the BONE CHILLING screenplay". Also they misspell Spielberg as "Speilberg" and they even made up their own word: "Wearly"! And I quote (I couldn't make this up if I tried):

"The action avalanches from spectacular car crashes to fiery shootouts as Max, the wearly Eagle, must sharpen his talons anew for the most brutal fight of his life. Nothing has prepared you for the awesome impact of this adventure classic's explosive climax."

Are they overstating the case? Find out for yourself tonight!

Comeuppance Review by: Brett and Ty